6.5 | / 10 |
Users | 4.3 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Rescued as a child by the legendary assassin Moody and trained in the family business, Anna is the world's most skilled contract killer. But when Moody - the man who was like a father to her and taught her everything she needs to know about trust and survival - is brutally killed, Anna vows revenge. As she becomes entangled with an enigmatic killer whose attraction to her goes way beyond cat and mouse, their confrontation turns deadly and the loose ends of a life spent killing will weave themselves even tighter.
Starring: Michael Keaton, Maggie Q, Samuel L. Jackson, Ori Pfeffer, Robert PatrickAction | 100% |
Thriller | Insignificant |
Crime | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French (Canada): Dolby Digital 5.1
Spanish: Dolby Digital 5.1 (640 kbps)
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (locked)
Movie | 3.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 2.5 | |
Overall | 4.0 |
Fans of The Protégé star Maggie Q who may for whatever reason start watching this film without knowing much about it in advance and who join somewhat past the opening credits might be forgiven if they assume they are simply seeing some kind of feature film adaptation of Q's long running television series, Nikita, since there are more than a few similar elements at play. Nikita was of course (in a kind of reverse way) an adaptation itself, this time for the small screen, of Luc Besson's well regarded La Femme Nikita, a film which documented the adventures of a highly trained female assassin. Well, her name might be Anna Dutton this time around, but the character essayed by Q in this enterprise is for all intents and purposes "just another" Nikita, though The Protégé struggles rather valiantly at times to provide a bit of differing color and distance between the two properties, one assumes because the underlying similarities between them are so obvious. The Protégé begins in 1991 in Vietnam, where some kind of operative named Moody Dutton (Samuel L. Jackson) comes upon a scene of carnage with a bunch of slaughtered men, only to find a young girl with the gun that committed the mayhem hiding in a locker. Dutton takes the girl under his wing (hence her surname), and the film segues forward thirty years to find the two working together as hired assassins. Well, the family that slays together, stays together, as any armchair therapist may tell you.
Note: Screenshots are sourced from the 1080 Blu-ray.
The Protégé is presented in 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 2.39:1. The IMDb lists Arri Alexa
Minis as having been utilized, but does not specify the resolution of the finished DI. This 4K version's specs have been preset to native 4K, which
frankly
doesn't surprise me, but that said, I personally have not been able to find any authoritative information online about the resolution of the DI. The
clear improvement in fine detail levels I experienced in watching this 4K UHD version also tends to make me think that it's a native 4K source, and
that improvement,
combined with some almost breathtaking new luster in the highlights of the palette courtesy of HDR and/or Dolby Vision, make this version a very
enjoyable viewing experience.
This
interview with color grader Vanessa Taylor that I found online is very interesting, and other videophiles may also enjoy reading it since one of
the more salient
things about that article is that it brings attention to grading, something that this version's HDR really makes the most of. Rather
interestingly in that regard, I'd simply recommend anyone wanting
a fascinating example of a seemingly "mundane" use of grading techniques to look at the actual filming conditions of the scene between Anna and
Moody
where she give him the guitar, which are offered in the making of featurette included on this disc and which reveal a rather brightly lit and drab
looking
environment, with the actual finished version in the film, where things have a buttery warmth and deeply suffused burnished tones that make
everything feel "homey". The range of browns and yellows in this scene on the 4K UHD version also really benefit from HDR. From the very first
shot of puddles of rainwater filled with really evocative tones from reflected lights, this 4K UHD version
has a much broader range of tones, and throughout the presentation there are some very appealing teals, greens, and purples, which for some may
recall similar uses in a film which gets a nod on the front cover of this release, John Wick 4K. Fine detail is noticeably improved across all sorts of textures, including everything from kind of
vellum documents Anna looks at to wrappings on cigars. Even the crags in Michael Keaton's face achieve a new delineation in this version. There
are still some very minor deficits in shadow definition which haven't been completely eliminated in this version, despite some overall improvement in
that arena, but I was generally very impressed with this 4K UHD iteration of the film.
From the opening moments of this film, which offer a rainy night in Vietnam, The Protégé's Dolby Atmos track establishes both appealing width and at least moments of noticeable verticality. The track has the expected gamut of smacks, whacks, gunfire and explosions, but there's a glut of other ambient environmental effects that are on full display throughout the presentation, and even relatively quiet scenes can have smart directionality and good discrete channelization that helps to establish spatial relationships. There aren't a ton of source cues utilized (at least within the context of how some of these action oriented films do things), but the ones that are used, as well as Rupert Parkes' score, also offer good engagement of the surround channels. LFE is quite forceful on several occasions, and dynamic range is appealingly wide. Dialogue is rendered cleanly and clearly throughout. Forced English subtitles for some foreign language moments are provided, and optional English and Spanish subtitles for the entire film are also available.
Lionsgate has kindly included the same supplements on both the 4K UHD disc and the 1080 disc:
Despite Richard Wenk's assertions to the contrary, there's probably not much to this story that is going to end up surprising anyone, down to and including some of the supposed "twists" the film offers. But, frankly, that may not matter one little whit, since the cast is game and engaging, and Martin Campbell keeps things moving quickly enough that there's always another bone crunching action sequence in store. Technical merits are solid and in my estimation the 4K UHD presentation is a clear improvement on the already excellent 1080 presentation. The supplementary package is also enjoyable. Recommended.
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2-Disc Extended Cut
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30th Anniversary Edition
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