7.1 | / 10 |
| Users | 4.5 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
During the middle of the 16th century, Martin Guerre returns to his village in southwestern France, after being away in the war for almost a decade. The villagers who knew him as a young man suspect he is not Martin, but he seems to know all about his friends, his family and his wife, even the most unusual things. Is this man really Martin Guerre?
Starring: Gérard Depardieu, Nathalie Baye, Bernard-Pierre Donnadieu, Roger Planchon, Maurice Barrier| Foreign | 100% |
| Crime | Insignificant |
| Drama | Insignificant |
| Biography | Insignificant |
| Romance | Insignificant |
| Mystery | Insignificant |
| History | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
French: DTS-HD Master Audio 2.0 Mono
English: DTS-HD Master Audio 2.0 Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
| Movie | 4.5 | |
| Video | 5.0 | |
| Audio | 4.0 | |
| Extras | 1.5 | |
| Overall | 4.5 |
How well do you know your so-called “significant other”, if you have one? Some of you reading this review may be old enough to remember the semi-legendary Bob Eubanks effort The Newlywed Game, where hilarity often supposedly ensued due to partners being clueless about each other, but of course it was a built in premise of that show that the contestants were, well, newlyweds who might not yet know everything about their spouse. Those who have been with each other for at least a few years probably think they do know everything about each other, but what if you were separated from your partner for a significant amount of time? Would remeeting them be the relationship equivalent of “riding a bike”, meaning you just kind of climb back on (so to speak)? What if you were uncertain the person you were getting to know again was in fact not the same person (literally) you had been with before? All of these questions come into play in the fascinating The Return of Martin Guerre, a film which was famously based upon a perhaps unbelievable but still ostensibly true real life event that may have been one of the first documented cases of what we now call identity theft. Except that in this case the theft (obviously) wasn’t accomplished via the internet and dealt only with elements like credit cards or Social Security numbers, but in fact had an actual person showing up claiming to be a long missing man named Martin Guerre (Gérard Depardieu). When Guerre's wife Bertrande (Nathalie Baye) welcomes this man back into her home, and the two supposedly reestablish their relationship, it would seem that "Martin" was indeed Martin, but ensuing events throw everything into turmoil.


The Return of Martin Guerre is presented on Blu-ray courtesy of Cohen Film Collection, an imprint of Cohen Media Group, with an AVC encoded 1080p transfer in 1.67:1. This is a really beautiful looking 4K restoration that preserves the film's kind of burnished but Bruegel-esque palette, one that tends to promote darker tones in general, and often browns and beiges in particular. Even pops of more vivid hues, like some of the reddish tones in things dress that Bertrande wears or the outfits of some of the court personnel, can tend to look a little brownish as well. Detail levels are excellent across the board, offering almost palpable views of fabrics on costumes, and offering good support for some complex elements like dense foliage in some of the outdoor material. Grain resolves naturally throughout the presentation, and I noticed no issues with compression anomalies.

The Return of Martin Guerre features the original French version in DTS-HD Master Audio 2.0 mono, as well as an English dub in DTS-HD Master Audio 2.0 mono. Original language purists are of course going to want to stick with the French track, but I'd recommend that track in any case, as I found some of the voice work on the English track less successful than in the original. That said, there aren't any huge differences in mix and overall amplitude between the two tracks. Dialogue is always rendered cleanly and clearly, and the film offers some nice and realistic sounding ambient environmental effects throughout a lot of the outdoor material.


Sommersby isn't the only "re-do" of the basic foundational elements found in The Return of Martin Guerre. Fans of Les Misérables may be interested to know that the co-writers of that gargantuan musical, Claude-Michel Schönberg and Alain Boublil, also tackled the Martin Guerre story in a similarly lavish musical with the unsurprising title Martin Guerre, though again certain liberties were taken in terms of the timeframe and various character motivations. The musical also emphasizes a religious subtext that is hinted at in the film but perhaps not developed as much as some might have preferred. That said, this "original" version of the story is well crafted, with an appealing production design and some viscerally effective performances. Cohen has provided a disc with solid technical merits, and even without a glut of supplemental material, The Return of Martin Guerre comes Highly recommended.

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