6.2 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A young boy in a small North Dakota town befriends a potentially dangerous fugitive.
Starring: Mary Elizabeth Winstead, Aaron Paul, Scoot McNairy, Kristen Harris, Danny MurphyDrama | Insignificant |
Crime | Insignificant |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: LPCM 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 3.5 |
There are no major displays of dramatic firepower in “The Parts You Lose,” and the plot is simple, dealing with issues facing the main characters, without going beyond the core dynamic to pad the runtime. Writer Darren Lemke doesn’t go for flash with his screenplay, trying to land more of a literary atmosphere to the feature, which often resembles an adaptation of a young adult novel. “The Parts You Lose” may not have a fireworks display, but there’s consistency to the picture, providing a full sense of character and heart. The modest nature of the production isn’t a problem, as director Christopher Cantwell creates an inviting sense of tension and interaction, always preserving the human side of the story to best retain viewer attention.
The AVC encoded image (2.38:1 aspect ratio) presentation doesn't supply a warm viewing experience, with original cinematography respecting the wintry, freezing locations, pulling color out of most of the feature. Some brighter hues survive, exploring elementary school decoration and flickering fires, but earth tones come through, as do more seasonal hues, as costuming favors darker blues and browns. Snowy whites are evocative. Skintones are natural. Detail finds most textures, including fibrous costuming and woodsy farmhouse interiors. "The Parts You Lose" is a darker feature, often using limited lighting, but delineation has some struggles, easing into solidification on a few occasions. Compression issues are troublesome at times, with banding periodically found.
The 5.1 DTS-HD MA sound mix carries with expected idiosyncrasy, as the picture involves the actions of a hearing impaired child. The communication of the boy's aural experience is handled with care, offering distinct immersion into muffled sounds and gradual clarity. Dialogue exchanges are sharp and true, securing emotional escalation with the family dynamic and Paul's more growly line-readings, which keep their clarity. Scoring retains appealing instrumentation and position, carefully nurturing sensitive scenes and delivering on grander movements of suspense. Atmospherics are capable with decent surround activity, managing howling winds and snowy travel, and room tones are exact. Low-end is handles especially well during scenes of helicopter surveillance, adding some rumble.
Lemke is careful not to turn Ronnie into a complete monster, offering a mournful moment of clarity when the defeated man witnesses a co-worker enjoying a bright, responsive relationship with his son. Touches like this add texture to "The Parts You Lose," which eventually reaches some earned emotion and lands an appropriate ending. Cantwell keeps it all within reason, aided by strong cinematography from Evans Brown and considered editing from Heather Persons, doing a great job maintaining the stakes of the situation and the developing trust between the opposites, earning all the feelings the picture triggers along the way.
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