5.8 | / 10 |
Users | 0.0 | |
Reviewer | 1.5 | |
Overall | 1.5 |
An ancient genie is released from a lamp when thieves ransack an old woman's house. They are killed and the lamp is moved to a museum to be studied. The curator's daughter is soon possessed by the genie and invites her friends to spend the night at the museum, along with some uninvited guests. The genie kills them off in an attempt to fulfill her ultimate wish.
Starring: Deborah Winters, James Huston, Andra St. Ivanyi, Scott Bankston (I), Red MitchellHorror | 100% |
Supernatural | 8% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 1.5 | |
Video | 2.5 | |
Audio | 4.0 | |
Extras | 0.0 | |
Overall | 1.5 |
Note: This film is available as part of the Scream Factory double feature The Outing / The Godsend.
The term “lesser of two evils” can be taken more than one way when assessing the strange and frankly at best middling double feature of
The Outing and Godsend offered by Shout! Factory’s imprint Scream Factory on this Blu-ray release. There are of
course
“evils” abounding in each of these films, courtesy of either a demonic genie or a demonic child. But neither film ever whips up much
suspense,
despite appealing enough premises (however derivative they may be). The Outing has a somewhat convoluted history that helps to
explain at least some of its incoherence, and The Godsend has a tamped down approach that keeps its problematic subject matter of
little
kiddies getting killed one by one in a kind of weirdly traditional British stiff upper lip ambience, but neither film ever ends up delivering the
goods, either dramatically or (more importantly for a horror outing) from a fright perspective. As with so many horror films that Scream
Factory
has released over the past couple of years, each of these outings (sorry) has attained a considerable cult following, though as with many
horror film cults, watching The Outing and The Godsend now in the cold, clear light of day, and without the rose colored
glasses
of youthful samplings of nascent cable television fare may prove to be eye opening (and not in a good way) for even the most ardent fan.
The Outing is presented on Blu-ray courtesy of Scream Factory, an imprint of Shout! Factory, with an AVC encoded 1080p transfer in 1.78:1. My hunch since The Outing is a reedited version of a pre-existing product, the elements used where inherently dupes, and the look of this transfer certainly supports that thesis. Rather soft and fuzzy most of the time, with a very heavy grain field and inconsistent contrast, The Outing struggles to offer much more than baseline detail in many shots. Elements also have quite a bit of age related wear and tear, along with noticeable fading. There are also a couple of rather odd anomalies, including a rather strange moment of "rippling" (for want of a better term) and image instability around the 16:30 mark that almost looks like this segment was sourced from problematic video rather than film (watch for the crane shot outside the mansion in the wake of the redneck attack). The film's stop motion animation adds to a somewhat variable grain presentation. On the good news front, while the film is really dark a lot of the time (with persistent crush in the darkest moments), and the grain field very heavy, there are few if any of the compression problems that have afflicted some other Scream and Shout! releases.
The Outing features a nicely robust lossless DTS-HD Master Audio 2.0 mix which capably supports the film's well done effects (including a spooky voice for the genie). Dialogue is cleanly rendered and the dated sounding score by Bruce Miller and Joel Rosenbaum is also presented clearly. Fidelity is fine throughout the presentation and there are no issues of any kind to cause concern.
There are no supplements related to The Outing on this double feature Blu-ray.
While The Outing has evidently built up something of a sizable cult fan base, the film too often shows its seams where content has been ripped from the narrative seemingly willy nilly. Some may feel that a better double feature with this "outing" would have probably been The Lamp, so that audiences could compare and contrast. Even fans of the film may be underwhelmed by its video quality, though audio is rather robust.
(Still not reliable for this title)
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