7.8 | / 10 |
Users | 4.0 | |
Reviewer | 4.5 | |
Overall | 4.0 |
John Books an aging gunfighter goes to see a doctor he knows for a second opinion after another doctor told him he has a cancer which is terminal. The doctor confirms what the other said. He says Books has a month maybe two left. He takes a room in the boarding house and the son of the woman who runs it recognizes him and tells his mother who he is. She doesn't like his kind but when he tells her of his condition, she empathizes. Her son wants him to teach him how to use a gun. Books tries to tell him that killing is not something he wants to live with. Books, not wanting to go through the agony of dying from cancer, tries to find a quicker way to go.
Starring: John Wayne, Lauren Bacall, Ron Howard, James Stewart, Richard Boone (I)Western | 100% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 5.0 | |
Overall | 4.5 |
Many diehard fans are familiar with the term "montage theory", but even some of those aficionados may not know that Golden Age Hollywood studios actually had montage departments. In one of the typically excellent supplements Arrow has aggregated for this release of The Shootist, Warner Brothers' Montage Department is overtly referenced, since it was the work home for director Don Siegel for over a decade, where he was tasked with creating the traditionally dissolve ridden vignettes that tended to offer cinematic "elisions" of a sort for a huge array of films, montages that quite often offered a lot of information in a very short span of time. Siegel's expertise with montages is put to short but effective use in the opening minutes of The Shootist, where Siegel culled snippets from a number of old John Wayne films in order to craft a "biography" of the character Wayne plays in the film, a former lawman and more or less bounty hunter named J.B. Books. Siegel deftly lifted seconds from Red River, Hondo, Rio Bravo and El Dorado (with the film originally shot in color re-graded to black and white) to quickly establish some supposed "history" for Books, who evidently did not suffer bad guys gladly, and who was quite adept at taking them out in various gunfights. Those relatively early looks at a strapping Wayne (even if El Dorado came out in 1966) then contrast almost viscerally with the aged man who suddenly appears on screen as the story segues to its main 1901 setting in Carson City, Nevada.
The Shootist is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's insert booklet contains the following information on the restoration:
The Shootist is presented in its original aspect ratio of 1.85:1 with original mono audio, and has been exclusively restored by Arrow Films.Interestingly, the back cover of this release further states that this is a 2K remaster, which Arrow has clarified was shorthand to indicate the 4K scan was conformed to the 2K Blu-ray standard. The opening montage may give videophiles momentary pause, but it's important to pay attention to when optical titles are part of the presentation as they are here (which they are repeatedly and arguably unnecessarily, notating various days and dates in the story), because there can be a noticeable downgrade in image quality and palette saturation during such moments. The bulk of this presentation, though, offers some commendable detail levels and a nicely vivid palette, boosted by a glut of brightly lit outdoor material. There are some curious if passing and intermittent variances on display, including some frankly weird color timing issues that can suddenly (to cite just one example) make flesh tones skew noticeably toward purple just for a second, without any seeming cause (like those aforementioned opticals). Grain is mostly tightly resolved, but there are a number of scenes, or even shots within scenes, where things get considerably grittier and more textured looking.
The original 35mm camera negative was scanned in 4K resolution at Paramount. The film was restored and graded at R3Store Studios, London.
The English mono soundtrack was sourced from the optical sound negatives by Paramount and was remastered by Bad Princess Productions, London.
All materials sourced for this restoration were made available by Paramount.
The Shootist has a nicely robust LPCM Mono track that may leave some audiophiles wanting a bit more immersion since there's such a great Elmer Bernstein score and glut of sound effects (including the whistling wind that sounds behind the Paramount logo at the film's start). That said, the track actually offers some impressive prioritization despite its unavoidable narrowness, and the climactic shootout scene is a great example. Dialogue is rendered cleanly and clearly throughout.
The Shootist makes for a near perfect "exit strategy" for John Wayne's legendary career in film. Stuffed to the brim with great performances, and featuring evocative production design (Academy Award nominated), cinematography and score, the film is arguably a kind of proto anti-western in its own way. Technical merits are solid and this disc sports one of the most outstanding slates of supplements that the typically reliable Arrow Video has assembled. Highly recommended.
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