6 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Two young children and an adult in a small town have an encounter with an alien spaceship. 25 years later the children are reunited as adults in the same town which is now beset by strange cattle mutilations. Matters become worse when the cattle mutilations are joined by human murders and mutilations.
Starring: Jan-Michael Vincent, Cybill Shepherd, Martin Landau, Raymond Burr, Neville BrandThriller | Insignificant |
Sci-Fi | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
BDInfo
None
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.0 | |
Video | 4.0 | |
Audio | 3.0 | |
Extras | 4.0 | |
Overall | 3.5 |
It’s hard to imagine director Greydon Clark didn’t have Steven Spielberg’s 1977 masterpiece, “Close Encounters of the Third Kind,” in mind when made 1980’s “The Return.” The film opens with a similar mood and visual style, watching a mysterious, glowing alien ship emerge from the sky to dazzle a few Earthlings before rocketing away. However, the production stops trying to manufacture awe soon after, switching to a more affordable invasion story, and one that favors chills over curiosity, with Clark more interested in breaking glass and shooting guns.
The AVC encoded image (1.78:1 aspect ratio) presentation is billed as an "HD Master from the original camera negative," giving "The Return" a fresh look for HD exhibition. Sharpness is generally good throughout, delivering textured close-ups and detailed exploration of nature and small town life. Costuming is fibrous and mutilation effects are open for study. Colors are secure, with strong primaries keeping blue skies bright and greenery flavorful. Alien spacecraft delivers Spielberg-ian yellows and oranges. Skintones are natural. Delineation is comfortable, handling many evening sequences. Source is mostly clean. Interestingly, footage for the climatic cave confrontation dips in resolution (see the last screenshot), perhaps due to special effects work. But the change is noticeable.
Volume needs a significant boost to get the 2.0 DTS-HD MA sound mix up to a comfortable level, with the listening event remaining quiet and slightly hissy. Dialogue exchanges aren't threatened, offering adequate dramatic power. Scoring fares a little better, with acceptable instrumentation and dramatic emphasis. Sound effects come to life with shattering glass and alien knife demonstrations. Atmospherics retain their bluntness.
"The Return" has gruesome moments, with a glowing alien knife the preferred weapon of death in the picture. Clark constructs a few suspense sequences that connect, but the feature can't shake its flatness, even when it goes a little loopy in the finale, offering some "2001"-style abstraction to leave the audience floored. It doesn't work, but the lead up to such misplaced ambition isn't without its charms, especially when the effort goes into full B-movie mode, delivering alien horrors and backwoods antagonism in small doses.
2018
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