7 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Seasoned drug smuggler and thief François “Chico” Tremblay is tired of his modest lifestyle. Given the opportunity to earn $50,000 killing a prominent New York City gangster, he leaps at the opportunity, ignoring the warnings of Montreal’s leading mob boss, who has forbidden local criminals from taking the assignment.
Starring: Dorothée Berryman, Julien Poulin, Gilles Renaud, Serge Thériault, Malcolm NelthorpeForeign | 100% |
Drama | 33% |
Crime | 17% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
French: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English, English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A, B (C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 3.5 |
The Blu-ray packaging for 1975’s “The Mob” (“La Gammick”) lists the film as “Almost completely unseen outside of Quebec.” Not a lot of movies can make that claim, giving the endeavor a unique identity as a crime picture that never found a wide audience, remaining a Canadian viewing experience for a select crowd. Now unleashed on disc, “The Mob” has the challenge of meeting expectations, offering a story of a criminal where his violent actions aren’t explored in a cinematic manner for the most part. He’s the talkative type, keeping the feature to a series of conversations, confessions, and modest confrontations, which is about as Canadian as it gets. Expectations for something more explosive should be lowered, as co-writer/director Jacques Godbout enjoys playing more of a psychological game with his characters.
The AVC encoded image (1.85:1 aspect ratio) presentation for "The Mob" is sourced from a 2K scan of the 35mm interpositive. Canadian International Pictures hopes to bring this obscure crime feature to the masses, and the Blu-ray provides a decent understanding of production achievements. Colors enjoy the bigness of period hues. Costuming is varied, as are interiors, and skintones are natural. Detail has a degree of softness, but most facial particulars remain, and clothing is fibrous. Interior decoration is also open for examination. Delineation is satisfactory. Grain is quite heavy at times, but film-like. Source is in good condition.
The 2.0 DTS-HD MA mix offers a fresh sense of scoring cues, which deliver crisp instrumentation and balanced position. Dialogue exchanges are equally appreciable, with appealing clarity and emphasis. Sound effects are blunt but effective.
Performances are lively in "The Mob," keeping the picture as interesting as possible as the talent work through mild acts of intimidation and personal connections, including Francois's time with a beekeeper (which adds some much-needed surprise to the endeavor). "The Mob" isn't teeming with paranoia and pursuits. It's modest, perhaps a little too much so for this subgenre, but it has a memorable sense of desperation to power it through the run time.
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