7.5 | / 10 |
Users | 4.2 | |
Reviewer | 4.5 | |
Overall | 4.2 |
David Drayton and his young son Billy are among a large group of terrified townspeople trapped in a local grocery store by a strange, otherworldly mist. David is the first to realize that there are things lurking in the mist... deadly, horrifying things... creatures not of this world. Survival depends on everybody in the store pulling together... but is that possible, given human nature? As reason crumbles in the face of fear and panic, David begins to wonder what terrifies him more: the monsters in the mist — or the ones inside the store, the human kind, the people that until now had been his friends and neighbors?
Starring: Thomas Jane, Marcia Gay Harden, Laurie Holden, Andre Braugher, Toby JonesHorror | 100% |
Thriller | 72% |
Sci-Fi | 9% |
Melodrama | 7% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English, English SDH, French, Spanish
Blu-ray Disc
Four-disc set (4 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A, B (C untested)
Movie | 4.5 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 4.5 |
What could be more terrifying than mist, at least for your average video compressionist? Joking aside, kind of interestingly Frank Darabont is on
hand
in some archival supplements included in this release giving a bit of history of his long fascination with Stephen King and the "fear factor" the
author
so easily generates, a fascination which at one point was split
between this property and The Shawshank
Redemption*, and in fact it was the success of The Shawshank Redemption which gave Darabont a certain freedom to pursue
The Mist when he was perhaps a bit more firmly ensconced on the so-called A List. Still, as Darabont gets into in both his commentary track
and
some of the other supplements, The Mist was not hugely budgeted and it's at least arguable that its large and admittedly impressive
ensemble cast didn't feature any huge "marquee stars", despite the participation of notables including Thomas Jane and Marcia Gay
Harden.
That may actually redound to the film's benefit since there's a kind of built in ambivalence as to whether a so-called "character actor" might be
expendable for plot purposes, as in fact does happen as the story unfolds. Darabont has gone on record offering parallels to any number of other
offerings that ply this same general territory of an isolated and confined group of people facing an (at least initially) unknown menace, and how
different people respond differently, but The Mist doesn't just intelligently mine that particular aspect, it builds on a basic "monster
movie"
premise to finally deliver one of the most devastating final sequences in horror movie history, one that will surely leave a lasting impression on
most
viewers.
*Note that the link points to the UK release by The Film Vault, since I reviewed that version, though that said, the discs in the release are region
free and for anyone who loves swag, the Film Vault releases in general may be of some interest.
Note: Screenshots are sourced from the 1080 discs included in this release.
The Mist is presented in 4K UHD courtesy of Lionsgate Films with HEVC / H.265 encoded 2160p transfers (in either color or black and white) in
1.85:1. This may be a field day for videophiles frankly whether or not you're particularly impressed with the results of either and/or both transfers here
simply because it's often so interesting to compare them. I'll just start out by stating generally that in both versions there are some clear upticks in
detail on both "mundane" items like fabrics on costumes or even labels in the store, but also with regard to some of the texturing on both the practical
puppets and other visual effects in the film. Now here's where things got kind of unexpected for me in terms of looking at an effect in black and white
versus in color. While I concur with Darabont's preference for the black and white version in general, I have to say some of the mist effects in the
black and white version in particular struck me as patently less real looking than in the color version. While there's not actual banding at play, I could
spot more of a clear
delineation between tonal values in the kind of neutral white to off white range in the black and white version than I could in the color version. The flip
side of that reaction is that I was much less pleased with the overall look of grain and especially how it interacts with some of the mist effects in the
color version, where it just looked considerably chunkier and understandably more yellow (it being color and all) than in the black and white version.
Interestingly, I'd say detail levels are remarkably consistent when stacking the versions up against each other, though there may be slightly
more shadow detail available in the color version at times. HDR and/or Dolby Vision actually seemed to have cooled things down somewhat in the color
version, which doesn't have the same flushed quality that Marty mentions with regard to the 1080 presentation, and while there are definitely
improvements in both blacks and grayscale in the 4K UHD version, I'm frankly not sure HDR has actually changed things as noticeably as it does in the
color version.
The Mist features a really effective Dolby Atmos track that announces its "weather report" from the get go with thunderclaps that clearly emanate from the Atmos speakers, just the first of several nice placements that offer often fun and spooky "swirling" sounds as the mist starts invading. Kind of interestingly, though, the surround activity seems more consistent to my ears throughout the Atmos rendering even in some of the less "showy" scenes, as in the cacophonous sequences in the store as panic and chaos start breaking out. As Marty mentioned in his review of the 1080 version, on the "low end" of things there is some really aggressive LFE scattered throughout the track, starting with the startle effect of a giant tree crashing through a window. There are some very fun and scary panning noises as various slimy creatures (and/or their tentacles) start wreaking havoc. Marty had some issues with the dialogue in the early going of the 1080 version, but I didn't notice anything overly untoward, though I have to say both video and audio in the first scenes have always had a kind of oddly rough look and sound to them in my estimation. Another cool score by Mark Isham is also well placed throughout the surround channels. Optional English, French and Spanish subtitles are available.
This four disc set offers the prior two disc 1080 release with two 2160 discs presenting the film in color or black and white, per the 1080 release. The 1080 discs contain all of the supplements detailed by Marty in his The Mist Blu-ray review while the two 4K UHD discs offer the commentary track by Frank Darabont and Denise Huth. Additionally a digital copy is included and packaging features a slipcover.
The Mist is absolutely unrelenting, and in my considered opinion it delivers one of the most unsettling gut punches in horror film history in its closing seconds. This nice new release from Lionsgate offers both Darabont's preferred black and white and the theatrical release color versions, and the 1080 discs provide all of the previously released supplemental content. Technical merits are generally solid, especially and outstanding new Atmos track. Highly recommended.
Two-Disc Collector's Edition
2007
Retro Vibes! Slipcover
2007
2007
2007
2007
1982
2007
2007
2013
2002
2018
2001
2018
[•REC]⁴: Apocalypse / [•REC]⁴: Apocalipsis
2014
2016
2013
Collector's Edition
1985
Original Unrated Cut
2005
2012
2010
2004
70th Anniversary
1953
2016
1988
2017