7.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
After enrolling in a school, an impoverished boy finds conflict with his classmates and decides to compete to earn their respect.
Starring: Abbas Nazeri, Madjid Niroumand, Musa TorkizadehForeign | 100% |
Drama | 14% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
Persian: LPCM Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 4.5 |
What does running mean to you? Does it instantly evoke a perception of needing to escape or get away from something? Or does it instead perhaps indicate some desired goal nearby that can be attained by moving rapidly toward it? Is it simply a form of exercise, with no other real aspect? Running has been both a literal and metaphorical element in any number of films ranging from The Loneliness of the Long Distance Runner to Chariots of Fire, but perhaps never quite like it's utilized in this breathtaking Iranian film by Amir Naderi. Often cited as one of the finest examples of so-called "post Revolutionary" Iranian cinema, The Runner is both life affirming and heartbreaking in about equal measure, and it is an absolute showcase for a remarkable young boy named Madjid Niroumand as an orphan named Amiro struggling to get by in a port environment that might be charitably described as hardscrabble. Niroumand grounds this film from the get go with an energetic but incredibly nuanced performance, and it's kind of remarkable that he didn't go on to a longer career (evidently at least somewhat by choice).
The Runner is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.37:1. Criterion's fold out leaflet provides the following information about the master:
This new digital master was created from the 35 mm original camera negative, which was scanned and restored in 2K resolution. The original monaural soundtrack was remastered from the mono optic track.This is an often very evocative looking presentation that preserves the intimate feel of the visuals, which can admittedly be on the intermittently soft side in some of the more cinéma vérité suffused outdoor moments in particular. That said, detail levels are nicely consistent throughout, including everything from the natural features of the coastal setting as well as "manmade" items like fabrics or the bottles and cans that Amiro collects to make some scratch. Grain is not especially textured or thick, but resolves naturally throughout. The palette can be nicely suffused if often slightly skewed toward yellows, which provides a kind of subliminal counterpoint to some of the squalor being depicted.
The Runner features LPCM Mono audio in the original Persian. The quasi-urban setting offers a wealth of ambient environmental effects which help to provide quite a bit of energy throughout the presentation, but more calming water sounds are also a regular feature. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
As someone who has lived most of my adult life in a region dominated by the ghost of Phil Knight and impact of Nike, running and runners have been a constant focus of everyday life, even if I personally may prefer a slower pace for getting exercise (in terms of a literal approach). But the motivation of runners for running is kind of a subtext for what might be called the zeitgeist of at least a particular demographic of the Pacific Northwest, and if Naderi never (and perhaps wisely) never overtly delineates what running is for Amiro, there's the sense that it's another physical manifestation of the "hey, I'm here!" sensibility that informs Amiro's manic shouts to passing ships and/or airplanes. This is a remarkable document of childhood and is as redolent in its own way as probably better known international efforts like Bicycle Thieves or even The 400 Blows. Technical merits are solid and the supplements very interesting and worthwhile. Highly recommended.
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