7.2 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Comedy | Insignificant |
Action | Insignificant |
Sport | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.35:1
Original aspect ratio: 1.33:1
Music: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region B (locked)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 2.0 | |
Overall | 4.0 |
William Wyler's "The Shakedown" (1929) arrives on Blu-ray courtesy of Eureka Entertainment. The only bonus feature on the disc is an audio commentary recorded by critic Nick Pinkerton. Also included with the release is a collector’s booklet featuring new writings by critic Richard Combs and film writer Andrew Graves, as well as technical credits. Region-B "locked".
Do we have a deal?
Presented in an aspect ratio of 1.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The Shakedown arrives on Blu-ray courtesy of Eureka Entertainment.
This film was initially released on Blu-ray by Kino Lorber. (You can see our listing and review of this release here). Eureka Entertainment's upcoming release is sourced from the same master that the folks at Kino Lorber worked with. It is a 4K master that was prepared after The Shakedown was restored in 4K at Universal Pictures.
I like how the film looks in high-definition a lot. However, I have to repeat the same comments I left in our review of the U.S. release, which address the native limitations of the surviving materials that were accessed during the restoration. So, you should expect to see some small density fluctuations that affect delineation and depth. Also, there is a bit of surface damage -- minor spots and marks, some scratches, etc. -- that is left 'as is'. Some of it could have been addressed, but I think that the improvements would have been very minimal at best, so someone made the right decision not to take any major risks. (What does this mean exactly? It means that while removing what is essentially embedded damage with powerful digital tools more damage could have been done, or existing detail affected, and this would have introduced an entirely different range of issues). The grayscale is very pleasing. As you can tell from the screencaptures that are included with our review, there are fine blacks and good ranges of whites and grays. Image stability is good, but you should expect some very minor frame instability to pop up here and there. My score is 4.25/5.00. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: Music LPCM 2.0. The film can be seen with original English intertitles.
Michael Gatt's excellent score was used on the Kino Lorber release. I think that it sounds fantastic, though this isn't exactly surprising because it was recorded in a studio environment. In other words, the lossless track reproduces flawlessly the qualities of the original audio mix.
Last year, Kino Lorber's release of The Shakedown became one of my favorite releases and I had to place it on my Top Ten list. Now, Eureka Entertainment is bringing The Shakedown to the United Kingdom as part of the upcoming Early Universal Vol. 1 box set. You should pick it up. I think that The Shakedown is a wonderful gem from the great director William Wyler, and after it was redone in 4K, it looks wonderful on Blu-ray. VERY HIGHLY RECOMMENDED. (If you do not yet have Robert Wise's The Set-Up in your library, pick up a copy of it as well. This film comes from a different era and is a lot darker, but deals with many of the same themes The Shakedown does. Also, it features an astonishing performance by one of my all-time favorite American actors, Robert Ryan).
(Still not reliable for this title)
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