5.9 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
Art Bechstein is floundering in his new-found post-college freedom, opting to take the job with the least amount of responsibility he can find (at the appropriately titled Book Barn), while sleep walking through the Series Seven prep courses that will speed him into a job chosen for him by his father, far away from the security of his childhood Pittsburgh. Art's fortunes begin to change when a chance encounter with freshman roommate and part-time drug dealer Mohammed lands him at a swanky summer party where he falls for the beautifully tipsy Jane Bellweather. The two quickly connect over a late-night plate of pie, but Jane's on-again off-again boyfriend Cleveland has other plans for the pair. Taking Art hostage from the dreary Book Barn, Cleveland threatens to throw Art off the top of an abandoned steel mill, a hideout that Cleveland romantically calls "The Cloud Factory." Suspended high above Pittsburgh, Art realizes that his summer has finally begun, what would become the last true summer of his life.
Starring: Jon Foster (I), Peter Sarsgaard, Sienna Miller, Nick Nolte, Mena SuvariDrama | 100% |
Comedy | Insignificant |
Adventure | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
French: DTS 5.1
English, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 2.0 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 1.5 | |
Overall | 2.5 |
For anyone unfamiliar with The Mysteries of Pittsburgh, a brief primer is necessary. The film is based on a master’s thesis completed by Michael Chabon at the age of 25. His professor submitted the novel to a literary agent, who had the thesis published in 1988, landing Chabon tremendous critical praise. Over the years, he’s gone on to write other novels and short story collections that furthered his success and eventually led to his second novel (Wonder Boys) receiving a film adaptation. Chabon reportedly hoped to turn his first novel into a film someday and even completed more than one script before deciding his efforts were futile. Then in 2007, Chabon was approached by Rawson Marshall Thurber, a young writer/director (with the film Dodgeball under his belt), who had his own ideas of how a screenplay could work for the beloved novel. Chabon appreciated what Thurber was able to do with the story, and the film eventually took shape as a hybrid version of the original concept. Unfortunately, upon the film’s Sundance release in January of 2008, most critics slammed the production for its inability to convey the same message and story as Chabon’s novel. Shelved for over a year, we’re now able to reach our own conclusions about the effectiveness of Thurber’s screenplay, with the recent high-definition release of The Mysteries of Pittsburgh.
Jon Foster asks himself where this film went wrong...
Presented in 1080p utilizing the AVC codec (at an average bitrate of 19Mbps), The Mysteries of Pittsburgh has a smooth, filmlike transfer that encompasses a wide variety of visual tones throughout the various shooting locations in and around Pittsburgh. Fine object detail is clearly not the best we've seen from the format, but I noticed obscure lines rendered with a level of precision that appears crisp, but not overly digital. On the same level, the color palette of the film is bright and natural, but never garish or overly saturated. One of the highlights from a visual standpoint is a roadtrip across the Pittsburgh countryside that contains some beautiful landscape shots of lush green fields with low-lying trees sparsely distributed along the road. Equally impressive is the depth of black levels and contrast consistency during daytime or low-light sequences. There was one sequence later in the film (with Art and Cleveland on the run from the police) where contrast was a little less pronounced, but aside from that scene, I was pleased with the differentiation between the light and dark features of the picture. The only real complaint I have with the transfer, is the waxy appearance of facial textures and a complete lack of fllm grain. Both of these elements suggest the application of DNR, causing the finest textures to lose a touch of definition. It's not a dealbreaker in the enjoyment of the film, but does present a roadbump on what is otherwise an enjoyable visual presentation.
The primary audio offering on the disc is a DTS-HD MA 5.1 mix in the native language of English. Considering the dramatic nature of the film, there isn't an extensive use of the surrounds with the exception of a chase scene in the final act of the film and a punk concert that lays the groundwork for Art's friendship with Cleveland and Jane. However, despite the lack of bombastic elements in the mix, the clarity of the dialogue and disbursement of environmental sounds is handled with noticeable care by the sound engineers. Another fine element in the mix is the music, which I'd liken to other successful (yet quirky) soundtracks such as Garden State. Despite the film's flaws, the music is something I'd consider a clear highlight, with it's ability to draw the viewer into Art's ever-evolving world. Taken as a whole, the audio track is substantially better than I was expecting and adds at least a slight degree of positive value to an otherwise flawed production.
Behind-the-Scenes (480p, Dolby Digital 2.0, 5:28 min): Thurber is given the opportunity to candidly
discuss the shooting of the film's final scene while throwing around a football. Meanwhile, footage
from the set is mixed in, showing rough takes from the sparse selection of action-oriented
sequences in the film.
Based Upon the Novel by Michael Chabon (480p, Dolby Digital 2.0,
10:04 min): This topical supplement consists of interviews with Chabon, Thurber, producer Michael
London, and three of the main actors as they discuss the process of bringing the original novel into
the film medium (often considered an impossible task). It's surprising Chabon's so happy with the
end result, but he clearly understands the true intentions of his own story better than the general
public. I'm not sure if there was a problem with my Blu-ray edition, but I had several momentary
audio cut-outs throughout the featurette.
Rounding out the extras, we have a high-
definition trailer for The Mysteries of Pittsburgh.
Although I was disappointed in the film version of The Mysteries of Pittsburgh, there are enough intriguing elements in the plot to pique my interest in one day sitting down to read the novel. Perhaps this was a perfect example of an unfilmable story (as evidenced by Chabon's failed attempts to generate a screenplay), but it felt far too rushed and unconvincing as a character study. If you're truly interested in Chabon's novels, but not a huge fan of reading lengthy stories (or simply don't have the time), I'd recommend you consider watching the superior film adaptation Wonder Boys when it eventually lands on the Blu-ray format.
(Still not reliable for this title)
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