7.3 | / 10 |
Users | 4.8 | |
Reviewer | 4.0 | |
Overall | 4.2 |
Down in American farm country, twins are born. One of them turns out to be good, while the other becomes rather evil.
Starring: Diana Muldaur, Chris Udvarnoky, Uta Hagen, Martin Udvarnoky, John RitterHorror | 100% |
Mystery | 1% |
Thriller | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (48kHz, 24-bit)
Music: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.5 | |
Video | 5.0 | |
Audio | 4.0 | |
Extras | 1.5 | |
Overall | 4.0 |
Thomas Tryon seemed to be on the fast track to stardom, at least for a little while. Following the time honored tradition for young actors, Tryon appeared in television in the late fifties, including his own recurring series Texas John Slaughter that appeared on The Wonderful World of Disney, as well as occasional horror and science fiction B-movies, like I Married a Monster From Outer Space (isn’t it wonderful how those cheesy old films gave the audience their high concept in one deliciously camp-tastic title?). But then Tryon started getting better roles, in films like The Story of Ruth and The Longest Day (even while occasionally toiling in such less stellar fare as Moon Pilot). Tryon co-starred in the ill- fated Something’s Got to Give, the film Marilyn Monroe had begun shooting before her untimely death, something that might have temporarily halted Tryon’s trajectory, but in 1963, he was cast in what would become his signature role, the title character in Otto Preminger’s The Cardinal. While the film wasn’t especially well regarded, Tryon’s work in it was largely praised, but his subsequent film appearances became more and more sporadic as the decade wore on. And then something quite remarkable happened—Tryon reinvented himself as a bestselling author. The Other was instantly hailed as a modern classic when it appeared in 1971 and Tryon himself co-produced and wrote the 1972 film adaptation. Many years ago I had the pleasure of meeting Harrison Starr, who had a long and rather quirky producing career, but who had been Production Manager on Preminger’s The Cardinal. Starr was a tenant of my late Uncles in New York City, and knowing of my interest in the film industry, they arranged for me to have lunch with him one day in Manhattan. I had fallen in love with both the novel and film versions of The Other and, knowing of The Cardinal connection, mentioned Tryon to Starr. Starr countered to me that Tryon had never been really happy as an actor, and that this “second” career choice seemed to be much more up his alley. Strangely The Other, despite its overwhelming success on the bestseller charts, didn’t really seem to connect with movie audiences at the time of its release, but it’s since achieved a certain cult status. The film remains a kind of oddity in director Robert Mulligan’s oeuvre, a sort of Twilight Zone reimagining of the same feeling Mulligan brought to To Kill a Mockingbird , but it is graced by uniformly excellent performances (including a rare film role for stage icon Uta Hagen), and it also features gorgeous music from Jerry Goldsmith and cinematography from Robert L. Surtees.
Yes, I know your eyes
They’re the same eyes
And for me they hold no surprise
Yet how strange from to time they change
Till they become two other eyes
And just now and then
When you’re speaking
There’s a different voice, unfamiliar
And I think when it reaches my ear
It’s a stranger’s voice that I hear
And I know your smile
Seldom varies
It’s the same sweet smile I recall
Still at times for a just a little while
It’s really not your smile at all
Now and then your face
Seems another
It’s the other face I discover
But your face is the face I adore
There’s no other face I love more
It’s the dearer face
The nearer face
It’s your face
The Other is presented on Blu-ray with an AVC encoded 1080p transfer in 1.85:1. This is a near perfect accounting of the film's theatrical look, with the original soft, filtered, dewy ambience that cinematographer Robert Surtees brought to this project. Mulligan tends to use the then trendy zoom lenses for a number of shots, and that may seem to add even a bit more of softness as the frame quickly changes, but in fact it's an accurate representation of the theatrical exhibition, one which I actually saw several times as a child (my parents thought I was patently crazy when I kept asking them to drive me back to the theater so that I could see The Other again—and again—and again). The elements here are largely pristine, and color grading, while perhaps just a trifle too pink (at least for my tastes), offers a wonderfully bright and ironically sunny palette that contrasts beautifully with the darker underpinnings of the story. There are no egregious artifacts to report and the film retains a completely natural looking grain structure.
The Other offers a lossless DTS-HD Master Audio Mono mix which recreates the rather surprisingly overall quiet ambience of the film quite well. Goldsmith's score sounds fantastic (I actually prefer this accounting to the isolated score, as that one's highs are too strident to my personal taste), and the dialogue is presented cleanly and clearly. A couple of horrific moments add a bit of dynamic range, but this is by and large a rather subdued outing from an aural perspective.
As is probably obvious by this time, I have loved The Other since I was a kid, and it's a joy to see it looking and sounding so fantastic. Don't be fooled by what may seem like an "obvious" reveal late in the film. The Other is actually open to interpretation, and I refer you to Ada's "game" for one way to approach what's really going on. This is not a typical horror film, which in fact may be one reason that it failed to connect with audiences in 1972, but it is nonetheless a relentlessly disturbing piece that offers the flip side of the relatively halcyon childhood Mulligan portrayed in his classic To Kill a Mockingbird. Highly recommended.
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1981
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