6.2 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Paul Naschy has a duel role as Amenhotep/Assad Bey, an ancient Egyptian mummified Pharaoh, and the high priest who brought him back to life. In order for Amenhotep to achieve immortality, Assad Bey has to kidnap nubile young virgins in Victorian London for blood sacrifices.
Starring: Paul Naschy, Jack Taylor (II), María Silva, Helga Liné, Eduardo CalvoHorror | 100% |
Foreign | 52% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
Spanish: DTS-HD Master Audio 2.0
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
BDInfo verified. Spanish track is also (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region free
Movie | 3.0 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 3.0 | |
Overall | 3.5 |
A beloved horror icon, Paul Naschy’s work ethic brought him to all corners of the genre. In 1975, Naschy elected to make “The Mummy’s Revenge” with director Carlos Aured, not only taking a screenplay credit, but playing dual roles as well, including the monstrous Amenhotep, an Egyptian ghoul reawakened after centuries of rot, on the prowl for human blood. Naschy covers all the bases with “The Mummy’s Revenge,” striving to recreate some Hammer Film magic with his own vision of unholy resurrection. Unfortunately, the production doesn’t focus exclusively on a case of the creeps, insisting banal exposition and absolute stillness take command of the viewing experience, which significantly dulls any potential scariness.
"The Extended Composite Cut" arrives on Blu-ray with an AVC encoded image (2.35:1) presentation. There's a lot of age in play here, with some roughness in the source, working through mild scratching and speckling, and some points of damage. Clarity reaches about as far as possible, delivering a softer look at the film, which does fine surveying costumes and sets, while close-ups offer passable detail. Colors are acceptably refreshed, bringing out Egyptian golds and whites, while Mummy make-up retains its decayed hues. Delineation struggles some, but frame information isn't completely smothered. Added footage is low-res and obvious to spot.
The 2.0 DTS-HD MA Spanish mix also shows its age, working through hiss and pops. Dialogue exchanges are adequate, understanding emphasis when necessary. Scoring is agreeable, with appealing volume and clarity, giving the effort some musical lift. The English mix doesn't fare as well, with damage present and heavier hiss, and it also offers some of the most unenthused dubbing performances I've ever come across.
Naschy's vision for his Mummy isn't to fashion a slow creature that sneaks up on victims. Interestingly, if one squints hard enough, "The Mummy's Revenge" almost plays like a "Friday the 13th" sequel, with Amenhotep becoming Jason Voorhees as he makes his way around London, using a pitchfork, knife, and even a good old-fashioned head squeeze to eliminate victims. The hulking predator stays true to slasher formula, and Amenhotep's scenes are clearly the most compelling in the picture, not only due to direct violence, but the menacing look of the Mummy as well, when noticeable effort going into make-up and blood effects, which are often lovingly detailed in close-ups. "The Mummy's Revenge" isn't particularly disturbing, though it pursues gothic chills and insane characters. However, Naschy's vision doesn't translate to riveting cinema, often taking the long way around to arrive at suspenseful situations. He obviously has the desire to make his mark as a known monster, but this is a movie that's in desperate need of more show, less tell.
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