Users | 0.0 | |
Reviewer | 1.5 | |
Overall | 1.5 |
Drama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
English: LPCM Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 1.5 | |
Video | 1.5 | |
Audio | 3.0 | |
Extras | 3.0 | |
Overall | 1.5 |
Note: This film is available as part of He Came from the Swamp: The William Grefé Collection.
Anyone who thought Arrow Video had already released the mother lode of Florida based exploitation fare with their gigantic The Herschell Gordon Lewis Feast set
from a few years ago had best be prepared to realize that the intrepid folks at this label known for catering to (cinematic) cultists of various stripes
may have in fact only been offering an appetizer of sorts. It’s kind of amazing in a way to hear Herschell Gordon Lewis himself singing the praises of
William Grefé in the feature length documentary They Came From the Swamp included in this new set devoted to Grefé’s work, but Lewis
actually makes a point of stating that he was the interloper on territory Grefé had already staked out, and that Grefé couldn’t have been
more gracious in welcoming Lewis to the far south fold, so to speak. It may be a little odd, then, that for at least some fans of exploitation cinema
Herschell Gordon Lewis’ name may be better remembered than that of William Grefé, something that may seem especially unexpected given the fact
that Grefé was at least occasionally able to muster A-list (or formerly A-list) talent like Rita Hayworth for some of his projects, an
accomplishment that probably never would have even occurred to Lewis to attempt.
The Psychedelic Priest is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.33:1. Arrow's hardcover insert book has a full page devoted to the transfers of each of the films, starting with some generic overview verbiage and then some brief comments on each film:
All the films included in this collection have been restored from the best available materials. Whilst every effort has been made to offer up the best possible presentations, the results inevitably vary according to the condition of the source materials, some of which were in poor shape. We hope that this does not affect your enjoyment of the films.The Psychedelic Priest has noticeably problematic video quality throughout, as can probably be pretty easily gleaned from just about all of the screenshots accompanying this review. Large and persistent scratches mar the presentation for the bulk of the running time, and there are numerous other signs of age related wear and tear, including lots of speckling and other dirt and damage. Color temperature does vary, though not as radically as seen in Death Curse of Tartu, and in fact saturation is relatively decent despite the fluctuations in overall tones at times. Detail levels are okay when lighting conditions allow, especially in close-ups, but a lot of the dark material is pretty seriously crushed and fine detail never emerges at very satisfying levels in these moments.
Sting of Death was scanned from its original 35mm negative. The audio was sourced from a 35mm optical track negative.
Death Curse of Tartu was scanned from a 16mm print. The audio was also sourced from this print. The 16mm print - presumably a TV print - was found to have been trimmed for gore, so these missing shots were sourced from a lesser copy 35mm print and reinstated.
The Hooked Generation was scanned from a 16mm internegative. The audio was sourced from a 16mm optical track negative.
The Psychedelic Priest (AKA Electric Shades of Grey ) was scanned from a 16mm Ektachrome release print. The audio was also sourced from this print.
The Naked Zoo was scanned from its original 35mm negative, which had been recut to the Barry Mahon version of the film. In order to recreate William Grefé 's original director's cut, the footage unique to that version was sourced from a badly faded and warped 35mm workprint. The audio was sourced from a 35mm double edged track print and a 35mm track negative.
Mako: Jaws of Death was scanned from two 16mm prints, which were composited for best quality sections of each. The audio was also sourced from these prints.
Whiskey Mountain was scanned from a 16mm scope print. The audio was also sourced from this print.
All materials used in these restorations were supplied William Grefé , Lisa Petrucci / Something Weird Video, Vinegar Syndrome, Ed Tucker, and AGFA (American Genre Film Archive).
The Psychedelic Priest features an LPCM Mono track that preserves one of the stronger soundtracks from a musical standpoint, with some rock cues that often sound kind of like The Strawberry Alarm Clock. There's still pretty abundant damage to be heard, with a lot of hiss, pops and cracks, and a couple of skips along the way. Dialogue is rendered decently cleanly, though there are fluctuations here as well, notably in the big quasi- revival meeting toward the end, which has a kind of electronic shrillness to it. Optional English subtitles are available.
All of the films in this set save for Whiskey Mountain are presented two per disc, and so some supplements are more generalist in nature. This disc has the following supplements:
The story behind this film is probably more interesting than the film itself, and for that reason the obvious technical deficiencies of this presentation may be easier to take than they would be otherwise. Supplemental material is great, for those who are considering a purchase.
(Still not reliable for this title)
1970
1968
1966
1977
1966
The Jaws of Death
1976
Teenage Psycho Killer
1975
1970
1973
Forbidden Fruit: The Golden Age of the Exploitation Picture, Vol. 6
1949
A Smell of Honey / Maneater
1966
Black Sister's Revenge
1976
Cindy | 4K Restoration | Slipcover in Original Pressing
1976
1976
The Shocking Truth / The Kiss That Kills
1933
1979
1968
1970
1975
1985