6.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Some believe that another world exists alongside our day lit, waking reality - a shadow land of faeries, angels, and elemental spirits. There are places where these worlds are said to overlap, regions described as 'window areas' by modern UFO enthusiasts. But just what are these places? Ancient sacred sites? Gateways into faerieland? Telluric and electro-magnetic 'hot spots'? Doorways into other dimensions or black holes in concensus reality?
Starring: Richard Stanley (I), Scarlett AmarisDocumentary | 100% |
Mystery | 75% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
English, French
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 4.0 |
Those of you who have seen the eminently enjoyable documentary Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau may be surprised to hear that Richard Stanley is way down the list of eccentrics who populate the equally enjoyable documentary The Otherworld, a piece which details Stanley’s evidently long fascination with an area in the south of France Stanley dubs "The Zone", a place which includes the French commune of Rennes-le-Château. In the earlier documentary profiling Stanley’s aborted attempts to bring The Island of Dr. Moreau to the screen, Stanley came off as something of an aging hippie type, given toward metaphysical musings and, replete with long hair and floppy brimmed hat, coming off as kind of a modern day Gandalf. That would perhaps hint at Stanley automatically being one of the more “interesting” people in any given aggregation, but The Otherworld is so stuffed to the gills with mystics, conspiracy theorists and other “woo woo” types that Stanley comes off as at least relatively restrained. Fans of The Da Vinci Code may recognize the name of Rennes-le-Château, since it crops up overtly in Dan Brown’s labyrinthine mystery, and also is referred to subliminally through the character name of the murder victim who sets everything in motion, the supposed Louvre impresario Jacques Saunière. The surname of Saunière has long been associated with Rennes-le-Château courtesy of François- Bérenger Saunière, a Roman Catholic Priest who spent much of his life in the village and who reportedly discovered a treasure there. Some have imputed an occult dimension to François-Bérenger Saunière’s discovery, but fans of Brown’s opus will know what the ostensible “real” treasure turns out to be. This is all fascinating if arcane material for Stanley to investigate, but while The Otherworld is a bizarrely compelling trip down a very particular rabbit hole, anyone looking for ultimate answers will probably come away, well, mystified.
The Otherworld is presented on Blu-ray courtesy of Severin Films with an AVC encoded 1080p transfer in 2.35:1. The IMDb credits the Canon C300 as the camera utilized for the production, and I assume a 2K DI was the source for this transfer. It's a little hard to assess things like "sharpness and clarity" since Stanley is so keen on introducing psychedelic effects, with lots of superimpositions, effulgent light sources and/or dimly lit scenes taking place more or less by firelight, but on the whole, and especially when the documentary is outside during daylight, detail levels are generally excellent, with a natural looking palette. The camera is very rarely stationary, and as such fine detail levels tend to fluctuate depending on what's in the frame (and how close it is to the camera). There are a lot of stunning panoramic vistas on display, many of which offer excellent depth of field. There are occasional slight banding issues, some of which are tied to Stanley's love of sudden changes in lighting regimens, but otherwise this is a problem free presentation.
The Otherworld features both DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 tracks. Truth be told, there's not a whale of a lot of difference between the two, at least in terms of the talking head and voiceover elements, though the surround track certainly opens up Simon Boswell's score nicely, and also provides discrete channelization for quite a few ambient environmental sounds in the many outdoor scenes. All elements are rendered cleanly and with good prioritization on both tracks.
Somewhat hilariously, I was in a pit band for a huge production of Peter Pan (as a keyboard player, I was the "voice" of Tinkerbell) when I was reading The Da Vinci Code, and I still remember trying to sneak in as much reading as possible in between moments when I was needed orchestrally, finding myself completely swept up in Brown's tale that touched on some of the same things Stanley explores in The Otherworld. Kind of like Tinkerbell herself, the myths and legends surrounding Rennes-le-Château and other close by locales are seemingly immortal, and The Otherworld will only end up adding to that lore and legend. This is not a traditional documentary by any stretch, but for those attuned to Richard Stanley's rather unique take on things, it's unusually compelling even if it never provides any definitive answers. Severin's package offers excellent technical merits as well as some very enjoyable supplements, and The Otherworld comes Highly recommended.
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