8.7 | / 10 |
Users | 4.5 | |
Reviewer | 5.0 | |
Overall | 4.5 |
A young ballerina is torn between her art and her romance with a young composer.
Starring: Moira Shearer, Anton Walbrook, Marius Goring, Robert Helpmann, Albert BassermannDrama | 100% |
Romance | 29% |
Music | 7% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: LPCM Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (locked)
Movie | 5.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 5.0 | |
Overall | 5.0 |
Michael Powell and Emeric Pressburger's "The Red Shoes" (1948) arrives on 4K Blu-ray courtesy of Criterion. The supplemental features on the disc include an audio commentary by film historian Ian Christie, featuring stars Marius Goring and Moira Shearer, cinematographer Jack Cardiff, composer Brian Easdale, and Martin Scorsese; restoration demonstration hosted by director Martin Scorsese; interview with Thelma Schoonmaker Powell; documentary on the making of the film; and more. In English, with optional English SDH subtitles for the main feature. Region-Free.
Presented in its original aspect ratio of 1.37:1 and encoded with HEVC/H.265, The Red Shoes arrives on 4K Blu-ray courtesy of Criterion.
The following text appears inside the booklet that is provided with this release:
"This 4K digital master was created in Dolby Vision HDR (high dynamic range) from the 2009 4K digital restoration, which was made from the Technicolor 35mm original camera negatives and optical tracks. On the 4K Blu-ray disc, the feature is presented in Dolby Vision HDR. On the Blu-ray, it is presented in high-definition SDR (standard dynamic range).
The film was restored by the UCLA Film & Television Archive in association with the BFI, the Film Foundation, ITV Global Entertainment Ltd., and Janus Films. Restoration funding was provided by the Hollywood Foreign Press Association, the Film Foundation, and the Louis B. Mayer Foundation.
Restoration supervised by: Robert Gitt, with the assistance of Barbara Whitehand.
Digital colorist: Ray Grabowski/Warner Bros. Motion Picture Imaging, Burbank, CA.
Film color timing: David Cetra/Cinetech, Valencia, CA.
Digital audio restoration: John Polito.
Digital Picture Restoration: Warner Bros. Motion Picture Imaging, in association with Prasad Corporation Ltd. (India) and MTI Film".
Please note that the screencaptures from the 4K Blu-ray are downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including the actual color values of this content.
As the quoted technical credits above confirm, the 4K Blu-ray release reintroduces the previously completed 4K restoration of The Red Shoes, which Criterion released on Blu-ray in 2010. (You can see out listing and review of this release here). I viewed the 4K Blu-ray release last night and did a number of comparisons with the Blu-ray release earlier today. Here are my impressions:
When the 4K restoration was introduced on Blu-ray, I thought that the film looked marvelous. At the time, it was the most vibrant and certainly the healthiest presentation of the film that I had seen. I still think that the film looks really, really good on Blu-ray. In native 4K, the entire film tends to look slightly darker yet lusher. It has superior ranges of nuances as well, especially darker ones, though I am afraid our screencaptures do not demonstrate this particular improvement. Delineation, clarity, and sharpness are excellent, but they were quite impressive in 1080p as well. Now, if you pay close attention to smaller details, you should quickly realize that the lusher colors also appear 'tighter' because you are essentially witnessing color registration as it was meant to be seen. This particular improvement is most noticeable right before and after transitions, but there are other areas where time has left its mark that look better in native 4K as well (screencaptures #21 and 23 come from such areas). As a result, the overall balance of the visuals is more pleasing. Density levels are very strong, but there are still a few areas with minor yet noticeable inherited fluctuations. Fluidity is excellent. Obviously, the entire film still looks as healthy as it it did in 1080p. To sum it all up, in native 4K the film boasts a slightly darker appearance with superior -- sometimes punchier, sometimes better nuanced, sometimes punchier and better nuanced -- ranges of colors that Technicolor is famous for. I honestly can't see how you can ever get a better technical presentation of it at home. I was very impressed.
(Note: The 4K Blu-ray release is Region-Free. However, the Blu-ray release is Region-A "locked").
There is only one standard audio track on this Blu-ray release: English LPCM 1.0. Optional English SDH subtitles are provided for the main feature.
When we reviewed the Blu-ray release of The Red Shoes in 2010, there was no Dolby Atmos. A decade later, a lot of older films are receiving Dolby Atmos tracks that more often than not do some pretty impressive things, so I wonder whether whether one of these new tracks might have offered some improvements. Is there anything wrong the LPCM 1.0 track? No. It is just the speculator in me speculating whether some of the music for instance could be slightly richer, or the entire audio can be made to sound fuller. On the other hand, I actually prefer to have native limitations reproduced as they were present on the original soundtrack, which I am quite certain the is precisely what the LPCM 1.0 track does.
4K BLU-RAY DISC
If you are a younger film collector, you have to support these beautiful 4K Blu-ray releases of classic films that are starting to emerge now because they are the ultimate releases a lot of older collectors weren't lucky to see. Eventually, you will get older too, and if you support physical media, the film collectors that come after you will be enormously grateful. In the old days, there was never a shortage of collectors that wanted to own such ultimate releases, but the technology that was needed to make them possible was missing. Now the technology is here, and our community has to support physical media and continue urging the major studios and boutique labels to restore films and bring them to 4K Blu-ray/Blu-ray. This is the only scenario that would ensure more 4K Blu-ray releases like The Red Shoes. The technical presentation of this classic film is so impressive that it almost feels a bit surreal that it can be experienced at home. VERY HIGHLY RECOMMENDED.
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