7.1 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 4.0 |
John, Lara, and Luke Brennan are living the dream. In a blink of an eye their life becomes a cruel nightmare. The lightning quick invasion of their home is shocking and heart wrenching. Horrified, Lara is ripped away from her husband and son before their very eyes. She stands accused and eventually is convicted of murder. In the years that follow, each of them attempt to deal with the judgement bestowed upon her. Knowing with certainty that Lara did not commit the fatal act that she is about to pay for, John makes a fateful decision that will affect the three of them for the rest of their lives!
Starring: Russell Crowe, Elizabeth Banks, Brian Dennehy, Lennie James, Olivia WildeThriller | 100% |
Crime | 86% |
Heist | 42% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 7.1 (48kHz, 16-bit)
French: Dolby Digital 5.1 (448 kbps)
English, English SDH, Spanish
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy (as download)
DVD copy
Slipcover in original pressing
Region A (locked)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 3.0 | |
Overall | 3.5 |
Have you ever experienced a recurring dream or nightmare? Strangely, humans seem almost preprogrammed to undergo several categories of this odd phenomenon. Most of us have had the occasional foray into the “unprepared” dreamscape, where we’re suddenly back in school on a big test day, without having studied, or conversely find ourselves in our workplace where some project is due and we don’t have a clue how to complete it. Another frequently visited dream reality seems to be the “unfairly accused” situation, where we suddenly are ensconced in some sort of criminal activity where often we’ve participated only tangentially, as in walking by when a crime is committed, but then find ourselves the main suspect. Why we seem to be genetically mapped to suffer these strange nightmare scenarios is a question better left to neurologists and/or psychiatrists, but film has always had a close relationship with exploiting the fears which underlie both of these frequently experienced dream worlds, and writer-director Paul Haggis (Crash, thirtysomething) visits some well-worn territory with regard to the “unfairly accused” scenario in The Next Three Days, a fitfully entertaining thriller starring Russell Crowe and Elizabeth Banks in a remake of a French film from 2007 entitled Pour Elle. In the American version, Crowe plays a Pittsburgh literature professor named John Brennan whose wife Lara (Banks) ends up jailed for life for a murder she (probably) didn’t commit. The film spends a great deal of its over two hour running time setting up the domestic situation of the Brennan household, then quickly dissolving that relative tranquility with an over the top interlude where police break into the Brennan home, arrest Lara for the murder of her boss, and leave John and their toddler son to pick up the pieces. Lara’s subsequent appeals are denied, leading to a suicide attempt, and John is left to figure out a way to escape his living nightmare.
The Next Three Days is offered on Blu-ray with an excellently sharp and vivid AVC encoded 1080p transfer in 2.35:1. Pittsburgh is not usually thought of as the most scenic city in the world (and I can say that since most of my mother's family comes from there), but under the direction of Haggis and the sometimes breathtaking cinematography of Stéphane Fontaine, Pittsburgh comes fully alive in this high definition presentation. Some of the establishing aerial shots are so lucidly clear and lushly saturated they may elicit gasps of amazement. The bulk of the film plays out in a sort of gritty, blue-green hue that seems to mirror John's slow descent into moral ambiguity. Because a lot of the film is intentionally dark, occasionally fine detail or contrast suffer slightly, with moderate but never severe crushing in some of the darkest scenes. There's also a hint of softness in some of the segments, notably the prison sequences between Crowe and Banks, but overall the film looks amazingly sharp and clear in the vast majority of sequences. Grain is completely natural looking and the nicely variegated palette is very well displayed in this very nice looking transfer.
The Next Three Days is presented with a blisteringly effective lossless DTS-HD Master Audio 7.1 mix. This is an artfully constructed surround mix which is cinematic in the best sense of the term. It doesn't browbeat the listener with too much information all of the time. Instead we get a very nicely modulated series of sequences, with smaller scale dialogue moments intercut with bombastic action sequences. The film starts off relatively mildly, despite the disturbing opening scene, but then erupts into a flurry of surround activity when seemingly every available Pittsburgh police officer decends on the Brennan household. Things quiet down again, though we get some very nice and natural surround activity throughout the many urban shots John passes through, until finally we get the free-wheeling final third of the film, which is simply a riot of sonic activity as John and Lara attempt to escape as again seemingly every policeman in Pittsburgh is hot on their tail. Fidelity is excellent throughout this mix, with dialogue crisp and clean and sound effects providing a wealth of sonic oomph, including some very boisterous LFE. Special note (no pun intended) should be made of a very unusual score for Danny Elfman, working very, very effectively in this mix, which is free of some of the Tim Burton mannerisms he tends to fall into too often.
The Next Three Days offers these supplements:
The Next Three Days is a lot like an amusement park experience in Anaheim or Orlando. You wait around for a seemingly interminable time, and then you get a few minutes of rip-roaring roller coaster action. The final third of this film works brilliantly, despite its logical lapses, if only because Haggis stages everything at such a breakneck pace. Getting to that final third is a pretty slow slog and it includes some troubling aspects which the final cut of the film don't adequately address. Still and all, Crowe and Banks are wonderful and are obviously charismatic and easy to watch, and the film offers some gorgeous shots of a city not thought of (fairly or unfairly) as being overly picturesque. Recommended.
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