6.2 | / 10 |
| Users | 4.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A rich and sophisticated criminal, who is also a master of disguises, falls for a pretty young scientist whose life is in terrible danger. She has discovered the key to a Russian billionaire's overwhelming ambition--to crown himself the first Czar of the new Russian Empire--and he will stop at nothing to neutralize the danger that she represents.
Starring: Val Kilmer, Elisabeth Shue, Rade Serbedzija, Valeriy Nikolaev, Henry Goodman (I)| Romance | 100% |
| Thriller | Insignificant |
| Sci-Fi | Insignificant |
| Action | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby TrueHD 5.1
French: Dolby Digital 5.1
Italian: Dolby Digital 5.1
English SDH, French, Italian, Korean
Blu-ray Disc
Single disc (1 BD)
Digital copy
4K Ultra HD
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 3.0 | |
| Audio | 3.0 | |
| Extras | 1.5 | |
| Overall | 3.0 |
Paramount has released the 1997 film 'The Saint,' directed by Phillip Noyce and starring Val Kilmer and Elisabeth Shue, to the UHD format. This is the film's UHD debut, and it ships in exclusive SteelBook packaging. New specifications include 2160p/Dolby Vision video. No new primary audio track is included, and no new supplements are included. Paramount has also included the original Blu-ray, which houses the carryover extras; no supplements appear on the UHD disc. See below for more on the new video presentation and the SteelBook packaging proper.


Paramount releases The Saint to the UHD format with a new 2160p/Dolby Vision UHD presentation that is a solid step forward from
the aged Blu-ray which was watchable but far from ideal. The new 2160p resolution is a major plus for the film, and this picture excels to a very
satisfying degree, delivering a healthy and at times even nuanced filmic presentation that blows away the Blu-ray for fidelity, filmic authenticity, and
agreeable detailing. Where the previous
Blu-ray had something of garish and processed look about it, this is a far more finessed presentation that retains a natural, light grain structure that is
very flattering
and gives the film a much needed cinematic appeal. Details are much
more natural and stable in this version, featuring quality depth and clarity to skin definition, nice detail to clothes, and oftentimes tangible definition
on
environmental details around the frame. I was regularly stunned by the improvements and I was very pleased with the newfound filmic accuracy on
display. While this UHD version of The Saint never pushes into the UHD stratosphere in terms of raw definition and clarity found on the finest
releases, audiences should
nevertheless find this
to be a sizable and worthwhile step up from the middling Blu-ray and, more importantly, very faithful to Noyce's intended look for the film.
A little less dynamic are the Dolby Vision colors, but that's not necessarily an issue at the UHD level. The film is not exactly a bastion of bright, bold
colors,
favoring a less intensive palette by its very nature. It's never flat or bland; this is just a film that's darker and dimmer by its nature. But even in the
cooler hues and
flatter tones, there's a healthy balance that suits the film's dynamics quite nicely. But even the most obvious color bursts never push to a level of excess
or extreme, favoring that more reserved output that keep the movie cooler and more mysterious. I like the look personally. The result is certainly not
eye candy material meant to push the 4K display very far, but as with the detail and definition, faithfulness to the source is always of the highest
importance, and that is what the studio has achieved with this one. White balance favors a mild creaminess, but black level depth is reaches right into
the vicinity of good
to striking. Flesh tones appear healthy within the visual structure. Given the film's intended look, I have no real complaints here.
Lastly, the picture features no immediately obvious encode issues. The print is clean with very little in the way of splotches and speckles. Paramount has
done a superb job of brining the film to the UHD format with a much needed boost. It looks great. It's now much closer to its cinematic roots, and fans
are going
to be very pleased with the results.

Rather than remix for Dolby Atmos, Paramount has simply repurposed the 2009 Blu-ray's Dolby TrueHD 5.1 lossless soundtrack. The track is satisfactory, but far from ideal. With the greatly improved video presentation, some sort of new remix would have been a very welcome addition to this issue. But, as it is, the audio at least suffices in the old 5.1 lossless format. For a full UHD audio review, please see the original 2009 Blu-ray by clicking here.

For this UHD SteelBook, Paramount has simply repurposed familiar wide release artwork for the front cover, depicting Val Kilmer's Simon Templar on the
front cover, blue tinted, against a cloudy sky with familiar Moscow architecture and cityscape below. Kilmer and Shue's names accompany the film's
title, bottom left. The rear panel features a lightning bolt with a halo atop of it against a dark blue background. The spine is blue with the film's title in
white, center, and a Paramount logo at the top.
Inside, the digital copy code is tucked underneath the left-hand-side tabs. The two discs, one UHD and one Blu-ray, are situated on the right in
staggered-stacked formation. The inner print is
a two-panel spread that features a smorgasbord of still photos depicting Val Kilmer's Simon Templar in a number of his costumes as seen throughout
the film. It's lacking full color -- really favoring the film's look (as does the the SteelBook color scheme) -- but it's a nice looking spread that gives fans
a nice preview of the movie when getting the discs out of the case.
As far as on board supplements go, all that's included are a commentary by Director Phillip Noyce and a trailer, both of which are located on the
included Blu-ray. For a few words on those
extras, please see the original 2009 Blu-ray by clicking
here.

Like the Enemy at the Gates SteelBook, this one recycles familiar artwork for the front cover but finds some nice renderings on the back and interior. And, like that other day-and-date UHD release, this UHD disc only includes new video; it recycles old audio and supplements. The video is really solid and veers into excellence, and I like the SteelBook's look quite a bit. Recommended. And, for those who don't want the SteelBook, there's a decent chance Paramount will re-release this in standard packaging in the future. That seems to be the studio's M.O.

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