5.7 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A priest with a haunted past and a novitiate on the threshold of her final vows are sent by the Vatican to investigate the death of a young nun in Romania and confront a malevolent force in the form of a demonic nun.
Starring: Demián Bichir, Taissa Farmiga, Jonas Bloquet, Bonnie Aarons, Ingrid BisuHorror | 100% |
Thriller | 42% |
Supernatural | 38% |
Mystery | 20% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French (Canada): Dolby Digital 5.1
Spanish: Dolby Digital 5.1 (640 kbps)
English: Dolby Digital 5.1 (640 kbps)
English: Dolby Digital 5.1 (640 kbps)
English DD=U.S. & U.K narrative descriptive
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A, B (C untested)
Movie | 3.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 3.5 |
The Nun is the first chapter in James Wan's Conjuring universe to receive a 4K release, and it's a fitting choice, because much of the film plays out in the interiors of a crumbling medieval abbey, where shades of darkness give an HDR colorist ample room for enhancement.
(Note: Screenshots accompanying this review have been captured from the standard Blu-ray.
Additional 1080p captures from that disc can be found here.)
As best as I have been able to determine, The Nun's 4K iteration is an upconversion from a 2K
digital intermediate, but the combination of higher resolution and HDR grading has resulted in a
noticeable increase in detail of such elements as skin textures, clothing, forest greenery and the
tumbledown shack where Frenchie lives. However, the disc's real strength isn't in these
enhancements of well-lit spaces and objects but in the refinements of black levels and contrast in
the dark recesses of the medieval abbey where the film's heart lies. Dark chambers and corridors
acquire more depth, even when you can't quite see what's in the distance (usually something
horrible); the nuns in their black-and-white habits are more distinctly outlined against the dim
backgrounds; the whites of Sister Irene's garb stand out more vividly; the various spirits and
visions in the graveyard at night are more visible while remaining shrouded in mist and mystery.
Bright highlights are subtly applied to candles and lanterns, although in some scenes the
highlights are intense. For an example of the latter, look at the scene where Frenchie is awakened
from nightmares by a knocking at the door; the sun lights him brightly on the Blu-ray, but on the
4K the illumination looks almost supernatural.
The Nun's UHD version is a fine demonstration of how, even with a 2K source, a talented
colorist can use HDR to enhance the visual experience of a film while also serving its story. Note
that the disc does not have Dolby Vision, although it's hard to imagine that there's much room
for improvement over what has been accomplished with regular HDR.
The Nun's 4K release contains the same Dolby Atmos track previously reviewed. It also suffers from the same "Stupid Disc Authoring" (SDA™) as the standard Blu-ray, defaulting to a redundant DTS-HD MA 5.1 track, so that the user must select Atmos before playing the feature (or during it, if that's when you happen to remember). I note, once again, that Warner is the only studio that insists on continuing to implement these inexplicable audio choices.
The 4K disc has no extras. The included standard Blu-ray contains the extras previously reviewed.
Wan's horror factory is one of Warner's more reliable franchises, and now that the studio has
finally opened the 4K gates for it, maybe they can be persuaded to go back and reissue the four
previous Conjuring films on UHD. (That's The
Conjuring, The Conjuring 2,
Annabelle and
Annabelle: Creation.) The discs may not be
demo material, but The Nun confirms that these
haunted creations can benefit significantly from the 4K format. While the film's UHD
presentation doesn't alter my estimation of the film, there's no question that it's the best version
and is, accordingly, highly recommended.
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Quella villa accanto al cimitero
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