7.8 | / 10 |
Users | 4.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
In 1851, Ada, a mute Scotswoman, travels to colonial New Zealand to wed a man she does not know, with her precocious daughter Flora and beloved piano in tow. When her cold and practical husband, the landowner Stewart, refuses to transport the piano to their rural home, Ada hesitantly agrees to a sexual relationship with a neighbor, the intense George, in order to retrieve and gain access to the instrument.
Starring: Holly Hunter, Harvey Keitel, Sam Neill, Anna Paquin, Genevičve LemonDrama | 100% |
Romance | 24% |
Period | 19% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English, English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 4.0 |
Did writer-director Jane Campion have seventeenth century British poet and playwright William Congreve in mind when
she made The Piano? Congreve isn’t widely remembered nowadays other than by English majors, but he gave
the world one of its most iconic (if quite often misquoted) phrases of all time: Music has charms to soothe a savage
breast. (Breast is quite frequently misquoted as “beast”.) While that quote in and of itself might be enough to draw a
parallel between Congreve and Campion, it becomes even more resonant when one realizes that that famous line
opens Congreve’s play The Mourning Bride, which could certainly be seen as a fitting description for The
Piano’s lead character, Ada McGrath (Holly Hunter), a Scottish widow with a young child, Flora (Anna Paquin), who is
sold by her father to an emotionally distant New Zealand farmer named Alistair Stewart (Sam Neill). Ada’s plight as she
navigates a
new world where she’s forced to marry a man she neither knows nor (obviously) loves is made even more difficult by
that fact that Ada has not spoken a word since she was a young girl. She communicates now solely through sign
language, which Flora translates, or by playing her beloved piano, which Ada has had transported, somewhat
improbably, to her new island home. Congreve’s The Mourning Bride continues:
Musick has Charms to sooth a savage Breast,
To soften Rocks, or bend a knotted Oak.
I've read, that things inanimate have mov'd,
And, as with living Souls, have been inform'd,
By Magick Numbers and persuasive Sound.
What’s ironic about The Piano is that music (with or without the “k”) does in fact soothe one savage breast,
that of farmer Alistair’s friend Baines (Harvey Keitel), a sort of benign Kurtz-like figure who has adopted the native Maori
ways, while the very same music does absolutely nothing to or for Alistair. Still, it is Ada’s preferred “language” of
choice, a delicate verbiage which seems to offer a glimpse inside a troubled but resolute soul.
The Piano is presented on Blu-ray courtesy of Lionsgate-Miramax with an AVC encoded 1080p transfer in 1.78:1 (you'll note in the first two screencaps below that the opening sequence, which includes the credits, is just slightly windowboxed). This is another really solid release of a Miramax catalog title, one which, like Cold Mountain and The English Patient, I'd place at just a slightly inferior level to Frida and Shakespeare in Love. Grain is once again quite noticeable in this presentation, spiking considerably in the film's many dark and/or blue filtered scenes, though never rising to levels seen in The English Patient. The film overall sports a very sharp and well detailed image, with some absolutely gorgeously saturated color. The Piano is often a very dark film, with storm tossed environments and light blocked by huge overhanging trees, and while there's no significant crush here, shadow detail is sometimes lost, something which becomes something of an issue in the many dimly lit interior sequences. The image looks best in midrange and close-ups, where fine detail is well above average. The frequent blue filtering looks magnificent throughout this presentation.
The Piano is the first in this wave of Lionsgate-Miramax catalog release not to feature a 5.1 mix, but the good news is the film's DTS-HD Master Audio 2.0 mix boasts really surprisingly good fidelity and some decent separation. The film has some unexpected LFE, including some great roar from the water in the opening sequence when Ada and Flora make the long trip to New Zealand. The film also has a wealth of great ambient environmental sounds, including the omnipresent rain which drenches the goings on in several key segments. Despite Ada's muteness, the film actually does have some dialogue, and that is presented cleanly and clearly. This may strike some as heretical, but aside from the actual piano cues, I personally find Michael Nyman's score for the film distracting and too precious for its own good, but it sounds just fine on this track. It should be noted that there are apparently some missing subtitles here that should have been hard encoded during the sign language scenes.
Theatrical Trailer (SD; 1:46)
The Piano is certainly unusual on any number of levels. Campion creates several unforgettable characters in this film, and the setting is both evocative and provocative. Hunter and Paquin both earned well deserved Oscars here, but Neill and especially Keitel are no less remarkable, and Campion wisely utilizes New Zealand as basically another character. The film does have a couple of odd elements which are slightly off putting, but the overall effect here is so strange and almost hallucinatory at times that few will probably mind very much. This Blu-ray offers excellent video and audio and despite being way too light on supplemental features, it comes Recommended.
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