6.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
When his brother Charles Spalding mysteriously dies, Harry Spalding and his wife Valerie decide to move to the inherited cottage in a small village in the country...
Starring: Noel Willman, Jennifer Daniel, Ray Barrett, Jacqueline Pearce, Michael RipperHorror | 100% |
Mystery | 9% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 (48kHz, 16-bit)
2.0 Mono
English SDH
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Slipcover in original pressing
Region B (locked)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 3.5 |
John Gilling's "The Reptile" (1966) arrives on Blu-ray courtesy of Studio Canal. The supplemental features on the disc include the film's original theatrical trailer; making of featurette; restoration comparison; and "Wicked Women", an episode of the World of Hammer documentary series. In English, with optional English SDH subtitles for the main feature. Region-B "locked".
The Black Death?
Presented in an aspect ratio of 1.67:1, encoded with MPEG-4 AVC and granted a 1080p transfer, John Gilling's The Reptile arrives on Blu-
ray courtesy of Studio Canal.
Generally speaking, the new restoration of The Reptile has produced some marvelous results - the film looks lush and healthy, likely the
best it ever has. I mist point out, however, that this new restoration also differs significantly from the one we saw for Quatermass and the Pit, as it appears that some denoising
corrections have been applied. I would have to speculate, however, that they were applied during the restoration process, as detail and
sharpness have not been compromised. Shadow definition and especially color reproduction are also very pleasing. Additionally, the nighttime
footage boasts excellent clarity, and none of the blur and smear effects post-production corrections introduce are present. Close-ups also
convey very pleasing depth (see screencapture #16), especially when there is plenty of natural light.
This being said, during the prologue there are some fluctuations with the opticals and a few tend to look rather soft, but these fluctuations
should not be surprising. All in all, Studio Canal's new restoration of The Reptile gives the film a stable and well balanced healthy look,
with detail and clarity undoubtedly benefiting a great deal. (Note: This is a Region-B "locked" Blu-ray disc. Therefore, you must have a
native Region-B or Region-Free PS3 or SA in order to access its content).
There is only one audio track on this Blu-ray disc: English LPCM 2.0. For the record, Studio Canal have provided optional English SDH subtitles for
the main feature.
The lossless track is excellent. The audio has plenty of depth that opens up the film rather well during key sequences. Don Banks' music score
also benefits from the lossless treatment. The dialog is very crisp, clean, stable, and easy to follow. I specifically would like to point out that the
restoration has effectively eliminated all problematic background hiss. There are no high-frequency distortions either.
The overwhelming majority of the Hammer films are excellent for very late night viewing. They don't always have original plots, but their atmosphere is excellent. John Gilling's The Reptile was recently restored by Studio Canal and is now coming out on Blu-ray. I think that it looks very good, undobtedly the best it ever has. Hammer fans residing in Region-B territories and those in Region-A territories that could play Region-B "locked" discs are in for a treat. RECOMMENDED.
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1966
The Devil's Own / Hammer
1966
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1967
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1968
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