6.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
While working on a documentary on his old neighborhood, a young film school graduate shifts the focus of his production onto the disappearance of a local resident and the strange characters who are conducting the search to find him.
Starring: Holt McCallany, Michael Badalucco, Nicholas Turturro, John Turturro, Steve Buscemi| Comedy | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 2.5 | |
| Audio | 3.0 | |
| Extras | 1.0 | |
| Overall | 2.5 |
Not every unremembered film deserves to be rediscovered. For most, there are good reasons why they faded quietly from public consciousness. Case in point: The Search for One-Eye Jimmy, a low-budget comedy that boasts an impressive cast but almost entirely squanders its star power with a goes-nowhere story that amounts to little more than a series of nominally funny intertwined sketches. Shot in 1993 but not shown theatrically until 1996, the movie got lost in the indie film boom and promptly forgotten, seen only by the scattered few who were intrigued enough by the VHS box art to rent it from Blockbuster. It never even got a DVD release. Recently, though, Kino-Lorber acquired the rights to the film and decided to put it out on DVD and Blu-ray, perhaps banking on our pop-culture's nascent, semi-ironic nostalgia for the 1990s. (The '80s were so 2009.) Will The Search for One-Eye Jimmy be reevaluated as an unjustly lost gem from the pre-Pulp Fiction days? I kind of doubt it. Still, it does have some slight value as a cinematic time capsule for a specific place, era, and filmmaking attitude. Namely, pre-hipster Brooklyn, pre-grunge 1990s, and pre-Internet indie Do-It-Yourself-ness.

Ol' One-Eye...

The Search for One-Eye Jimmy makes its DVD and Blu-ray debuts on the same day, and the high definition edition obviously comes out ahead in overall clarity. But don't expect picture quality wonders. The film was shot for cheap on 16mm and then given a 35mm blow-up for theatrical release. Since that process inherently increases the graininess and softness of the picture, and since the image here is so exceptionally grainy and soft, it looks to me like the film's 1080p/AVC-encoded Blu-ray transfer was probably sourced from a 35mm print and not the original 16mm negatives. At no point does the picture even begin to look sharp sharp, though I suspect it probably looks as good as it's ever going to considering how it was shot and processed. It is what it is--and extremely low-budget 16mm picture. Color seems balanced and natural at least, with a decent image density and contrast that's neither too pushed nor too flat. The print itself hasn't been cleaned up at all, and you'll notice black and white specks, small scratches, bits of debris, and occasionally even black "reel change" dots up in the right hand corner of the screen. (Another tell-tale sign that the transfer was most-likely taken from a 35mm blow-up.) If you've been waiting for a new home video version of the film since the VHS days, you'll probably appreciate the increase in all-around picture quality, but don't get your hopes up for a miraculous high-definition restoration.

The film's shoestring budget is apparent in the audio as well. Kino-Lorber has given One-Eye Jimmy a DTS-HD Master Audio 2.0 stereo mix, but a lossless track can't hide flaws inherent in the source material. The thing you'll notice first is that the on-location recording is never studio-quality clear. The dialogue has a tendency to sound somewhat far away, and occasionally muffled. (And, more rarely, slightly out of sync.) Voices are still completely intelligible--I never had a hard time understanding what was being said--but the limitations of shooting for cheap on the streets are obvious. Likewise, the music and spare effects all have a squashed-in-the-mid-range quality that's about what you'd expect from this kind of film. Once again, it is what it is, but I don't see any real cause to complain. Well, maybe one. The disc has no subtitle options whatsoever, which is a bummer for those who might need or want them.

The only extras on the disc are a gallery of seven high-definition stills and high definition trailers for Meeting Spencer and Winnebago Man.

One-Eye Jimmy was lost but now it's found. And I'm not sure that too many people will care. This extremely low-budget comedy features some veritable titans of indiedom--Steve Buscemi, Samuel L. Jackson, John Turturro--but it's just not very funny. Go ahead and rent it if you're a fan of its stars and you want to check out a little-seen footnote of the 1990s indie film boom, but don't expect an undiscovered Reservoir Dogs.

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