7.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
A small town is disrupted with the arrival of Dracula to retrieve an amulet controlling the balance between good and evil.
| Horror | 100% |
| Supernatural | 27% |
| Comedy | 1% |
| Family | Insignificant |
| Fantasy | Insignificant |
| Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 5.1
English: LPCM 2.0
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
Slipcover in original pressing
Region B (A, C untested)
| Movie | 3.5 | |
| Video | 5.0 | |
| Audio | 4.5 | |
| Extras | 5.0 | |
| Overall | 3.5 |
Note: The Monster Squad has had several previous releases in both 1080 and 4K in Region A, including a 2013 Blu-ray release
from Olive Films which I reviewed. This review reprints sections of that original review, as appropriate. Those interested can also peruse the following
other reviews:
The Monster Squad Blu-ray review
The Monster Squad 4K Blu-ray review
Arrow has also released The Monster Squad 4K,
which includes the main feature in 4K and the same second 1080 disc as is offered in this edition.


Note: Arrow sent a check disc for purposes of this 1080 review, but a full retail final set for purposes of the The Monster Squad 4K Blu-ray review. I'm assuming that per Arrow's
standard operating procedure, the packaging, including the insert booklet, is the same for both resolutions.
The Monster Squad is presented in 4K UHD courtesy of Arrow Video with an HEVC / H.265 encoded 2160p transfer in 2.35:1. Arrow's
insert
booklet contains the following minimal information on the presentation:
The Monster Squad is presented in its original 2.39:1* aspect ratio with 5.1 and 2.0 stereo audio. For the UHD presentation, the film is presented in 4K resolution in HDR10 and Dolby Vision.This is another generic description which does not include any information about subsequent restoration and/or color timing work done by Arrow itself, and as such this is understandably similar (identical?) to the Kino Lorber 4K / 1080 combo pack release for Region A, one which Kino Lorber reportedly explicitly stated was sourced off the original camera negative. The biggest improvements in terms of the pretty lackluster Olive release, and maybe even the apparently better looking original Lionsgate release, tend to be in terms of palette nuance and especially some shadow detail in the many dark or outright nighttime scenes that tend to predominate large swaths of the narrative, though all of the foregoing has even more improvement in Arrow's 4K UHD presentation. That said, even in SDR everything from some of the cooler blue lit monster material and especially some nicely burnished orange to sepia tone material looks great. The daytime material pops extremely well and understandably can help to support fine detail levels a bit more than the darker scenes. A number of evocatively lit scenes feature nice close-ups where some of the special makeup effects are especially impressive. Grain resolves without any issues.
The restored 4K master was made available by Paramount Pictures.

The Monster Squad features DTS-HD Master Audio 5.1 and LPCM 2.0 options. Both provide problem free (and even in stereo, at times nicely spacious) accountings of the mix, but the surround track pretty significantly opens up any number of design elements, as in some of the sound effects accompanying various intrusions of monsters. Even semi claustrophobic scenes like the early vignette in the storage compartment of the airplane can offer some fun engagement of the surround channels. The outdoor material has good background ambient environmental effects. Bruce Broughton's score is engaging and really nicely balanced throughout. Dialogue is presented without any issues. Optional English subtitles are available.

Disc One
- Commentary by Fred Dekker, André Gower, Ryan Lambert & Ashley Bank
- Commentary by Fred Dekker & Bradford May
- Monster Squad: The Monster Factory (HD; 1:15:25) features 2025 interviews with some of the makeup and special effects crew. These were done via video conferencing and come with a warning about audio quality.
- Monster Mash: A Symphony for Monsters (HD; 19:11) is a 2025 interview with composer Bruce Broughton. This also comes with a warning about audio quality.
- A Conversation with Frankenstein (HD; 8:34) is an archival on set piece with Tom Noonan.
- Caverns (HD; 2:29)
- Fangs (HD; 1:33)
- Fantastic Fest (HD; 3:03)
- Haunting of Lambert (HD; 3:41)
- On the River (HD; 2:07)
- Patrick's Sister (HD; 2:23)
- Fred Dekker on Movies (HD; 9:19)
- Shane Black on Myth (HD; 13:42)
- Adam Goldberg on 80s Movies (HD; 5:38)
- Seth Green on Pop Culture (HD; 6:45)
- André Gower & Henry Darrow McComas (HD; 21:14)
- Audio Interview with Ashley Bank (HD; 35:10) plays to key art and stills.
- Audio Interview with Tom Noonan (HD; 53:40) plays to key art and stills.
- Audio Interview with Carl Thibaut (HD; 40:46) plays to key art and stills.
- Audio Interview with Michael Reid Mackay (HD; 50:34) plays to key art and stills.

The Monster Squad isn't quite as intentionally cheesy as Fred Dekker's Night of the Creeps, but it has that film's same insouciant humor. This outing frankly isn't all that scary (at least for anyone over the age of seven or eight or so), but it's a lot of fun nonetheless. Anyone who wasn't part of the "cool kid" brigade in elementary school is going to empathize with the misfits who make up The Monster Squad, and any kid who ever tried to convince his or her parents of anything which the old fogies weren't inclined to believe will understand the kids' frustration at the initial incompetent response by every adult in this film. Boasting some unexpectedly decent special effects, The Monster Squad isn't a masterpiece by any stretch, but it's a lot of fun and should certainly have a kind of nostalgia value for either those who grew up watching it or have a longer memory of the iconic Universal Monsters. While this basically duplicates the excellent technical merits of the Region A Kino Lorber release, it also has a number of new supplements and so may be of interest to diehard fans who may have already picked up that earlier edition. Recommended.
(Still not reliable for this title)

2019

1988

2015

Black Label 019 | Limited Edition
1986

2019

2006

2018

1981

2009

Collector's Edition | Limited Edition of 300 copies
2018

The Carry On Collection
1966

Special Edition
1982

Limited Edition
2002

1988

1986

1948

Standard Edition
1981

Double Play
2011

WolfCop II
2017

1982