6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
1951: Andy Schmidt is in his last year of college. Taking life easy and always a saucy joke on his lips, he manages to win fellow student Mary's heart, although she's already otherwise engaged. But getting a job after college turns out much harder than he expected. Most directors take offense at his free interpretation of his roles. Desperate, he tries in wrestling. To avoid getting beaten up he stages the fights - and incidentally invents show-wrestling.
Starring: Henry Winkler, Kim Darby, Ed Begley Jr., Gene Saks, William DanielsRomance | 100% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
None
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 0.0 | |
Overall | 3.5 |
Carl Reiner's "The One and Only" (1978) arrives on Blu-ray courtesy of independent distributors Olive Films. There are no supplemental features on this release. In English, without optional English SDH subtitles for the main feature. Region-A "locked".
"There are two kinds of people, kid. The kind that put lamp shades on lamps. And the kind that put lamp shades on their heads."
Presented in an aspect ratio of 1.78:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Carl Reiner's The One and Only arrives on Blu-ray courtesy of Olive Films.
I am fairly certain that the release is sourced from the one and only master Paramount Pictures currently has available in its vaults. My guess is that an interpositive was used to create it without any substantial restoration work. Rather predictably, there are a few rough spots here and there, but the basic qualities we scrutinize in our reviews remain solid. For example, virtually all of the close-ups boast good to very good depth and pleasing clarity. Contrast levels can appear slightly elevated at times, but the light halo-like effects that sneak in are actually inherited (they are not introduced by recent digital corrections). Some of the more obvious source limitations are present during the wider shots -- depth is somewhat limited and shadow definition isn't optimal. Colors can also be better balanced, though overall saturation levels are actually quite good. There are no serious stability issues. Finally, some minor dirt spots and flecks remain, but there are no distracting cuts, warps, or torn frames to report. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are not provided for the main feature.
While some minor cosmetic rebalancing work can probably be done in a few areas to enhance fidelity, clarity and depth are indeed very good. Dynamic intensity is also good, though there isn't a lot of material where the lossless track can actually shine. There are no distracting pops, cracks, audio dropouts, or digital distortions to report.
Most unfortunately, there are no supplemental features to be found on this Blu-ray release.
I would recommend this very, very witty film from Carl Reiner to anyone that appreciates the eccentric style of the Cohen Brothers. It shines in so many different ways that I have to wonder why it is not considered a cult classic. Absolutely wonderful performances from the entire cast. Also, Steve Gordon's top script is yet another example that Hollywood has evolved in the worst possible way. Olive Films' release is sourced from an older master, but the film looks good in high-definition. Unfortunately, there are no supplemental features on the Blu-ray. HIGHLY RECOMMENDED.
Warner Archive Collection
1982
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