6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A woman leaves the farm and enters the unknown.
Starring: Lindsay Pulsipher, Robert Longstreet, Matt Olsen (III), Lynne Compton, Roger M. MayerHorror | 100% |
Mystery | 4% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: Dolby Digital 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 2.5 | |
Video | 2.5 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 3.0 |
After building his confidence with a series of shorts, writer/director Calvin Lee Reeder mounts his first feature-length movie with 2011’s “The Oregonian.” A fan of underground cinema, Reeder hopes to brings some mind-scrambling stuff to the endeavor, which is kinda-sorta a take on “Carnival of Souls,” following the freak-out experiences of a young woman marching through a mysterious area of potential madness after surviving a car accident. Reeder tries to make a distinct impression with the surreal viewing experience, investing in an aggressive sound design and inscrutable imagery, hoping to reach an audience that lives for this kind of thing. Or at least has the patience to sit through it.
The AVC encoded image (1.78:1 aspect ratio) presentation encounters some issues. Encoding has trouble at times, with grain looking noisy and somewhat blocky at times, while a complete breakdown is found at the 66:40 mark. Fine detail isn't present, losing skin particulars and rural distances. Color is acceptable, with defined hues on green costuming and bloodshed. Town tours also deliver acceptable primaries and greenery. Skin tones are natural.
The 2.0 Dolby Digital mix mostly deals with aggressive sound elements, with the filmmaker aiming to create as unpleasant a track as possible. The nightmare tour is filled with shrill sounds, often at top volume, but dialogue exchanges are acceptable, providing clarity with performances. More traditional musical selections register as intended, while the rest intentionally carries a fuzzier, distorted sound.
Those with specialized antennae for avant-garde cinema will probably be more interested in "The Oregonian," as it's not a movie meant for a casual viewing. It's a dark crossing into a strange existence, and one that delivers as much cinematic power as a little-to-no-budget provides. There will be fans of Reeder's imagination for psychological melt (from the Blu-ray packaging and supplements, the faithful appear to be other filmmakers), but "The Oregonian" isn't a sterling addition to the subgenre. It makes a few curious moves to keep things mildly interesting, but as a whole, the picture slips into crude self-indulgence one too many times, with Reeder intent on keeping his endgame for the production a secret.
Director's Cut
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Slipcover in Original Pressing
2022
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