6.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A mother shares a bedtime story with her child of her experience during the war which takes on the quality of fairytale as seen through the eyes of a six year old.
Starring: Omero Antonutti, Margarita Lozano, Claudio Bigagli, Massimo Bonetti, Enrica Maria ModugnoForeign | 100% |
Drama | 84% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
Italian: LPCM Mono (48kHz, 24-bit)
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 4.0 |
Note: This film is available as part of
The Taviani Brothers Collection.
The history of Italian cinema in the post World War II era is a really fascinating subject, though one that often is traditionally shorthanded to
concentrate largely if not solely on neorealism. That now iconic genre, as evidenced by such legendary films as Rome, Open City, The
Earth Trembles, Bicycle Thieves and Umberto D. introduced (or at least reintroduced) global
audiences to such incredible filmmakers as Roberto Rossellini and Vittorio de Sica while also offering (especially American) audiences movies
that were in some ways diametrically opposite to the glossy, staged and often predictably formulaic entries that had tended to be part of
Hollywood’s studio system. (It’s interesting to note that the typically grittier film noir popped up in Hollywood at around the same
time as neorealism, something that might indicate a more universal attempt to bash through norms of presentation.) But while neorealism is
often used as a catch all into which some unlikely suspects are stuffed (like Federico Fellini, albeit for his less whimsical fifties work like La Strada), anyone who takes the time to pore over the huge gamut of films
which were produced and released in Italy even in the few years directly after World War II would have to admit that there was a lot more
going on than “just” neorealism. The sixties saw the rise of filmmakers (like Fellini, in fact) who pushed the stylistic envelope in ways that
the neorealists never would have, and as time and society moved on past the hardscrabble days of the late forties and early fifties, it’s at
least arguable that some elements of Italian cinema actually started to ply territory that was in fact closer to the glossy, staged and
predictably formulaic efforts that (at least once, and maybe continually) typified Hollywood. While a number of different genres or at least
cinematic niches popped up in Italy in the ensuing years, including giallo (Castle of Blood, included as an extra on Nightmare Castle, The Bird With the Crystal Plumage), perhaps
understandably Italian cinema became even more fragmented and varietal as the seventies gave way to the eighties. That may be one
reason
why the films of brothers Paolo and Vittorio Taviani can sometimes be hard to peg, at least accurately. The two are on record (including in
some lengthy interviews included as supplements on this new Blu-ray set) as stating that neorealism unavoidably played a part in their
cinematic upbringings, and therefore became a perhaps subliminal influence on their work, but there are other elements of the Tavianis’
oeuvre which don’t fit quite so neatly in that (or in fact any) preconceived category.
The Night of the Shooting Stars is presented on Blu-ray courtesy of Cohen Film Collection with an AVC encoded 1080p transfer in 1.67:1. It's at least arguable that this is the most pleasing and consistent looking transfer of the three films in the new Taviani Brothers set, one which supports the film's nice range of tones as it ventures between sometimes drab interiors and the more lush exteriors. Detail is commendable throughout the presentation, and even some of those aforementioned interior scenes have above average levels of shadow definition (see screenshot 11 for a typical example). The grain field resolves naturally and there are no issues with compression anomalies.
The Night of the Shooting Stars' lossless LPCM mono track (in the original Italian, with optional English subtitles) provides ample and consistent support for both dialogue and the large amount of various ambient environmental effects scattered throughout the film. While narrow, the track has some appealing depth, especially in some outdoor sequences. Dialogue is cleanly rendered and well prioritized.
Taviani Brothers films like Padre Padrone may have a more visceral emotional impact, but The Night of the Shooting Stars manages to be bittersweet, heartfelt and genuinely moving as it documents the travails of a gaggle of characters in potentially life threatening situations. Perhaps just a bit too fragmented for its own good, the film is nonetheless hugely involving and manages to balance its melancholic and life affirming tendencies. Technical merits are strong, and The Night of the Shooting Stars comes Highly recommended.
(Still not reliable for this title)
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