6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Enrique Sanchez Lansch directs this documentary that examines the history of the Berlin Philharmonic during the years 1933-1945. Using archive material alongside testimony from witnesses present at the time, the film seeks to shine a light on the members of the orchestra itself, charting their destinies, and examining the role they played in Nazi Germany's propoganda machine.
Starring: Wilhelm Furtwängler| Music | Uncertain |
| Documentary | Uncertain |
| History | Uncertain |
| War | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
German: LPCM 2.0
English
25GB Blu-ray Disc
Single disc (1 BD)
Region free
| Movie | 3.5 | |
| Video | 3.0 | |
| Audio | 4.0 | |
| Extras | 0.5 | |
| Overall | 3.5 |
Music is supposedly the universal language, but in the hands of the Nazis, it was just another propaganda tool. As with so many other supposed cultural touchstones, Hitler and his acolytes proclaimed Germanic (actually “Aryan”) music to be inherently superior to any other, and as a result forever colored (some would say sullied) the reputations of such composers as Richard Wagner and Richard Strauss, two especially beloved artists of power wielders in The Third Reich. It’s therefore more than a little ironic that the Third Reich, responsible for wreaking so much havoc in the general artistic life of Germany, may actually have been instrumental (no pun intended) in saving what is a hallmark of Germany's cultural accomplishments: the Berlin Philharmonic Orchestra. Until the Nazis came along and assumed state control of the orchestra in 1933, it had been a musician owned and run affair and, as such, was constantly teetering on the edge of bankruptcy. It’s not exactly a secret that many artists live entirely in their right brains and wouldn’t know a financial statement or balance sheet from a veritable hole in their collective heads.


The Reichsorchester is presented with an AVC encoded 1080i transfer in 1.78:1. Contemporary interview segments look decently sharp, if sometimes not very well saturated, and as is to be expected the archival footage varies greatly in quality.

The Reichsorchester's LPCM 2.0 mix does quite well for this documentary since relatively little of it actually includes long snippets of music. This is mostly a talking heads affair and the commentary is delivered with good fidelity and reasonable range.


The Reichsorchester just barely seems to scratch the surface at times of still lingering ambiguity on the part of some who lived through the Nazi era, but perhaps that very ambiguity is instructive as to where some at least in Germany are in terms of coming to terms with the horrors of a bygone age. This is often riveting stuff nonetheless, and comes Recommended.