7.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Forushande (The Salesman) is the story of a couple whose relationship begins to turn sour during their performance of Arthur Miller's Death of a Salesman.
Starring: Shahab Hosseini, Taraneh Alidoosti, Babak Karimi, Mina Sadati, Farid Sajjadi HosseiniForeign | 100% |
Drama | 93% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Farsi: DTS-HD Master Audio 5.1
English, English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 1.5 | |
Overall | 4.0 |
Gradually, but steadily, Middle Eastern cinema has seen an upswing in wider worldwide reach and certainly in quality of product. Wadjda is one of the best movies one is ever going to see. Asghar Farhadi (The Past, A Separation) is one of the finest filmmakers on the planet. A true master craftsman of storytelling, capturing the emotional essence of a moment and depth of a narrative with startling efficiency, shaping characters with the precision of a renaissance sculptor, and constructing a film with a captivating lifelike essence, his films have become critical must-sees for both the study and enjoyment of the cinematic medium. His latest, and Oscar-winning, is The Salesman, a film heavily influenced by, and including performed scenes of, Playwright Arthur Miller's Death of a Salesman. It is another triumphant Farhadi film about life, this time focusing on the mental and emotional aftermath of a violent attack on the body.
The Salesman is one of the increasing number of digitally photographed motion pictures that are inching closer to the textural beauty of film. The image is razor-sharp, texturally complex, and richly colorful. It's never digital-flat or glossy, instead finding a natural depth and distinction across every frame. Details are practically impeccable. The image's inherent robustness takes full advantage of the 1080p resolution, revealing every fine facial pore and hair, clothing line and material detail, and environmental item, including in school classrooms and apartment homes. The stage is easily the film's most visually exciting area. Scuffs on the floor and smaller details on furnishings and walls, particularly as they're well-lit and contrasted against a darker background, bring out their best. Colors are full and vibrant, very natural and neutral. Attire is the clear-cut winner, but supportive background details are also very well saturated. Skin tones appear accurate. Black levels are very deep but prone to a little extra source noise and display a little crush during a darkened classroom scene about halfway through. Otherwise, the image is very strong, showing no serious source or encode flaws.
The Salesman features a good, albeit rather basic based on the film's sonic needs, DTS-HD Master Audio 5.1 lossless soundtrack in the native Farsi language. English subtitles are included. The track is fairly straightforward. Music plays with solid enough width and good core clarity throughout the range. Light city atmospherics help to lightly pull the audience in. Car sound effects, whether heard from inside as its engine pushes it forward and other cars slosh by in either direction in the rain or from the outside during a very slow, clandestine pursuit later on, offer enough width and depth and clarity to please. Dialogue propels the majority, and it's presented as well as one would expect, with impeccable placement, prioritization, and definition.
The Salesman contains one featurette. A Conversation with Writer-Director Asghar Farhadi (1080p, 15:30) features the filmmaker discussing the process of crafting the film, including forming the initial idea, influences, film structure, cast and performances, crafting various scenes, character dynamics, and more. In Farsi with English SDH subtitles. No DVD or digital copies of the film are included.
The Salesman might not quite reach the sheer level of excellence of Farhadi's other masterpiece works, The Past and A Separation, but the filmmaker's approach remains the same. He again proves himself a world-class storytelling and cinematic tactician, finding remarkable balance and flow to his film as it offers incredible insight into the human condition. Pacing is perfect, performances are impeccable, and the film is a must-see not so much as an entertainment vessel but as a wonderful example of the cinema medium's elegance at its peak. Sony's Blu-ray offers top-level video and audio. Supplements are unfortunately limited to a single interview. Highly recommended.
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