8.7 | / 10 |
Users | 5.0 | |
Reviewer | 5.0 | |
Overall | 5.0 |
On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.
Starring: Maria Falconetti, Eugene Silvain, André Berley, Maurice Schutz, Antonin ArtaudForeign | 100% |
Drama | 87% |
History | 5% |
Biography | 3% |
Period | 3% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
Music: DTS-HD Master Audio 5.1
Music: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 5.0 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 4.5 | |
Overall | 5.0 |
Carl Theodor Dreyer's "The Passion of Joan of Arc" (1928) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include a vintage trailer for the film; archival audio commentary features Danish film scholar Casper Tybjerg; new video interview with composer Richard Einhorn; multiple scores; archival audio interview with Helene Falconetti; production design archive; and more. An illustrated booklet featuring an essay by critic Mark Le Fanu, a director’s statement by Carl Theodor Dreyer, and the full libretto for "Voices of Light". With French or Danish intertitles, and optional English subtitles. Region-A "locked".
HE spoke to me
Presented in its original aspect ratio of 1.33:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Carl Theodor Dreyer's The Passion of Joan of Arc arrives on Blu-ray courtesy of Criterion.
The first detailed reports about Gaumont's new restoration of The Passion of Joan of Arc that emerged in 2017 suggested that it was a 4K project that was completed with financial support from Centre National du Cinéma (CNC). We have one such announcement on our site that used the preliminary information that was channeled via Janus Films, but you can see a different report with the same information here as well. Since then, however, new information has emerged which confirms that the film was in fact restored in 2K. It has also been confirmed that Gaumont utilized a vintage print that was created by La Cinémathèque Française when the film was reconstructed in 1985, which was struck from a nitrate copy that was supplied by the Danish Film Institute. I mention all of this because Criterion's final technical specs also confirm the new information. (As usual, when the final market copy arrives, we will provide the official technical credits in the review).
There are two different versions of the film on this release:
1. 24fps silent version: It can be viewed without sound; with Richard Einhorn's Voices of Light (1994); or a brand new score by Will Gregory of the trip-hop band Goldfrapp and Adrien Utley of the trip-hop band Portishead (2010).
2. 20fps silent version: It can be played silent or with a piano score performed by Japanese silent film composer Mie Yanashita (2005).
The new restoration offers a number of dramatic improvements. The most significant ones are in terms of density and clarity, but the entire film also has a substantially healthier appearance. For example, the close-ups now lack that softer and somewhat flat appearance that is noticeable on the Region-B release that we reviewed in 2012. While some source limitations can sporadically affect grain exposure, grain is far better distributed and resolved and as a result overall delineation is much better. In fact, even on a mid-size screen the improvements can be quite dramatic (see screencaptures #1 and 18). The few wider shots in the film also boast significantly better depth (see screencapture #4). The grading is different and superior as well. The primaries are far better saturated while the complete ranges of gray and white are expanded. Furthermore, it appears that extensive stabilization work was performed as the obvious flicker from the previous release is missing. More importantly, I have to speculate that a lot of manual work was done to clean up individual frames as best as possible because now the film looks very healthy. All in all, given the nature of the surviving elements, I think that this new restoration will undoubtedly remain the definitive presentation of Carl Theodor Dreyer's film. My score is 4.75/5.00. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free Blu-ray release in order to access its content).
There are multiple audio tracks for each score which I am going to list below. Also, the 24fps version has French intertitles and can be viewed with optional English subtitles, while the 20fps version has original Danish intertitles and can be viewed with optional English subtitles.
1. Silent versions: encoded with Dolby Digital 1.0 (no sound).
2. 20fps version/Mie Yanashita score: LPCM 2.0.
3. 24fps version/Richard Einhorn's Voices of Light score: DTS-HD Master Audio 5.1.
4. 24fps version/Will Gregory (Goldfrapp) and Adrian Utley's (Portishead) score: LPCM 2.0.
I viewed the film with Will Gregory and Adrian Utley's score, as I am familiar with the other scores, and later on did some random comparisons. The quality of the lossless track is outstanding, but this should not be surprising as it was finalized in a studio environment. Clarity, balance, and fluidity are excellent. Dynamic intensity is also very good, but you should keep in mind that while quite diverse the score still has a distinct chamber quality. The other two scores have proper native qualities as well and are free of technical anomalies.
24FPS VERSION
The folks at Gaumont that completed this new restoration of Carl Theodor Dreyer's The Passion of Joan of Arc should be very proud of their work because it will likely end up being one of the studio's top projects. Given the nature of the surviving elements, I think that the end result is enormously impressive. Criterion's upcoming Blu-ray release also offers three different scores, including Richard Einhorn's terrific Voices of Light, as well as a great selection of exclusive new and archival supplemental features. A collection cannot possibly be complete without this legendary film, folks, so plan on picking up a copy as soon as possible. VERY HIGHLY RECOMMENDED.
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