7 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Like a matador confronting a bull, the artist approaches his easel. As he wields his brush, the painting dances into being before our eyes. Pablo Picasso, the most influential artist of the 20th century, is making art, and famous French director Henri-Georges Clouzot (Diabolique, The Wages of Fear) is making a movie. This entirely new kind of art documentary captures the moment and the mystery of creativity; for the film, the master created 20 artworks, ranging from playful black-and-white sketches to widescreen color paintings. Using inks that bled through the paper, Picasso rapidly created fanciful drawings that Clouzot was able to film from the reverse side, capturing their creation in real time. When the artist decided to paint in oils, the filmmaker switched to color film and employed the magic of stop-motion animation. By contract, almost all of these paintings were destroyed when the film was completed. Unavailable for more than a decade, "The Mystery of Picasso" is exhilarating, mesmerizing, and unforgettable; it is simply one of the greatest documentaries on art ever made. The French government agrees; in 1984 it declared the film a national treasure.
Starring: Pablo Picasso, Henri-Georges Clouzot, Claude RenoirForeign | 100% |
Documentary | 14% |
Other | 1% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1, 2.35:1
Original aspect ratio: 1.37:1, 2.35:1
French: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region B (locked)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 3.5 | |
Extras | 3.5 | |
Overall | 4.0 |
Some retrospective photo book culled from the archives of the venerable Time Life organization that my parents had included a fantastic article featuring Pablo Picasso “painting with light” that caught my childhood eye many years ago, with one reason being (aside from the art that I probably was too young to really get) because of Picasso’s almost ogre like appearance. The photo essay caught the iconic artist in a variety of almost bizarre poses, kind of grimacing toward the camera, as if to suggest he wasn’t all that happy about being photographed in the midst of his creative endeavors. Picasso is a good deal more sanguine in The Mystery of Picasso, a film made several years after the Life Magazine picture essay was published, an article which itself evidently appeared around the same time as a previous documentary depicting Picasso in the throes of his creative process, 1949’s Visit to Picasso (also included on this disc as a welcome supplement, as detailed below). There’s a brief article with a neat slideshow here on Time’s website recounting the photo shoot for Life. It includes this interesting quote about Picasso’s working temperament:
Putting on a mask is sometimes enough to set Picasso off into a kind of witch-doctor frenzy. He roars and writhes behind his gorilla mask, dances away to the mirror, returns in a rubber devil's mask to swoop down on his daughter Paloma.Perhaps because The Mystery of Picasso was directed by Henri-Georges Clouzot and filmed by a man with a rather famous artistic surname himself, Claude Renoir, Picasso is at least relatively reserved throughout the film as he creates a series of works in real time for the camera. As an in depth analysis of the creative process, The Mystery of Picasso probably falls short, since it’s less concerned with delving into the depths of Picasso’s psychology than simply watching the man draw (and/or paint).
The Mystery of Picasso is presented on Blu-ray courtesy of Arrow Academy with an AVC encoded 1080p transfer in 1.37: and 2.35. Arrow's insert booklet only contains fairly generic information on the transfer, stating:
The Mystery of Picasso was digitally restored by Gaumon from original film elements. The film is presented in its original aspect ratios of 1.37:1 and 2.35:1, with original mono sound.As is seen in the restoration featurette included on the disc as a supplement, the source element used for this transfer was awash in flecks and specks, along with other damage like density fluctuations, and those have by and large been hugely ameliorated, if not outright eliminated. The black and white footage is quite crisp looking, with deep blacks and nicely modulated gray scale. Grain can look just a trifle noisy when blank white sheets of paper fill the frame, but on the whole resolves naturally and offers no real compression challenges. The color footage really pops magnificently, with Picasso's use of bold primaries offering really vivid saturation. The CinemaScope elements (toward the end of the film) offer a literal wider canvas upon which Picasso works his magic, and clarity is exceptional in these broader works.
The Mystery of Picasso features an LPCM Mono track in the original French, with optional English subtitles. The spoken elements (largely voice over, along with a few momentary conversations with Picasso) come through well enough, but Georges Auric's anachronistic score can sound just slightly boxy at times, especially when he exploits elements like massed paradiddles on various drums. While fidelity can't quite overcome the recording techniques of the time, there's no outright damage in terms of dropouts.
If you come to The Mystery of Picasso expecting some kind of revelatory answers about how Picasso achieved his inspiration, you'll probably find this film a disappointment. Picasso doesn't talk all that much in this piece, and instead most of The Mystery of Picasso is given over to long shots of drawings being developed, all while Georges Auric's sometimes patently odd music plays. That approach may not give salient answers, but it offers a visceral experience of being able to watch Picasso create a work of art, and that is a mystery of sublime proportions that probably shouldn't be explained. Arrow has done a nice job restoring this lesser remembered film by Henri-Georges Clouzot, and as long as the film's intent and context is understood, The Mystery of Picasso comes Highly recommended.
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