8.5 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Based on the popular British series of the same name, this faster-paced American version follows the daily interactions of a group of idiosyncratic office employees at paper company Dunder Mifflin's Scranton branch via a documentary film crew's cameras. Regional manager Michael (Steve Carell) thinks he's the coolest, funniest, best boss ever - which, of course, makes him the uncoolest, most obnoxious and annoying boss as far as his staff are concerned. Salesman Jim Halpert (John Krasinski) has always loved receptionist Pam Beesly (Jenna Fischer) and loves sabotaging his cube-mate, the know-it-all Dwight Schrute (Rainn Wilson). Ryan Howard (B.J. Novak) started as a young, smart, self-possessed temp, but quickly figured out the real office politics despite Michael's attempts to instill the official point-of-view, and gets himself a job at corporate HQ in New York. The staff is rounded out by quiet Phyllis Lapin Vance (Phyllis Smith), beaten down by the working life Stanley Hudson (Leslie David Baker), office alcoholic Meredith Palmer (Kate Flannery), up-tight Angela Martin (Angela Kinsey), formerly closeted homosexual Oscar Martinez (Oscar Nunez), stocky and uncouth Kevin Malone (Brian Baumgartner), ambivalent kleptomaniac Creed Bratton (Creed Bratton), Sad Sack HR rep Toby Flenderson (Paul Lieberstein), persistently love-struck Kelly Kapoor (Mindy Kaling), icy corporate manager turned Michael's girlfriend Jan Levinson (Melora Hardin), former Stamford branch denizen and Cornell graduate Andy Bernard (Ed Helms), warehouse foreman Darryl Philbin (Craig Robinson), and Pam's ex-fiancé Roy Anderson (David Denman)
Starring: Steve Carell, Rainn Wilson, John Krasinski, Jenna Fischer, B.J. NovakComedy | 100% |
Dark humor | 32% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH, Spanish
50GB Blu-ray Disc
Four-disc set (4 BDs)
BD-Live
Mobile features
Slipcover in original pressing
Region free
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 4.0 |
If she's engaged, I'm going to go crazy and I'm going to start attacking people. If she's not engaged... in all honesty, I might just burn this whole place down to the ground out of happiness. Either way, I am going to need some talking down. And nobody talks me down like myself, in a video, talking me down.
Can The Office thrive without Michael Scott? Can it even survive? The short answer: absolutely. Had Steve Carell resigned from Dunder Mifflin at some point in the series' first three seasons, chances are The Office would have faded into the Scranton night. But now? Seven, soon eight seasons in? Michael Scott, proud purveyor of one-liners, misunderstandings and awkward pauses, is just another cog in a well-oiled ensemble; a beloved cog, sure, but a cog all the same. Jim, Pam, Dwight, Andy, Stanley, Angela, Kevin, Oscar, Kelly, Daryl, Phyllis, Ryan, Meredith, Erin, Creed, Toby... how is that a single show has given us so many unforgettable characters? Who would have thought the Little American Adaptation That Could would grow beyond its leading man, to the point that his departure would bring laughter, tears and, perhaps most surprisingly, a sense of exciting new possibilities? For all the doubt hanging over Michael's empty desk, for all the questions about who will fill his chair, does it really matter? Should anyone really be worried? The Office, at its best and even at its worst, has reinvented itself with each passing season to hilarious, unpredictable, ever-quotable (and, yes, occasionally hit-or-miss) ends. And Season Seven, three or four shrug-inducing episodes aside, stands as one of the series' best.
I will never be happier than I am right now. I will also never be less happy. I will be at my current maximum happiness for the rest of my life, because I am manager of the Scranton Branch of Dunder Mifflin...acting manager.
If you already own previous seasons of The Office on Blu-ray, you should know exactly what to expect from Season Seven's faithful-to-a-fault 1080p/AVC-encoded transfer. The series' mockumentary aesthetics sometimes produce unsightly, low-res eyesores (complete with hideous car-cam shots, compression artifacts, aliasing and other inherent anomalies), but most, if not all, of the offending issues simply in on the ongoing joke. Far more often than not, though, the presentation leaves quite an impression. Colors (dull and mundane as they are on occasion) are bright, bold and altogether satisfying, skintones are warm and natural, black levels are nice and deep, and contrast is dead on. Detail fluctuates a bit, but again, only as the cameras and shooting styles involved in a particular scene swap in and swap out. Faux-interviews, conference room meetings, office sit-downs, breakroom misadventures and midfloor encounters look great, with plenty of well-resolved fine textures to go around. Object definition is sharp and (generally) free from ringing and other similar oddities, overall clarity is excellent, and any delineation shortcomings, once again, should be chalked up to intention. Best of all, the encode is sound. Yes, artifacting and other issues abound, but only in the situations I already mentioned. Otherwise, I didn't notice anything that could be attributed to Universal's encoding efforts or the raw quality of the video presentation.
I love banter, but I hate witty banter...
Ditto. Universal's DTS-HD Master Audio 5.1 surround track isn't going to raise the hair on your arms, wake the neighbors or rouse the fam from their midnight slumber. But a careful ear will take note of just how terrific Season Seven's lossless mix really is. Ambience isn't aggressive, but it is incredibly convincing; most of the directional effects in play aren't going to turn any heads, but they are used to great (albeit subtle) effect; rear speaker activity isn't overwhelming, but it is assertive, so much so that it makes the most out of every keyboard tik tak, background chatter, pencil tap tap, bit of unintelligible co-worker gossip and printer zzz schh that frequents any given scene. Likewise, the LFE channel doesn't exactly have any gunfire or explosions to work with -- Threat Level Midnight notwithstanding -- but it does make the most of everything that comes its way, be it a mid-range sedan engine, a slamming door, a Sweeney Todd stage production, an in-office firearm incident or any other mishap that requires some tender loving low-end care. All the while, dialogue remains clean, clear and carefully prioritized, voices sound as if they belong in whatever environment their speakers are inhabiting (cramped cubicle, small office, open warehouse, or city streets) and lines are rarely lost or buried in the mix (even when they are, they're supposed to be). As it stands, Season Seven sounds as good as it looks and, as far as this Office devotee is concerned, Universal's AV presentation justifies the cost of admission.
There is no such thing as a product. Don't ever think there is. There is only sex. Everything is sex. You understand that what I'm telling you is a universal truth, Toby.
Each season of The Office seems to arrive with fewer and fewer special features. Sadly, the 4-disc Blu-ray release of Season Seven is no exception. Still, five audio commentaries, a deluge of deleted scenes, three webisodes, a lengthy blooper reel and the full cut of Threat Level Midnight amounts to four hours of good series fun.
Let me make something clear. Jim and I have never, and will never, have sex in the office. Besides, we have something those other people don't have, which is a home and a bed.
Not everyone will be as fond of Season Seven as I am, and I'm sure The Office has worn out its welcome with more than a few old fans. But, in my humble estimation, the series' seventh season is one of its most consistent and consistently funny to date, sets the stage for life beyond Steven Carell, and bids a moving, altogether memorable farewell to Dunder Mifflin's 148-episode commander in chief. Will Season Eight be just as good? Time will tell, of course. But if Season Seven is any indication, the answer is a resounding "yes." For series fans, purchasing Universal's 4-disc Blu-ray release of The Office: Season Seven should be a no-brainer. Extras are dwindling from season to season, but there's still four hours of supplemental material to enjoy, and the series' latest AV presentation is, as always, excellent. Why are you still here? Add Season Seven to your cart, grab some tissues, toss in Disc Four and try to hold back a tear as Michael Scott walks off into the television sunset forever.
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