6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A Vietnam vet takes forceful control of Central Park to remember those who served and died in the Vietnam War.
Starring: Tommy Lee Jones, Helen Shaver, Yaphet Kotto, Lawrence Dane, Peter DvorskyThriller | Insignificant |
Drama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.84:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.0 | |
Video | 2.5 | |
Audio | 3.5 | |
Extras | 1.5 | |
Overall | 3.0 |
1982’s “First Blood” was influential for a variety of reasons, though it’s mostly remembered as the least exaggerated of the Rambo series, launching the franchise on a mournful note of military veteran issues before indulging all the outdoorsy adventure the brand name is known for. 1985’s “The Park is Mine” is clearly angled to take part in the Rambo tradition, with star Tommy Lee Jones carrying the weight of this dim-witted take on vet affairs and public submission. It’s not a graceful picture despite a potentially heavy subject matter, and while it’s based on a novel (by Stephen Peters), the feature doesn’t convey any literary depth. Director Steven Hillard Stern is much more interested in fireballs and shootouts to keep the effort on the move, caught making an action film when the story seems more concerned with profound psychological issues. While it strains to be popcorn entertainment, “The Park is Mine” ends up a pile of clichés, sawed off subplots, and violence without meaning, robbing the movie of the significance it seldom tries to convey.
The AVC encoded image (1.84:1 aspect ratio) presentation isn't inspiring, with trouble emerging from brightness issues, finding the viewing experience dialed up unnaturally, losing pure blacks and flattening delineation for most evening sequences. It's a bit distracting at times, especially when so much of the movie takes place under cover of darkness. Detail has its own struggles with softness, barely picking up facial particulars, but Central Park distances in daylight retain depth. Set decoration is also open for inspection. Colors are washed out but not entirely lost, showcasing camouflage and park greenery, and costuming also brings out a variety of hues. Source is in adequate condition, with mild speckling.
The 2.0 DTS-HD sound mix has the advantage of a lively Tangerine Dream score, which gets the movie's heart pumping when necessary, carrying a full sound with compelling instrumentation. Dialogue exchanges are secure for the most part, handling surges in emotion and group activity without losing precision. There are a few audio dropouts around the 44:00 mark, but they are brief, representing the only real evidence of damage on the track. Park atmospherics are evocative, capturing wide open spaces and crunchy forest travel, and sound effects are snappy.
The climax is meant to restage Vietnam for Mitch, putting him back into the thick of combat after days spent shooting down helicopters and trading bullets with the cops. The intensity of such an event doesn't register, along with Mitch's quest to highlight Veteran issues, which loses steam at the halfway point, missing a chance to do something noble with B-movie intentions. "The Park is Mine" goes through the motions, exploring public embrace of Mitch's revolution and the depth of Dix's spinelessness, making him easily hissable instead of challenging viewers to consider what types of political corruption play out in this scenario. Perhaps it was an honorable endeavor at one point in its development, but "The Park is Mine" has been diluted to keep up with John Rambo's unwinnable war, gifting more screentime to the firing of bullets than the needs of an ailing, disrespectful nation.
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