6.7 | / 10 |
Users | 4.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
During a pro football strike, the owners hire substitute players.
Starring: Keanu Reeves, Gene Hackman, Brooke Langton, Orlando Jones, Faizon LoveComedy | 100% |
Sport | 69% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
Spanish: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 2.0
Portuguese: Dolby Digital 2.0
Japanese: Dolby Digital 5.1
Spanish 2.0=Latin; Japanese is hidden
English SDH, French, Japanese, Portuguese, Spanish, Korean
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 4.0 |
The Replacements was only mildly successful upon its initial release, but it has retained a devoted following because it's the rare sports comedy that even a non-sports fan can enjoy. You would be hard-pressed to find anyone less interested in watching football than my long-suffering wife, but she'll stay in the room—and laugh out loud—for The Replacements. The screenplay was written by Vince McKewin, an actor turned writer, who co-wrote the 1996 Carol Ballard film, Fly Away Home. That, too, was a kind of underdog story, though told from the point of view of a shy teenage girl, and while it isn't always obvious admidst the raucous antics of The Replacements, McKewin brings the same psychological insight to bear on this classic tale of second chances. Director Howard Deutch began his career working with John Hughes (on Pretty in Pink, Some Kind of Wonderful and The Great Outdoors), and Deutch is fond of citing Hughes's advice to "keep your comedy real". Writer, director and cast of The Replacements all stuck to that principle, and the film works so well, because, even at its most outlandish, it stands on a foundation of truth about people's hopes and dreams.
Cinematographer Tak Fujimoto (The Silence of the Lambs) shot The Replacements on film, for which the single biggest challenge was obtaining consistent lighting while shooting the football scenes (staged at the Baltimore Ravens' stadium) as the sun shifted position throughout the day. I cannot say whether Warner did a new scan for its 1080p, AVC-encoded Blu-ray, but the image is certainly impressive: sharp, clear and quite detailed, both in brightly lit exteriors and in slightly dimmer interiors. Even the night shots reveal substantial detail, and the blacks are very good. As befits a great American sport, the color palette is dominated by rich shades of red, white and blue, with the addition of less saturated green for the grass of the playing field. Anyone who imagines that they're seeing a "teal and orange" wash on this disc (as is so often claimed about Blu-rays in general and Warner Blu-rays in particular) needs to check their set adjustments. Given the film's length and the extras, Warner Home Video sprung for a BD-50, but in an all-too-common phenomenon with WHV, less than 30 GB of the available space has been used. The average bitrate is 24.89 Mbps, which is adequate, but why does Warner keep settling for "adequate" when the digital real estate is available to do better?
The Replacements features a suitably rambunctious 5.1 surround mix, encoded on Blu-ray in lossless DTS-HD MA, that brings home every hit, groan, grunt, whoosh of a pass and snap of the ball with solid impact. The roar of the crowd is always in the background during games, and the sound mixers have done a fine job of elevating spoken exchanges so that they remain intelligible. A few other scenes are notable for their immersive use of the surround system, e.g., the early scene where we see Falco hard at work underwater on his "day" job. Of course, the barroom brawl between the replacement players and the regulars is filled with crashes, breaking glass and other sounds of mayhem and destruction all around. John Debney (Draft Day) wrote the musical score, but the more memorable musical presence is the selection of pop songs chosen by Deutch and his music editor, Andrew Silver, to set various moods and comment on the action. Included is the aforementioned "I Will Survive" (which plays a key role in the plot); three songs from the Rolling Stones' Voodoo Lounge album; Donna Summer's "Bad Girls"; "Every Breath You Take" by the Police; and that old standby, "Takin' Care of Business" by Bachman-Turner Overdrive. A cover of "Heroes" by David Bowie and Brian Eno occurs near the end and helps bring The Replacements to a suitable close.
The extras have been ported over from Warner's 2000 DVD release of The Replacements.
Gene Hackman previously played a coach in the classic sports film Hoosiers (1986), where he shepherded a small town high school basketball team from obscurity to statewide fame. But Hoosiers wasn't a comedy, and it wasn't about second chances (although Hackman's character was getting one). It was the sports equivalent of a Horatio Alger story about coming from nowhere and, by dint of courage and hard work, being every bit as successful as those who had a head start in life. The Replacements is about older players being led by an even older coach, who's seen enough of life to understand the secret of greatness. As McGinty says in his final words, these players won't get tickertape parades or endorsement deals, but they've been part of something great that will stay with them, whatever else they do. Beneath the laughter, The Replacements has a serious point about the transformative power of doing something well for its own sake. Highly recommended.
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