6.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A young girl is forced into a gay conversion therapy center.
Starring: Chloë Grace Moretz, Jennifer Ehle, John Gallagher Jr., Sasha Lane, Quinn ShephardRomance | 100% |
Drama | Insignificant |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.84:1
Original aspect ratio: 1.85:1
English: Dolby Digital 5.1 (448 kbps)
English: Dolby Digital 2.0 (192 kbps)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 3.0 | |
Extras | 1.5 | |
Overall | 3.5 |
How many films covering a certain subject need to come out before we can accept that there at least may be a certain cultural zeitgeist moment being realized? Just a couple of weeks ago I reviewed the intermittently effective Boy Erased, a film which posited the son of a Baptist preacher having to go through so-called “gay conversion therapy”, and now into my queue The Miseducation of Cameron Post has arrived. The gender of the focal “afflicted” youth has changed, but many of the other underlying plot dynamics are almost frighteningly similar, with, in this case, Cameron Post (Chloë Grace Moretz) sent to an ultra conservative Christian “conversion” camp where her lesbianism is going to supposedly be “educated” right out of her. The Miseducation of Cameron Post beat Boy Erased to the big screens by several months, but it's kind of interesting to contrast and compare how the two come at various issues, including what a conversion therapist might call an "indoctrination" into the "gay lifestyle". The Miseducation of Cameron Post begins with one of those overwrought pastoral "counseling" sessions delivered to a bunch of amorous teens, after which it's shown quite overtly that Cameron is a willing participant in gay sex. Boy Erased on the other hand offered a frankly shocking scene where that film’s main character was more or less sexually assaulted against his will, with his assaulter then “outing” him. That element seemed to add insult to injury (in a manner of speaking), making the poor kid at the center of that story a victim twice (and maybe more than twice) over, but it also perhaps tended to add a rather melodramatic, and maybe even slightly smarmy, aspect to the story. Now The Miseducation of Cameron Post arguably has a few melodramatic aspects itself as it unfolds, and Cameron of course gets outed, too, but in this case it’s by the “innocent bystander” (male) date who has brought her to a high school prom, probably thinking he, and not Cameron’s special friend Coley (Quinn Shepherd), was going to end up in the back seat of his car with her after the dance.
The Miseducation of Cameron Post is presented on Blu-ray courtesy of MVD Visual and FilmRise with an AVC encoded 1080p transfer in 1.84:1. While the IMDb is once again devoid of much technical data on the shoot, I found an interesting interview with cinematographer Ashley Connor here where she discusses the Arri Amira and some of the choices that were made for the film, including a rather tamped down, "institutional" palette which can be gleaned in some of the screenshots accompanying this review. Some of the low light scenes in this film are actually fairly impressive, all things considered, with above average shadow detail and some good levels of fine detail. The bulk of the normally lit material offers very good to excellent detail levels and a naturalistic if again somewhat drab palette. This is another FilmRise release like The Boy Downstairs where contrast and brightness looked just slightly washed out at times to my eyes, something that's especially noticeable in some of the interior scenes. The outdoor material can look at least marginally better in this regard.
As I've discussed in several previous reviews of FilmRise releases, they have yet to consistently indulge in lossless audio, and The Miseducation of Cameron Post is another of their Blu-ray outings that offers only Dolby 5.1 and 2.0 mixes. Again as in some previous FilmRise releases (some of which were "talking head" documentaries), this may not be a complete deal killer since the film doesn't really attempt to exploit any "showy" sonics in its sound design. That said, I couldn't help but feel some of the ubiquitous outdoor material might have had more punchy low end and involving surround activity with a lossless presentation. There is decent if never really overwhelming immersion scattered throughout the film, including several group scenes, the aforementioned outdoor material (which is copious) and the placement of Julian Wass' score. Dialogue is always rendered cleanly and clearly.
Perhaps because Moretz' take on Cameron is so (seemingly?) strong and self assured, there's a certain lack of "threat" with regard to her character that may at least slightly undermine the dramatic intensity of the film. That said, what happens to at least a couple of other characters does provide sufficient impact (and then some, some viewers may feel). There is one passing moment in this film which may strike some viewers, at least those who are fans of a certain long running American sitcom, as being somewhat humorous. At one point early in her stay, Cameron is advised by the camp director (Jennifer Ehle) that Cameron is a "masculine" name and has contributed to Cam's uncertainty about her sexuality. One assumes this director has never witnessed the unapologetically gay behaviors of Cam (which I believe even his partner Mitch in the show has described as "flouncing") in Modern Family . Video is generally okay looking here, but FilmRise needs to start providing lossless audio on its Blu-ray releases. With caveats noted, Recommended.
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