7.4 | / 10 |
Users | 4.5 | |
Reviewer | 4.5 | |
Overall | 4.5 |
A kingdom within a painting is divided into three castes: the Allduns, who have been completed by the Painter, dwell in sprawling mansions at the top; the Halfies, who have been left somewhat incomplete, are the commoners; and at the bottom are the barely outlined Sketchies, who are treated as outcasts and have been cast off into the cursed forest. Chastised for her forbidden love for the Alldun Ramo and shamed by her unadorned face, heartbroken Halfie Claire runs away into the cursed forest. Ramo and his friends journey after her, crossing over the boundaries of the forest, and arriving at the very edge of the painting, where they tumble through the canvas and into the Painter’s abandoned studio, strewn with paintings. As they explore painting after painting — each containing its own vividly animated world and characters — they come one step closer to understanding what the Painter had envisioned for them when he first put brush to canvas.
Director: Jean-François LaguionieAnimation | 100% |
Foreign | 91% |
Fantasy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
French: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Slipcover in original pressing
Region A (B, C untested)
Movie | 4.5 | |
Video | 5.0 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 4.5 |
The French animation industry has been experiencing an incredible renaissance over the past several years, with a number of high profile films becoming international sensations. Going back as far as Michel Ocelot’s charming 1998 opus Kirikou and the Sorceress, there have been a rather astounding number of global animated successes originating in France, properties as disparate as (in no particular order) The Illusionist, Persepolis, Interstella 5555, The Triplets of Belleville and The Secret of Kells (some of these were international co-productions, but all of them had significant French input). I myself have reviewed a glut of charming French animated fare in just the past few months alone, including A Cat in Paris, A Monster in Paris 3D (dog lovers please note these two are not the same film under different titles), The Rabbi's Cat (what is it with the French and felines?) and Tales of the Night. The incredible variety of content, tone and style in all of the above features points to an industry which is both vibrant and, even better, willing to repeatedly take chances, something that the sequel-prone assembly line American animation industry might want to take note of. And so on one level the magnificence of The Painting should come as no great surprise. And yet on another level, this beautiful, thought provoking “little” film is one of the most supremely unexpected treasures yet to emerge from French animators, and as the daunting list above should hopefully prove, that is saying a lot.
The Painting is presented on Blu-ray courtesy of Cinedigm and G Kids with an AVC encoded 1080p transfer in 1.78:1. Languionie evidently crafted most if not all of this feature digitally, which is quite remarkable when one considers the texture and more traditional look of much of the film. Colors are brilliantly diverse in this film, though they tend to favor subtle blues and purples, with hints of green and yellow also entering the palette. Line detail is extremely sharp and while the film can't be said to be traditionally "sharp" looking—it has an intentionally soft ambience quite a bit of the time—the image is stable and artifact free. There's an increasing use of hyperrealism and finally actual live action as the film moves toward its denouement, and those aspects also look great.
The Painting features lossless DTS-HD Master Audio 5.1 mixes in both the original French as well as English. The two tracks are virtually identical save for the obvious language differences. These tracks are quite subtle at times, with immersion handled in terms of some great ambient noises (there are so-called "Flowers of Death" the whip around, accompanied by nice panning foley effects). There is in fact nothing really overtly "showy" about the tracks, but they create an incredible mood and ambience which is remarkably consistently maintained throughout the feature. Dialogue and an impressively quirky score by Pascal Le Pennec sound excellent, with sterling fidelity.
As I mentioned in my recent From Up On Poppy Hill Blu-ray review, some Western viewers who have only seen typical animated fare like Disney or Pixar features are often times a bit confounded by Studio Ghibli outings, since those films tend to be quite a bit slower and defy typical American tropes like "character arcs" or three act structures. The Painting is much more in line with American outings from those two standpoints at least, but it has a definite European flavor that sets it rather far apart from the vast bulk of American animated offerings. But for the adventurous viewer who wants a challenging film that manages to combine a number of rather unlikely elements, including art history and ontology, The Painting is a must see piece. This Blu-ray looks and sounds great, and even without a wealth of supplementary material, it easily comes Highly recommended.
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