5.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
In a time when adultery is punishable by death, Hester Prynne becomes involved in a risky and scandalous affair with her town's handsome minister. But when their secret passion results in a child, Hester is confronted with the town's overwhelming scorn... and is condemned to forever wear the scarlet letter "A" as a public brand of shame.
Starring: Demi Moore, Gary Oldman, Robert Duvall, Robert Prosky, Joan PlowrightRomance | 100% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.34:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 2.0 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
While it seems like such a distant memory in 2019, there was a time in Hollywood when Demi Moore was the biggest actress around. She scored hits with “Indecent Proposal,” “A Few Good Men,” and “Disclosure,” showcasing her ability to portray power onscreen with natural authority, and she rode such industry interests into major paydays with empowered characters found in “G.I. Jane” and “Striptease,” but box office returns didn’t follow her career explosion, and somewhere in the middle of all the press coverage and numerous film releases (including six credited parts in 1996), there was “The Scarlet Letter.” Putting her faith into the creative instincts of director Roland Joffe, Moore set out to play the iconic character of Hester Prynne, the center figure of Puritan disturbance in Nathaniel Hawthorne’s celebrated 1850 novel. She was trying to expand her range, offered a rare shot at a costume drama part, and while Moore strives to put in her best effort, she’s often restrained by Joffe’s bizarre creative choices, which turns a tale of moral and social decay and mob rule into a Harlequin romance novel, with screenwriter Douglas Day Stewart (“The Boy in the Plastic Bubble,” “The Blue Lagoon”) electing to expand on Hawthorne’s ideas instead of strictly adapt them.
Making its Blu-ray debut, "The Scarlet Letter" hasn't been refreshed for 2019 viewing pleasures, with Kino Lorber offering an older scan of the feature. All is not lost in the AVC encoded image (2.34:1 aspect ratio) presentation, which provides a softer image but detail remains, surveyed on fibrous period costuming and woodsy interiors, which maintain decoration and design. Forest encounters also keep some feel for depth, and skin surfaces are adequate without being truly porous. Colors show some fatigue, with amber lightning slipping into reddishness at times. Skintones are somewhat bloodless but pass for natural. Clothing maintains drab Puritan wear, while Native outfits carry more powerful hues. Greenery is acceptable as lush forests are traversed. Delineation threatens solidification during some evening activity, but largely remains accessible. Source is without major elements of damage.
The 5.1 DTS-HD MA sound mix is generally carried by John Barry's scoring efforts, which support the mood of the feature with distinct instrumentation and fullness, creating a semi-circular event as music carries into the surrounds. Dialogue is distinct, capturing vitriolic performances without distortion, and whispered professions of love and doubt are just as stable. Atmospherics offer a basic arrangement of township activity and forest movement, helping to sell the details of the time and place. A brief moment of damage is detected with the company banners before the main titles.
There are highlights in "The Scarlet Letter," including gorgeous cinematography by Alex Thomson, who turns the fractured nature of the production into painterly images. And composer John Barry refuses to pay attention to Joffe's tonal extremes, preferring to offer honeyed music that instantly creates emotion even when the material has little interest in such sensorial engagement. There's Moore and Oldman as well, truly giving what they can to the production, fighting uphill with a screenplay that never knows what it wants, hitting highlights of Hawthorne's book instead of creating a smooth narrative of community disruption and closeted passions. Dips into witchcraft and war (not to mention a reimagined ending) only distract the picture, which needs all the focus it can get. "The Scarlet Letter" strives to be about something, but doesn't end up much of anything, too wrapped up in the possibility of creative alteration instead of thinking long and hard about the results of such expansion and tinkering.
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