6.1 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A party of archaeologists discovers the remnants of a mutant five-millennia-old Sumerian civilization living beneath a glacier atop a mountain in Mesopotamia.
Starring: John Agar, Cynthia Patrick, Hugh Beaumont, Alan Napier, Nestor PaivaHorror | 100% |
Sci-Fi | Insignificant |
Fantasy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1, 2.00:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 4.5 | |
Overall | 3.5 |
1956’s “The Mole People” is a little hesitant to make a swan dive into sci-fi/horror, opening with expert testimony from a USC English professor who sets the scene by sharing bits of foolish science concerning activity occurring at the center of the Earth. Such mistakes and myth are used to lubricate audience passage into the realm of “The Mole People,” which is pure silliness, but the production seems very concerned with establishing some type of archeological authenticity before it brings out a parade of whip-slinging albinos and the creatures from the depths they’ve enslaved.
The AVC encoded image presentation actually offers two aspect ratios for "The Mole People," providing 1.84:1 and 2.00:1 versions of the same feature, with masking preferences separating the viewing experiences. There's plenty of wear and tear on display, keeping the viewing experience littered with mild scratches and speckling, and some brief single-frame damage is detected. Detail is adequate, surveying sweaty faces and albino make-up, while the monsters retain their rubbery appearance. Matte paintings and studio sets are soft but remain open for survey. Costumes provide light texture. Delineation satisfies, dealing with an effort that uses a lot of darkness to set the subterranean mood. Grain is quite heavy and thick, somewhat unnaturally so.
The 2.0 DTS-HD MA shows more obvious signs of age, with mild hiss and crackling detected throughout the listening event. Dialogue exchanges hit a few patches of muddiness, but clarity is there, securing the feature's extensive exposition and heated exchange between man and mole people. Scoring is defined adequately, offering surges of support during battle sequences.
"The Mole People" deserves credit for keeping a straight face, committed to its own math as it manages men in rubber suits and offers loopy bits of world history. However sluggish early scenes are, "The Mole People" does achieve some momentum, leading to a curiously blunt ending that's memorable, giving viewers some shock value as a reward for being patient with the feature's relatively uneventful first half.
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