6.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Two boxers spar over the affections of one woman.
Starring: Carl Brisson, Lillian Hall-Davis, Ian Hunter (I), Forrester Harvey, Harry Terry| Drama | Uncertain |
| Romance | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
Music: LPCM 2.0
German
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 3.5 |
Note: This version of this film is available as part of the Hitchcock: The Beginning set from Studio Canal.
1934 seems to be some kind of invisible dividing line between Alfred Hitchcock's more recognized output and some of his arguably lesser
remembered
earlier films. The first version of The Man Who
Knew
Too Much was released that year, and was followed in relatively short order by at least a couple of Hitch's best remembered British
productions like The 39 Steps and The Lady Vanishes, but aside from those titles and maybe one or two others
(i.e.,
The Lodger),
even diehard film fans may be relatively unacquainted with other early (or at least earlier)
films of one of the most celebrated directors in the annals of cinema. Studio Canal is helping to rectify that lack of renown with an appealing
collection
that aggregates ten early Hitchcock
films, including one that has often been cited (rightly or wrongly) as the first British feature length sound production.


The Ring is presented on Blu-ray courtesy of Studio Canal with an AVC encoded 1080p transfer in 1.33:1. While Studio Canal sent only check discs for purposes of this review, and so I'm not privy to any additional information that might be offered in an insert booklet, this bears a BFI masthead and assumedly was part of BFI's restoration project involving Hitchcock silents that were undertaken a few years ago. I did find the following information online, which may be from Studio Canal's booklet:
The restoration process has worked hard to minimise the effects of shrinkage through a combination of careful grading and much manual restoration work. A French print, made of alternative takes so it couldn't be used as a source, was nevertheless used as a reference to confirm important stylistic features of the film's narration. New title cards were remade using a new hand-crafted font.The element utilized certainly has manifest signs of age related wear and tear throughout, but on the whole anyone who has familiarity with the silent era and its representations in high definition will probably be generally well satisfied with the look of this transfer. Yes, there are scratches and fairly wide variability in clarity and detail levels, but in closer framings fine detail on things like some of the costumes in particular can be quite pleasing. The film has both traditional opticals and (as mentioned above) some "special effects" in the climax, both of which can affect grain levels. While fairly heavy at times, grain encounters no real resolution issues.
A restoration by the BFI National Archive in association with Studio Canal. Principal restoration funding provided by The Hollywood Foreign Press Association and The Film Foundation. Additional funding provided by Deluxe 142 and The Mohamed S. Farsi Foundation.

Kind of oddly, while this disc features composer Neil Brand in a supplement (Brand will recur on other discs in this set), here actually talking about a small jazz ensemble score he wrote for this film, that score is not what's on tap here. Instead, there's a perfectly acceptable solo piano outing by Antonio Coppola, which is well rendered via the disc's LPCM 2.0 track. Optional German subtitles are available.


One of the things Hitchcock fans only better acquainted with his, say, post World War II output will have to deal with is how "uncharacteristic" at least some of the early films in this Studio Canal set can seem. If you can (no marriage problem pun intended) divorce The Ring from being an ostensible "Hitchcock film", there's some definite narrative and technical energy to enjoy. The video side of things can show some recurrent damage, but is certainly watchable, while the stereo solo piano score sounds fine. The relatively minimal supplemental material is also very enjoyable. Recommended.
(Still not reliable for this title)

1929

Remastered
1931

1928

Arrow Academy
1987

Indicator Series
1930

A Song of Two Humans / Masters of Cinema
1927

1971

2015

1946

1991

1956

1946

Masters of Cinema
1978

2023

Vintage Classics / Restored
1971

2012

1940

1931

2011

1993