Rating summary
Movie | | 3.5 |
Video | | 4.5 |
Audio | | 4.5 |
Extras | | 1.0 |
Overall | | 3.5 |
The Ones Below Blu-ray Movie Review
Baby on Board
Reviewed by Michael Reuben September 6, 2016
Tales of an expectant mother in peril, whether real or imagined, inevitably inspire comparisons to
Roman Polanski's Rosemary's Baby, but The
Ones Below is a different kind of story. There are
no supernatural forces at work in the debut feature from writer/director David Farr, whose
previous credits include the screenplay for Hanna. Two worlds
collide in The Ones Below, but
their distance can be measured by a flight of stairs in an apartment building. Between the top of
the steps and the bottom lies a border separating incompatible emotional realms whose
inhabitants discover, as events unfold, that peaceful coexistence is impossible.
Kate Pollard (Clémence Poésy, ) and her husband, Justin (Stephen Campbell Moore), live on the
second floor of a two-story London walkup. After ten years of marriage, during which both
husband and wife pursued successful careers, they are expecting their first child. Kate remains
ambivalent about starting a family, an attitude that is easily understood when one meets her chilly
and disinterested mother (Deborah Findlay). But with her husband's support, she seems to be
settling into the prospect of motherhood.
Change arrives with new occupants of the downstairs apartment, which has been vacant since the
death of the prior tenant. Theresa Baker (Laura Birn) is also pregnant with her first child, after
several years of trying with husband Jon (David Morrissey), a brusque and successful
businessman who has made his fortune abroad. Theresa met Jon when he was working in
Germany, and they married after a whirlwind courtship. It is Jon's second marriage and his
second effort at starting a family. Theresa claims to have no qualms about motherhood, although
she exhibits odd behavior when the Pollards invite their new neighbors for dinner.
As a prelude to dinner, the two wives have socialized and shopped together, and they appear to
be well on their way to becoming fast friends, with the reserved and cautious Kate warming to
the extroverted, apparently care-free Theresa. But then a serious accident occurs, prompting
Theresa and her husband to leave England for Germany. By the time they return, Kate has given
birth to a son, and she and Justin are dealing with all the pressures and adjustments of first-time
parenthood. It is then that Kate begins to suspect something terrible looming over her family,
although she cannot say exactly what it is. Inexplicable noises are heard on the baby monitor;
bathroom taps and stove burners are left on, though Kate insists she turned them off; Theresa
appears (at least to Kate) to be taking an unhealthy interest in Kate's baby boy. Is Kate suffering
from post-partum delusions, or is she being gaslighted (and, if so, for what purpose)?
The Ones Below is told almost entirely from Kate's point of view, which allows director Farr to generate tension and suspense by purely
visual means, such as having Kate witness events that could be either innocent or nefarious, depending on one's interpretation. (In the extras, Farr
cites
Rear Window as an inspiration.) He sometimes
frames her in such a manner as to prompt suspicion about what may be lurking outside the frame, and he extracts maximum discomfort
from simple devices such as the Bakers' habit (acquired by Jon during his years in China) of
taking off their shoes and leaving them outside the door. The contrast between the Pollards'
sedate wardrobe and decor and the Bakers' gaudier taste also contributes to the growing sense of
unease. And then there's the Pollards' energetic cat, whose antics are impossible to overlook. He
routinely behaves like an actor trying to steal the scene, writhing and pawing so that the viewer's
eye is compulsively drawn to him. In this drama, his role turns out to be more important than just
complementing the domestic background.
The Ones Below Blu-ray Movie, Video Quality
Specific information about the shooting format of The Ones Below was not available, but it bears
all the usual indications of digital acquisition. The credited cinematographer is Ed Rutherford
(Archipelago). Magnolia Home Entertainment's 1080p, AVC-encoded
Blu-ray offers a finely detailed image with a largely muted palette dominated by cool blues, grays and whites for the
Pollards, all of which contrasts sharply with Theresa's bright and colorful wardrobe and the
flashier decor of the Bakers' home. Blacks are solid, contrast is appropriate, and the image is free
of aliasing, banding or other distortion. Magnolia has mastered the film with an average bitrate of
19.99, with a capable encode.
The Ones Below Blu-ray Movie, Audio Quality
The Ones Below has a subtly understated 5.1 sound mix, encoded on Blu-ray in lossless DTS-HD
MA, that greatly contributes to its unsettling atmosphere. Although it's a quiet film lacking any
"jumps" or action beats, the speaker array is routinely alive with small sounds that catch your
attention and make you question your surroundings: dripping water, the beep-beep-beep of a
home security system, a cat's meow, breaking glass. The dialogue is consistently clear and
appropriately integrated into the mix, and the track uses pauses and silences effectively. The
score, primarily on piano, is by Adem Ilhan (In the Loop),
and it shifts fluidly between a reassuring lullaby and foreboding tones of suspense.
The Ones Below Blu-ray Movie, Special Features and Extras
- Creating a Cinematic Moment: Under the Bridge (1080p; 1.78:1; 2:59):
Writer/director Farr discusses both his overall visual strategy and the complex logistics of
a specific shot.
- Going Below the Story (1080p; 1.78:1; 8:59): Farr describes the inspiration for the
film's script and the history of the production. Producer Nikki Parrott also participates.
- Behind the Cast and Characters (1080p; 1.78:1; 8:59): Clémence Poésy ("Kate"),
David Morrissey ("Jon"), Laura Birn ("Theresa") and Stephen Campbell Moore
("Justin") discuss their characters, and Farr discusses the apartment setting.
- Car Stunt: Breaking Down an Action Sequence (1080p; 1.78:1; 2:24): This is one of
the most peculiar extras I have ever reviewed, because it explores a scene that is not in
the film. Stunt coordinator Marc Cass describes shooting an action sequence involving
two cars, one of which has a drunk driver. The included film clips suggest that this scene
would have appeared in the early sequence where Kate and Justin spend a few days at the
seaside. If the scene was cut during editing—and is not even available as a deleted
scene—what is the point of exploring how it was shot?
- Theatrical Trailer (1080p; 1.85:1; 2:09): "You never know your own neighbors."
- Also from Magnolia Home Entertainment: The disc includes trailers for High-Rise,
Satanic, The Last King and
The Wave, as well as promos for the Charity
Network and AXS TV. These also play at startup, where they can be skipped with the chapter forward
button.
- BD-Live: As of this writing, attempting to access BD-Live produces the message "Check
back later for updates".
The Ones Below Blu-ray Movie, Overall Score and Recommendation
Writer/director Farr has said that "[t]here's a horror in real life and absurdities in real life that are
ever present and yet often not captured on film". The Ones Below eventually goes to an extreme
place, but it gets there through everyday interactions and concerns. Magnolia's presentation is
excellent and recommended, despite a sparse (and, in one glaring instance, inapt) complement of
extras.