6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Emily Gault arrives at the Carrell mansion determined to rekindle an old relationship with Guy Carrell (Ray Milland), despite the disapproval of his sister, Kate. Guy overcomes his all-consuming fear of being buried alive long enough to marry Emily but soon becomes obsessed again, building a crypt designed to guarantee that he will not fall prey to his most dreaded nightmare. Trying to prove that he has been cured of his phobia, he opens his father's tomb and is shocked into a catatonic state. His worst fears are realized as he is lowered into a grave and covered over, apparently never to learn that the treachery of someone very dear to him was directly responsible for his predicament...
Starring: Ray Milland, Hazel Court, Dick Miller, Heather Angel, Alan NapierHorror | 100% |
Thriller | Insignificant |
Drama | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 2.5 | |
Overall | 3.0 |
Finding tremendous success with his Edgar Allan Poe adaptations, director Roger Corman created what’s known as the “Poe Cycle,” representing eight motion pictures detailing all manner of ghoulish events created by the author. The only one not to star Vincent Price is 1962’s “The Premature Burial,” which brought in Ray Milland to provide requisite screen torment, this time portraying with man with a fear of being buried alive. It’s customary work from Corman, who labors to beef up a short story to feature-length standards, drenching the effort in spooky atmosphere and heightened performances.
The AVC encoded image (2.35:1 aspect ratio) presentation is mostly wrapped in atmosphere, with soft cinematography and copious amounts of fog contributing to a dilution of sharpness, through fine detail isn't completely wiped away. Textures are passable on period costuming and estate particulars, and facial features are adequately defined in close-up. The set-bound production isn't one for depth. Grain runs slightly noisy. Colors are healthy and true, with a major push of red to bring costuming and menacing hues to life. Delineation is comfortable, never solidifying. Print is in decent shape, with a few spots of discoloration, scratches, and speckling.
The 2.0 DTS-HD MA sound mix is basic but enjoyable, with a concentration on atmospherics keeping horror elements alive. Dialogue exchanges are tight and crisp, providing a comfortable range of reaction when conversations transform into hysteria and eventually screaming. Scoring is pronounced but respectful, never steamrolling over the dramatics. Hiss is minimal.
Corman fills the frame with fog, works in some eerie events that highlight whistling, and visits an extended green-tinted nightmare. The working parts are fine, but as a whole, "The Premature Burial" lacks suspense, finding Corman straining to pad the effort between twists and heated exchanges. While the gothic atmosphere is diverting, "The Premature Burial" is mostly enjoyable in fits, not as a consistent horror event.
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