7.1 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A pair of brothers who own a large ranch in Montana are pitted against each other when one of them gets married.
Starring: Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, Kodi Smit-McPhee, Thomasin McKenzieDrama | 100% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.28:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region free
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 3.5 |
Based on Thomas Savage's 1967 novel -- which author Annie Proulx cited as a major influence for her 1997 short story Brokeback Mountain -- Jane Campion's The Power of the Dog is a slow-burn revisionist Western about love, hate, and loneliness. Set in Montana circa 1925, wealthy brothers Phil and George Burbank (Benedict Cumberbatch and Jesse Plemons) tend their ranch in Montana but have a strained relationship. Phil is harsh and reclusive, often insulting his overweight brother while soft-spoken George, often out on business during the day, mostly brushes off Phil's words. During a dinner with George and their ranch hands after a cattle drive, Phil degrades hostess Rose (Kirsten Dunst) and her effeminate teenage son Peter (Kodi Smit-McPhee), though George at least attempts to apologize for his brother's behavior. It's not long before George takes a liking to Rose and they're soon married, but this shared commitment only angers Phil more: he's convinced the former widow only wants in on the family fortune and feels she's done a poor job teaching wafer-thin Peter, an aspiring doctor and creative type, how to be "a real man".
The Power of the Dog thankfully doesn't cross over into forbidden territory between the two; instead, there's a platonic shift in Phil's behavior that leads to his attempt at a father-son type bond. We don't know if he's serious or if this is a slow build-up to yet another act of cruelty, and it's here where Campion's film manages to generate the most intrigue. (Both are fatherless, so it's certainly a logical entry point for common ground.) Yet much of the film, which runs for a fairly drawn-out 126 minutes, moves at a slower and less engaging pace. I did care for its characters and, if nothing else, the fact that The Power of the Dog gets more interesting as it progresses certainly works in the film's favor. But I wouldn't blame anyone for tuning this one out during the first half: it's dramatically inert at times and, despite the solid acting all around, doesn't make an airtight case to retain viewer interest at a high level. Phil's mainly just a big jackass for awhile, which makes this opening stretch of The Power of the Dog more an exercise in patience.
Featuring a decent but kind of hit-or-miss original score from the usually dependable Jonny Greenwood, The Power of the Dog is nonetheless a pretty captivating film once it gets going. I can't say I was completely swayed by its charms and certainly don't agree it belonged in this year's crop of Best Picture nominees, but it may gain more traction upon repeat viewings. One thing's for sure: The Power of the Dog fits more snugly within the safe walls of The Criterion Collection than its own home at Netflix, where countless Joe Six-Packs probably watched all of fifteen minutes before realizing it wasn't anything like Tombstone. Either way, this 4K edition with Dolby Vision and Atmos feels like overkill for a film that's neither all that visually or sonically striking much of the time. If we're talking about recent Criterion releases of films directed by women, I'd say Eve's Bayou was more deserving of a 4K option.
For a slightly more positive take on the film, please see Brian Orndorf's theatrical review.
Shot on both the ARRI Alexa LF and Mini LF at 4.5K with a true 4K digital intermediate, The Power of the Dog doesn't consistently stun on this 2160p, HDR10/DV-enhanced transfer from Criterion. Don't get me wrong, though: the higher-resolution format does yield more satisfying results overall than its 1080p counterpart (linked below), with the most notable differences being a higher level of fine detail, more nuanced contrast, and an overall more densely film-like and less processed appearance. But in no area is this an absolute landslide, in that whatever format you watch this film it'll be a good but not overwhelmingly great spectacle. Much of it simply has to do with the mostly earth-toned palette and dimly-lit interiors, which simply don't yield consistently striking and attention-grabbing results. There are exceptions, of course, and when we move outdoors The Power of the Dog does flex its visual muscle a bit more regularly with some rather attractive wide shots and magic-hour moments. On both sides of this coin, the respective HDR10 and Dolby Vision enhancement -- which provide a similar experience, based on a few comparisons -- offers modest improvement at best: shadow detail and overall contrast show tangible bumps in several key areas, though overall color strength and stability isn't greatly affected due to its intended appearance. So while the 4K option is indeed a superior effort when compared directly, it doesn't offer a proportionally night-and-day improvement every step of the way.
For my thoughts on the included Blu-ray's comparatively good 1080p transfer (which is where this review's screenshots were sourced from), please see my separate review of that stand-alone release.
The Dolby Atmos mix -- which, as always, unfolds to a Dolby TrueHD 7.1 core if your receiver doesn't support the newer format -- is similarly good but rarely pushes any limits, offering a satisfying mix of front-forward dialogue and sound effects and rear-channel ambience. The subject matter and landscape obviously doesn't make a case for heavy use of the height channels: there's likewise some environmental activity here, such as wind and other weather, as well as decent use of overhead during Phil's brief banjo playing on the second floor, but other uses are more stylistic like the occasional presence of Jonny Greenwood's sporadic but noticeable score. (It's a somewhat effective effort from the celebrated composer, yet some themes and moments were more distracting than anything else.) Again, a solid effort overall but those who don't have Atmos-enabled equipment won't be missing out on a great deal.
Optional English subtitles are included during the main feature only.
Criterion's two-disc combo pack of The Power of the Dog features a handful of well-made interviews and featurettes that add helpful context to certain aspects of the film. All can be found on the Blu-ray disc only.
Jane Campion's The Power of the Dog, her first film since 2009's Bright Star, is a revisionist Western with a small cast but plenty of tension created by its cold-blooded central figure. It's a slow-burn drama and picks up steam in the home stretch, yet those not invested in its characters by that point may not find it to be worth the wait. There are too many caveats to consider it a recommended blind buy but Criterion's 4K combo pack, like their stand-alone Blu-ray, offers solid A/V merits and a nice selection of extras. A decent buy for fans; newcomers should stream it first.
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