6.6 | / 10 |
Users | 3.7 | |
Reviewer | 3.5 | |
Overall | 3.7 |
October 1991. It was "the perfect storm" — a tempest that may happen only once in a century — a nor'easter created by so rare a combination of factors that it could not possibly have been worse. Creating waves ten stories high and winds of 120 miles an hour (193 kph), the storm whipped the sea to inconceivable levels few people on Earth have ever witnessed. Few, except the six-man crew of the Andrea Gail, a commercial fishing boat headed towards its hellish center.
Starring: George Clooney, Mark Wahlberg, John C. Reilly, Diane Lane, William FichtnerAction | 100% |
Thriller | 85% |
Adventure | 42% |
Drama | Insignificant |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: Dolby TrueHD 5.1 EX
English: Dolby Digital 5.1 EX
French: Dolby Digital 5.1 EX
Spanish: Dolby Digital 5.1 EX
German: Dolby Digital 5.1 EX
Italian: Dolby Digital 5.1 EX
Japanese: Dolby Digital 5.1 EX
Spanish: Dolby Digital 2.0
French (Canada): Dolby Digital 5.1
Spanish 2.0=Latin, 5.1 Castilian / Japanese is hidden
English, English SDH, French, German, German SDH, Italian, Italian SDH, Japanese, Portuguese, Spanish, Danish, Dutch, Finnish, Korean, Mandarin (Traditional), Norwegian, Swedish
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 3.0 | |
Audio | 4.5 | |
Extras | 3.5 | |
Overall | 3.5 |
It would be a disaster of epic proportions. It would be the perfect storm.
You just cannot go wrong with a Wolfgang Peterson film. He's not the best director out there,
but
he is one of the most consistent, and consistently good for that matter (unlike a Uwe Boll, for
example, who is consistently bad). He has to his credit Das Boot, arguably the finest war
movie of all time, the underrated Enemy Mine, the thrilling In the Line of Fire,
Air Force One (Harrison Ford's entertaining final hurrah as a credible leading man), and
Poseidon, perhaps his worst film but one that is still entertaining, ultimately saved by
Kurt Russell because, well, like
Peterson, you just cannot go wrong with Kurt Russell. Likewise, The Perfect Storm
features a stellar ensemble cast of A-list stars and fantastic character actors. While the leads,
including George Clooney (Leatherheads) and
Mark Wahlberg (The Happening), are
superb, it's
the secondaries -- John C. Reilly (Walk Hard: The Dewey Cox
Story), Diane Lane, Untraceable), Michael
Ironside, (Starship Troopers),
Mary
Elisabeth Mastrantonio (The Abyss), and William Fichtner (Prison Break: Season
Three), among others, that bring the film to vivid life. The Perfect Storm
works well because it's a human drama first and a special effects extravaganza second, which
sets it apart from other films like Twister, a fine film in
its own right, but in a different sort of way. The films compliment one another well; both are
natural-disaster, effects-heavy films from Warner Brothers, but one is more about its effects and
the other more about its drama, and as such, each brings a unique cinematic experience to the
table and both are equally worth watching, and owning, especially on Blu-ray.
The crew of the 'Andrea Gail' share a moment while contemplating their impending encounter with the perfect storm.
The Perfect Storm sails onto Blu-ray with a somewhat disappointing but perfectly acceptable 1080p high definition transfer. Framed at 2.40:1, the transfer offers viewers a broad range of looks, from bright, sunny shots on the seaside to rainy and dark nighttime exteriors at sea. Both hold up well but each exhibit some flaws that, while never a distraction thanks in large part to the dramatic value of the film, don't allow for an eye-catching image. The transfer starts off looking nice with a natural, true-to-life outdoor tour through the piers and boats of Gloucester. Colors are sharp and rich and detail is generally nice. Softness becomes an issue in the transfer, though, and remains an issue throughout. Look at Bobby's Boston Red Sox cap and Billy's John Deere cap in chapter three. There is very little detail, and it looks more like a blob and a blur rather than a sharp and crisp object. These ball caps, and other items seen during the course of the film, look a bit better in a few scenes, but as a rule, detail is moderate at best and sharp edges and crystal-clear images are hard to come by. The image never jumps off the screen, coming across as one-dimensional and dull. There are no problems such as print anomalies, dirt, or other annoying abnormalities. Flesh tones are accurately rendered and black levels are fairly solid. The Perfect Storm offers viewers a decent transfer, but one that simply pales in comparison to the finest discs Blu-ray has to offer today.
The Perfect Storm's Dolby TrueHD 5.1 lossless surround sound track slams into Blu-ray with a sonic assault that brings the film to vivid life. Many scenes are fairly quiet, especially early dialogue scenes before the Gail sets sail yet again. Surround presence is minimal in these scenes. Atmospherics generally come from the front channels rather than both the front and back. The bar scene in chapter four features a nice presence across the front, but is quiet in the rears, failing to offer a truly realistic experience as ambient noise is nowhere to be heard across the rear. Dialogue itself seems slightly lower in volume than optimal. As expected, however, the track picks up once we're out to sea on the Gail. Atmospherics are excellent; we can hear the sound of the old boat creaking and rocking all around the soundstage to nice effect, effectively placing us on the ship. What's nice is that it's never too pronounced or distracting. The sound emanates from every speaker creating a nice ambience that just feels real, and the sound design is reserved yet effective in such scenes. The soundstage is full and powerful during the stormy action sequences, too. A rescue attempt via helicopter in chapter 21 is an entertaining and active listening experience. Surrounds are in full effect with the crashes of waves, rain, and helicopter rotors. The entire soundstage is drenched in action, the sound wide, full and loud without becoming distorted or a distraction from the action. The entire second half of the movie is thunderous, a case study in excellent use of powerful, robust, and incessant sound. It works well because these sounds are distinct and clear, yet retain a power and fear factor that effectively elevates the power and awe of the storm and the film it is depicted in. This is a fine track that will satisfy fans.
Warner Brothers brings The Perfect Storm to Blu-ray with a fairly comprehensive
supplemental package. Viewers are treated to not one, not two, but three feature-length
commentary tracks. The first track features director Wolfgang Peterson and it is hosted by DVD
producer J.M. Kenny. Peterson discusses the realism he tried to put into the film, the influence of
Sebastian Junger's novel of the same name, his fictionalization of the story for film while
attempting to retain the reality of real-life events, discussing various computer-generated effects
shots,
the
reactions of the family members of the people depicted in the movie, the emotional impact of the
film on audience, cast, and crew, and the "cleansing" effect the film had on the real-life families.
Track number two features visual effects supervisor Stefen Fangmeier and visual
effects
producer Helen Elswit. This film is called "middle class" or "MC" in the lexicon of the filmmakers,
but
this track is anything but. It's fairly technical in nature, as expected, but it is user- and
layman-friendly. This duo discusses the effects in the context of the story, the seamlessness of
the
effects, the evolution of the effects vis-à-vis the evolution of the film itself, and more. The third
track features Sebastian Junger, author of The Perfect Storm, the novel upon which the
film is based. The best track on the disc (as author tracks so often make; see David Morrell's
track on First Blood), Junger
discusses the origins of his novel and the influences of the story, shares plenty of background on
life in a fishing town, the history of the area, and what we know and do not know
about the real-life events behind the story depicted in the filmed version of The Perfect
Storm. If you have
time for only one of these three tracks, choose Junger's.
HBO First Look Special: Creating 'The Perfect Storm' (480p, 19:56) is a solid making-of
feature that touches on every aspect of the filmmaking, ranging from the true-life story behind
the movie to filming on-location. The piece features interview clips with cast and crew, and
author Sebastian Junger. Witness to the Storm (480p, 4:32) features interviews with
several individuals who were witness to the storm as it hit Gloucester. Creating an
Emotion (480p, 4:14) is a brief look at James Horner's powerful score and the humanism
and emotion of the score as it plays in conjunction with the drama and emotion of the film. Next
is Yours Forever (480p, 4:04), a series of still photographs from the film set to music
from the movie. Concluding the supplemental materials are the film's theatrical trailer (1080p,
2:31) and an advertisement for the film's soundtrack (480p, 0:17).
The Perfect Storm is neither the perfect movie nor the perfect Blu-ray, but the movie and the Blu-ray are each effective in their own right. Wolfgang Peterson has created a fine film that puts drama and people first, drawing in his audience who not only ooh and ahh at the spectacle of the special effects and the sound, but become emotionally invested in the story and the characters therein. It is this combination that makes the film so effective and somewhat rare. Warner Brothers' long-awaited release of The Perfect Storm on Blu-ray was worth the wait. While the picture quality is not exactly demonstration-worthy, it's certainly acceptable and shouldn't bother anyone except for the most ardent picture quality critics. The audio is superb, as expected, and the supplemental materials are strong. The Perfect Storm on Blu-ray is well worth the current low price of $16.49 -- buy two and give one to a friend.
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