8.5 | / 10 |
Users | 4.8 | |
Reviewer | 3.5 | |
Overall | 3.9 |
Based on the popular British series of the same name, this faster-paced American version follows the daily interactions of a group of idiosyncratic office employees at paper company Dunder Mifflin's Scranton branch via a documentary film crew's cameras. Regional manager Michael (Steve Carell) thinks he's the coolest, funniest, best boss ever - which, of course, makes him the uncoolest, most obnoxious and annoying boss as far as his staff are concerned. Salesman Jim Halpert (John Krasinski) has always loved receptionist Pam Beesly (Jenna Fischer) and loves sabotaging his cube-mate, the know-it-all Dwight Schrute (Rainn Wilson). Ryan Howard (B.J. Novak) started as a young, smart, self-possessed temp, but quickly figured out the real office politics despite Michael's attempts to instill the official point-of-view, and gets himself a job at corporate HQ in New York. The staff is rounded out by quiet Phyllis Lapin Vance (Phyllis Smith), beaten down by the working life Stanley Hudson (Leslie David Baker), office alcoholic Meredith Palmer (Kate Flannery), up-tight Angela Martin (Angela Kinsey), formerly closeted homosexual Oscar Martinez (Oscar Nunez), stocky and uncouth Kevin Malone (Brian Baumgartner), ambivalent kleptomaniac Creed Bratton (Creed Bratton), Sad Sack HR rep Toby Flenderson (Paul Lieberstein), persistently love-struck Kelly Kapoor (Mindy Kaling), icy corporate manager turned Michael's girlfriend Jan Levinson (Melora Hardin), former Stamford branch denizen and Cornell graduate Andy Bernard (Ed Helms), warehouse foreman Darryl Philbin (Craig Robinson), and Pam's ex-fiancé Roy Anderson (David Denman)
Starring: Steve Carell, Rainn Wilson, John Krasinski, Jenna Fischer, B.J. NovakComedy | 100% |
Dark humor | 32% |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1
English SDH, Spanish
50GB Blu-ray Disc
Four-disc set (4 BDs)
BD-Live
Mobile features
Slipcover in original pressing
Region free
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 3.5 |
If this were Russia, yeah sure. Everyone would go to one Santa, and there would be a line around the block. And once you sat on her lap, and she asked you what you wanted, you would probably say "freedom." At which point the KGB would arrest you and send you to Siberia. It's a good thing Russia doesn't exist anymore.
The Office has been, and continues to be, one of the most quotable comedies on television. Not an episode goes by that doesn't at least elicit a few embarrassing outbursts from Dunder Mifflin devotees. Be that as it may, Season Six is a relative disappointment. Laughs abound, hilarious lines are drawn in DMI's ever-shifting sands, and plenty of memorable encounters ensue, sure, but the whole of the sixth season is a crapshoot; an inconsistent, hit-or-miss affair that suggests the once sharply penned show is past its prime. Is it time to finally leave Michael Scott and his world-weary paper salesmen to their own devices? Not yet. Four episodes still rank among the series' best, and at least seven others are on par with the bulk of the third, fourth and fifth seasons. Even the worst Office outings are often more bearable than the Big Three's current crop of television comedies. Just be prepared to deal with the doubt Season Six stirs up deep within your TV soul.
Kelly will be even worse than Darryl. If you'd have told me this morning that today I'd be creating a monster capable of my own destruction, I'd have thought you were referring to the bull that Mose and I are trying to reanimate.
Though primarily shot in high definition, The Office isn't meant to be a stunning Blu-ray contender. Its actors are frequently framed by cubicle walls and florescent light, many an off-site excursion is documented with lower-quality cameras, and other subtle visual touches lend credence to the series' mockumentary aesthetic. Even so, Universal's 1080p/VC-1 encoded presentation looks every bit as good -- or mediocre, as is the case at times -- as it should. Fleshtones are occasionally flat, flushed or chalky, but any oddities trace back to the showrunners' intentions. Otherwise, colors are generally lifelike and appealing, contrast is strong and relatively consistent, and black levels, while less than perfect, are deep and satisfying on the whole. Detail wavers a bit as well, but again, rarely without reason. Fine textures are sharp and well-resolved, and object definition is crisp and clean. The technical transfer steals the show though. No matter where Season Six goes or how unsightly the Dunder Mifflin misadventures become, unintended artifacting, banding, smearing and aliasing are nowhere to be found, and ringing and noise are kept to a manageable minimum. All things considered, the series' sixth-season video transfer is comparable to its fifth-season cousin, meaning Scott's Tots will be delighted with the end result.
How do you untell something? You can't. You can't put words back in your mouth. What you can do is spread false gossip so people think that everything that's been said is untrue. Including that Stanley is having an affair. It's like the end of 'Spartacus.' I have seen that movie half a dozen times and I still don't know who the real Spartacus is. And that is what makes that movie a classic whodunnit.
Like Season Five's lossless mix, Universal's sixth-season DTS-HD Master Audio 5.1 surround track will draw some criticism, most of it unfounded. Once again, The Office sounds exactly as it should. Air hiss, popping, recording mishaps, errant distortion, environmental noise... if nothing else, the series registers as a legitimate Scranton reality show. Its sound design is minimalistic and front-heavy at times, immersive and convincing at others. When Michael, Dwight and Andy sprint into the office, leaping off desks and sending staplers flying, simply close your eyes and listen. Effects scatter across the soundfield, a sense of believable space is established, and prioritization is spot on. At the same time, the chaos isn't overtly polished or refined; it's exactly what you'd expect to hear from a playback of a rowdy office prank. But that doesn't mean Universal sits this one out. LFE output is natural and supportive, dialogue is perfectly intelligible despite whatever madness or secret meetings ensue, pans are nice and smooth, and rear speaker activity, though not as engaging as some might be accustomed, is entirely effective. The Office: Season Six doesn't pack the sonic heat of other television releases on the Blu market, but it doesn't have to. Fans of the show will be quite pleased.
We invited everyone in the office to our wedding, even though we knew most people probably couldn't make the drive to Niagara Falls. Which is why we're having it in Niagara Falls.
The 4-disc Blu-ray edition of The Office: Season Six includes a decent supplemental package, albeit one that doesn't offer as much content as the series' fifth season release. Fans will find six audio commentaries, two hours of deleted scenes, twenty-five minutes of outtakes and more than a half-hour of additional goodies. Better still, Universal's BD-Live portal promises to provide access to Season Seven episodes as they air this fall. Not too shabby.
I gotta tell you, this baby is amazing. She gets me out of everything! And I... and I love her. I also love her very much.
Ironically, the sixth season of The Office could have used some downsizing. Too many overarching, overreaching storylines, too many Must See TV Events, too many cumbersome episodes. Don't get me wrong, there's still a lot to love about Season Six -- the always-endearing characters, their ongoing development, the wince-inducing trouble they get themselves into, the writers' incredibly memorable dialogue, the actors' improvisational wizardry and more -- but the series' latest outing simply fails to live up to the high standards set by previous seasons. Universal's Blu-ray release is at least more consistent. Its faithful AV presentation makes up for the slight decline in the series' quality, and countless laughs are buried within its five-hour supplemental package. More commentaries, a Picture-in-Picture experience, or really any production featurettes or documentaries would have certainly been appreciated, but that shouldn't give Office regulars any pause when deciding whether or not they should pick up this 4-disc set.
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