6.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Then the spirit of Jack the Ripper seems to be very much alive in 1960s London as a series of brutal slayings by the Monster of London City has Scotland Yard baffled. In a macabre coincidence, a new play about the famous murderer is about to become a major West End hit... and the leading man is rapidly becoming the prime suspect!
Starring: Hansjörg Felmy, Marianne Koch, Dietmar Schönherr, Hans Nielsen, Chariklia Baxevanos| Foreign | Uncertain |
| Mystery | Uncertain |
| Crime | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
German: LPCM 2.0 Mono (48kHz, 24-bit)
English: LPCM 2.0 Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 3.5 |
Note: This film is available on Blu-ray as part of Eureka! Entertainment's Terror in the Fog: Wallace Krimi at CCC collection.
Eureka recently released Mabuse Lives!, a really fun box
set featuring six early to mid-sixties efforts that reintroduced the enigmatic title character to global audiences, including the first film in the series
which offered a "return visit" from
"founding Mabuse director" Fritz Lang. A number of the supplements on that set allude to some of the films in this set, since
both
the Dr. Mabuse productions and these so-called Wallace Krimi films were the brainchild of one Artur (also spelled as Arthur)
Brauner, a
German impresario who founded Central Cinema Company (CCC) in 1946 as his nation was in the throes of recovering from the disasters of World
War II. Brauner was an
absolutely fascinating man as is evidenced not just by his studio's output, but also his own personal history, a lot of which is discussed in passing by
his
energetic daughter Alice, who is featured in interviews included both in the Mabuse Lives! set and this one as well. One of Brauner's early
producing
"revelations" was that while, yes, he could produce "message" films that were important to him, he needed to fund those efforts with
other less
portentous offerings that would appeal to a broader demographic. Therefore, as Alice mentions, while his earlier career had a number of rather
interesting and distinctive films that may not have had mass market appeal, Brauner actually had to wait until after series like the Mabuse
and Wallace Krimi franchises raked in
enough dough for him to really concentrate on films about a central focus of his, the effects of the Holocaust on European Jews. And in
fact part of Brauner's entrepreneurial spirit was keeping track of other studios' successes, perhaps none more so than more or less direct
competitor Rialto Film. When Rialto had huge hits with their line of Edgar Wallace krimi films, Brauner rather smartly if perhaps just
a bit deceitfully entered into a deal with Edgar's son Bryan Edgar Wallace for the rights to that Wallace's writing, but probably more importantly,
to that Wallace's name, which then allowed Brauner to market films with a supposed Wallace imprimatur that quite frequently had next to
nothing (and in some cases, absolutely nothing) to do with Wallace.


The Monster of London City is presented on Blu-ray courtesy of Eureka! Entertainment with an AVC encoded 1080p transfer in 2.35:1. This film arguably has some of the most pronounced noir stylish tendencies of the entire series, at least in some quasi-stalking and/or attack scenes, and this transfer offers some really crisp imagery with solid contrast and appealing detail levels, even in what are often rather wide framings (something that kind of ironically tends to increase claustrophobic tension as various potential victims are being chased). In closer framings, fine detail can be commendable. Some surprisingly fulsome shadow detail is available in a number of intentionally shrouded scenes in the theater in particular. There are some very brief anamorphic oddities I'm chalking up to lens deficiencies. Grain resolves without any issues.

Once again as with the other films in this set, The Monster of London City features LPCM 2.0 Mono tracks in either German or English, though in this particular case, I frankly didn't hear much variance in amplitude in toggling between the tracks. Both show just the barest hint of minor distortion in the opening masthead music, but the bulk of the diagetic music sounds fine. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


There are a few other tethers to A Double Life that this outing offers, for those who may want to screen an admittedly weird double feature. The mystery here may not be overly compelling, but this is strong on mood and some of the angst provoking stalking scenes are really creatively shot. Technical merits are generally solid and the supplements appealing. Recommended.
(Still not reliable for this title)

Das Siebente Opfer
1964

Les aventures d'Arsène Lupin
1957

1931

Crime d'amour / Slipcover in Original Pressing
2010

Die 1000 Augen des Dr. Mabuse / Masters of Cinema
1960

La donna della domenica | Standard Edition
1975

P'tit Quinquin
2014

1970

1970

暗戰2 / Am zin 2
2001

1935

ギターを持った渡り鳥 / Guitar wo Motta Wataridori
1959

野獣の青春 / Yajû no seishun
1963

Black Statement Book
1963

けものの眠り / Kemono no nemuri
1960

2011

ザ・ヒットマン 血はバラの匂い / Chi wa bara no nioi
1991

La Femme Bourreau | Limited Edition
1968

1991

カルロス
1991