6.7 | / 10 |
Users | 4.0 | |
Reviewer | 3.0 | |
Overall | 3.2 |
The incredible story of the lawmen who battled the deadliest criminal in American history: Al "Scarface" Capone.
Starring: Robert Stack, Keenan Wynn, Barbara Nichols, Pat Crowley, Bill Williams (I)Crime | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: LPCM 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 3.0 |
The landscape of television in the late fifties may not have been the "vast wasteland" Newton Minnow would go on to complain about in a couple more years, but it certainly wasn't a model of innovation. In fact, that era of t.v. was defined by a number of seemingly immutable genres: the sitcom, typically family oriented; the variety show, frequently featuring a comedian or singer as host or hostess; westerns, which were probably "the" genre of this particular timeframe; and "law and order" outings which tended to feature either attorneys or some kind of policemen as their focal subjects. (Rather interestingly, another "career" staple of television series, namely doctor shows, were in a bit of a pardon the pun remission in the late fifties and wouldn't start showing up again for another few years.) One sidebar "genre", if it can be called that, was the dramatic anthology series, as probably best exemplified by the legendary Playhouse 90 and/or Studio One, though there were any number of other similar series, including some hosted by stars who would at least occasionally appear in various episodes, as in The Loretta Young Show . Desi Arnaz was the guiding light behind another anthology series, Westinghouse Desilu Playhouse, and it was on that particular anthology series that the long running series The Untouchables was born. This "back door pilot" strategy may actually not have been an actual strategy, since it seems like the overwhelming success of the two part Westinghouse Desilu Playhouse airings of The Scarface Mob evidently took several people by surprise, leading to the greenlighting of an actual series, though one way or the other this shows that the tendency a decade or so later to "sneak" pilots on air courtesy of "new, improved" series like ABC's Movie of the Week or any of the many NBC World Premiere properties was, kind of like late fifties television itself, hardly anything innovative.
The Scarface Mob is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.33:1. Arrow's insert booklet provides only the following fairly generic information on the transfer:
The Scarface Mob is presented in its original aspect ratio of 1.33:1 with original mono audio. The master for this release was supplied by Paramount Pictures.You can feel director Philip Karlson and cinematographer Charles Straumer aiming for noir territory, albeit a kind of "cleaned up" version suitable for general late fifties television audiences. This transfer offers some nicely deep blacks and generally secure contrast that help to offer the near chiaroscuro techniques rather evocative, with detail levels on things like costumes and props remaining mostly secure even in some less than fulsome lighting conditions. There are a number of montages scattered throughout the story, and those understandably can show spikes in grain as well as a loss of fine detail. There are some kind of perplexing signs of age related wear and tear in that some of them at least seem easily remedied (note the tiny scratch directly to the left of Neville Brand in screenshot 3), though others, like what looks like a big chemical blotch in the emulsion, may have presented too much of a restoration hurdle to overcome. That said, damage is rather minor overall, and the element utilized is in generally great shape.
The Scarface Mob features an LPCM 2.0 Mono track that is nicely spry and robust, though some sound effects like the ever popular firing of guns can sound just slightly boxy at times. Television trivia fiends will know that one of the most memorable things about The Untouchables was its theme music by Nelson Riddle, but The Scarface Mob instead offers a rather bombastic score by Wilbur Hatch, whose name should instantly ring a bell with Desilu aficionados since Hatch scored (and led the Arnaz band in several episodes of) I Love Lucy. Hatch does a lot of impressive work with brass in particular here, and the track provides ample support for some clashing sonorities. Dialogue, including punchy narration from Walter Winchell, is rendered cleanly and clearly, though as is addressed in some of the supplements Brand was encouraged to (or at least not stopped from) use a questionable and historically inaccurate Italian accent for Capone. Optional English subtitles are available.
- Posters (HD)
- Stills, Lobby Cards and Publicity Photos (HD)
The Scarface Mob is frankly "hooey" in terms of actual history, and what was evidently shocking violence in 1959 probably will seem downright quaint to modern day eyes, but this kinda sorta film is in its own was a historical curio itself for any number of reasons. Trivia buffs may know that Westinghouse Desilu Playhouse also gave birth to another venerable series, namely The Twilight Zone, which may indicate as well as anything how broad Desi Arnaz's production acumen was. Technical merits are generally solid and the supplements very enjoyable and informative for anyone who may be considering making a purchase.
1968
1974
1956
Un homme est mort
1973
Warner Archive Collection
1931
1956
1957
1974
1949
1944
I Became a Criminal / Kino Classics Presents
1947
1950
1949
1955
1948
1952
1958
1937
Limited Edition to 3000 - SOLD OUT
1950
2 Weeks in Another Town
1962