5.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A mother concerned about her young son's disturbing behavior thinks something supernatural may be affecting him.
Starring: Taylor Schilling, Jackson Robert Scott, Peter Mooney (I), Colm Feore, Paul FauteuxHorror | 100% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: Dolby Digital 5.1 (448 kbps)
Spanish: Dolby Digital 5.1 (448 kbps)
French: Dolby Digital 5.1 (448 kbps)
English Dolby Digital 5.1 = descriptive
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region A (B, C untested)
Movie | 2.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
“The Prodigy” is yet another attempt to master the Killer Kid subgenre of horror, trying to generate a fright film with a basic push to depict the corruption of innocence, making nastiness emerging from a wee one all the more disturbing. Typically, these endeavors swan dive into bad taste, aiming more for shock value than genuine scares, getting off on the concept of a child committing murder, with very little effort put into the rest of the production. Thankfully, “The Prodigy” isn’t ugly, going the supernatural route when detailing the rampage of an 8-year-old monster, whose body is being commanded by a fortysomething serial killer. Screenwriter Jeff Buhler (the “Pet Sematary” remake, the “Jacob’s Ladder” remake, and the upcoming “Grudge” remake) deserves some credit for keeping the movie less icky than its competition, but that doesn’t mean there’s a story to tell here. While it manages some faint level of restraint, the feature remains a fairly brain-dead viewing experience, while director Nicholas McCarthy (“The Pact,” “At the Devil’s Door”) doesn’t sharpen the potential for terror, keeping matters largely routine when it comes to jumps and jolts, which eventually take command of the snoozy picture.
The AVC encoded image (2.39:1 aspect ratio) presentation provides a clear view of the production achievements on "The Prodigy." The feature's cooler palette is explored with care, finding the autumnal mood with darker blues and grays, while some domestic highlights contribute livelier hues, communicating childhood innocence. Exteriors are distinct, finding greenery vivid and decoration appealing. Skintones are natural. Detail is precise throughout, securing facial surfaces and fibrous costuming, working with comfy cold weather wear and crisper uniforms. Distances are dimensional and interior design is sharp enough for examination. Delineation is comfortable, without solidification issues.
The 5.1 DTS-HD MA sound mix isn't quite as wound up as most horror endeavors, but the basics in performance are handled accurately, finding dialogue exchanges crisp and communicative, exploring whispered concerns to louder yelps of fear. Scoring is exact, with clear instrumentation and ideal support, capturing suspenseful moods and softer domestic moments. Surrounds aren't lively, but they manage atmospherics adequately, securing a feel for outdoor expanse and interior creep, while a few nightmare moments generate circular pressure. Sound effects are defined to satisfaction. Low-end isn't excitable, but some heaviness is felt with scenes of violence.
There's unfinished business in "The Prodigy," finding John the victim of abuse in his own life, with Miles using that information against his father, twisting heated concern into potential threat. The subplot gives off the impression it was part of a larger concept of Miles's manipulation, but it plays awkwardly in the finished film, finding John crudely dismissed from the story in the second act. There's potential with Dr. Jacobson and his invasive therapy, but suspense isn't pursued, as Buhler goes for an "Exorcist"-style bump of vulgarity from Miles instead, keeping the boy in command through verbal threats. And there's Sarah, with Schilling forced to play a mother with a full view of her child's problems, and yet remain in a state of doubt, extending the plot as far as it can go before action is introduced. Schilling's better than the material, and it's difficult to believe the character's ambivalence about Miles's behavior, especially after, you know, the whole public beating with the pipe wrench. "The Prodigy" eventually delivers its ultimate direction with the Thrush Creek Killer business, but there's not a nail-biting build-up to the payoff, which goes for the obvious resolution, not the smartest one. If Schilling can't work up the energy to believe anything that's going on, why should the viewer?
2013
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2012
Director's Cut
1963
2006
Unrated Director's Cut
2007
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2006
2018
Slipcover in Original Pressing
2019
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