6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Two mob money couriers, Frankie and Tony, have their latest package of $1 million stolen by two con women, Dana and Marcia, in which the men must find the women to recover the money before they become marked men.
Starring: Wes Bishop, Stefan Zema, Lois Ursone, Lynn Harris (III), David F. Friedman| Drama | Uncertain |
| Crime | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region free
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 2.0 | |
| Overall | 4.0 |
Lee Frost's "The Pick-Up" (1968) arrives on Blu-ray courtesy of Severin Films. The supplemental features on the release include new video essay by by critic and filmmaker Stephen Broomer; photo gallery with an excerpt from a conversation between exploitation icon David F. Friedman and Something Weird Video creator Mike Vraney; and original trailer. In English, with optional English SDH subtitles for the main feature. Region-Free.


Presented in an aspect ratio of 1.33:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The Pick-Up arrives on Blu-ray courtesy of Severin Films.
Severin Films' Blu-ray release presents an exclusive new 4K restoration of The Pick-Up, sourced from the best surviving elements. The 4K restoration and its presentation are rather impressive, making it easy to declare that The Pick-Up has never looked as strong and convincing as it does on this release. Indeed, while there are a few bits of footage with obvious density fluctuations, delineation, clarity, and depth range from very good to excellent. The grayscale is managed very well, too. There are no traces of any problematic digital corrections, such as degraining, sharpening, or contrast boosting. Ideally, grain exposure should be slightly better, enabling better density levels as well. However, it is still very nice and surprisingly even, so on a large screen, all visuals boast strong organic qualities. Lastly, the entire film looks very healthy, too. My score is 4.75/5.00. (Note: This is a Region-Free Blu-ray release. Therefore, you will be able to play it on your player regardless of your geographical location).

There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.
All exchanges are clear and easy to follow. However, there is hardly any notable dynamic activity. Even during the action footage, which is quite modest, dynamic contrasts remain underwhelming. Obviously, this is how the soundtrack was finalized, and these are limitations that the lossless track replicates. There are no serious age-related anomalies. In a few places, some small enhancement tweaks can be introduced to strengthen fullness and roundness, but the dynamic potency of the audio will remain the same.


While not in the same league with Private Property, another independent gem from the 1960s, The Pick-Up has the same fearless attitude and noirish genes. However, it does not take long before it becomes obvious that The Pick-Up wants to impress some of the folks who spent their hard-earned dollars to see Joe Sarno's films. This is what makes it different. I liked it a lot. Had it incorporated an additional 30-45 minutes of raw desert and urban footage, especially from Las Vegas and Los Angeles, it would have been an incredible piece of Americana. Severin Films' release presents an exclusive new 4K restoration of The Pick-Up, sourced from the best surviving elements. HIGHLY RECOMMENDED.

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