6.4 | / 10 |
| Users | 4.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Shirley MacLaine stars as Norah Benson, a New Yorker who puzzles over sudden changes in her brother's behavior. Joel (Perry King) has begun speaking Spanish and practicing strange rituals. In order to protect her family and save her brother, Norah must delve deep into the mysterious world of Santeria, where she begins to suspect that the spirit of a serial killer may be the reason for Joel's behavior.
Starring: Shirley MacLaine, Perry King, David Elliott (I), Lisa Kohane, Lovelady Powell| Horror | Uncertain |
| Supernatural | Uncertain |
| Thriller | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (C untested)
| Movie | 2.5 | |
| Video | 5.0 | |
| Audio | 4.0 | |
| Extras | 3.5 | |
| Overall | 4.0 |
1972’s “The Possession of Joel Delaney” is an adaptation of a 1970 novel by Ramona Stewart, examining the panic of a woman trying to make sense of her little brother’s sudden violent decline, approaching the unreal to acquire answers. Screenwriters Irene Kamp and Matt Robinson are challenged to find some sense of reality for the genre picture, while director Waris Hussein is left to sell the literary ride, making detailed, internalized despair into a cinematic offering capable of frightening viewers. “The Possession of Joel Delaney” has a certain cinematic presence during its first half, and the story’s investigation into class and cultural divide is potentially interesting. Sadly, good work to build up this world of fear is basically destroyed in the final act, which gives in to needless cruelty and absurdity, on the hunt for a level of shock value the rest of the feature does just fine without.


"The Possession of Joel Delaney" makes its UHD debut courtesy of Vinegar Syndrome, who present the film in "Dolby Vision HDR and newly restored from its 35mm original camera negative." The viewing experience retains a wonderfully film-like appearance, delivering heavy grain that's nicely resolved. Detail is capable, inspecting wintery period clothing and the textures of city life as the characters visit apartments and businesses. Skin particulars are defined, exploring differences in ages and glamour, also exposing the limitations of the special effects work in the picture. Exteriors around New York City are dimensional, providing a sense of neighborhood activity. Interiors are open for inspection, with plenty of decorative additions to study. Color is secure, capturing the cooler presence of a wintery NYC and its concrete displays. Warmer hues register during domestic interactions, and more vivid looks at lighting and period style are intact. Hair color is also distinct. Skin tones are natural. Blacks are deep, preserving shadowy events. Highlights are tasteful. Source is in good condition.

The 2.0 DTS-HD MA mix leads with defined dialogue exchanges, which handle the hushed emotionality of "The Possession of Joel Delaney," and its argumentative moments. Scoring supports with clear instrumentation, going from dramatic moods to more cultural sounds. Atmospherics are appreciable, along with sound effects.


Some level of suspense builds in the first half of "The Possession of Joel Delaney," which finds MacLaine capturing the frustration of Norah as her habitual demands and order are disrupted by the unexplained and the underprivileged. And there's Erika, who suggests trauma is at the root of Joel's problems. However, this is a genre feature, and Joel isn't just having a bad day. He's in contact with something evil, triggering a lengthy "exorcism" sequence that's meant to overwhelm the audience, and it all leads to a showdown inside a vacation home. The climax basically destroys the picture, turning to the torture and humiliation of children to pull a reaction out of viewers, and Hussein lovingly details such misery. It's a sequence of bad taste and prolonged ridiculousness that almost seems like it's from a different movie, leading to a wholly unsatisfying conclusion. "The Possession of Joel Delaney" goes from subtle to schlock before the end credits roll, making for a disappointing viewing experience, especially for a premise that appears ready for a mysterious cinematic inspection of powerlessness.

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