6.5 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
The city of Miami finds itself overrun with gambling, vice and murder, and the main man behind it is Tony Brill, a notorious crime boss who rules Miami with an iron fist. Five civic leaders come up with the idea of bringing in Mick Flagg, an ex-gangster who was framed by Brill for murder. Flagg comes into town and starts his own syndicate to intimidate Brill, and to set him up at his own game.
Starring: Barry Sullivan, Luther Adler, John Baer, Adele Jergens, Beverly GarlandDrama | 100% |
Crime | 42% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.5 | |
Video | 3.0 | |
Audio | 3.5 | |
Extras | 0.0 | |
Overall | 2.5 |
Note: This film is available as part of
Noir Archive - Volume 1: 1944-1954.
While the frequently questionable “expertise” of Wikipedia asserts that film noir lasted from the early 1920s until the late 1950s, my
hunch
is at least some fans of film history would tend to proscribe the idiom’s heyday to a probably smaller window of time beginning at some
point in the
1940s and then extending into some other point in the 1950s. If that proscription is accepted, it might then be arguable that there was
no
better purveyor of film noir than Columbia Pictures during this period. While many of the undisputed classics of film noir came
from other studios, as
in the case of Paramount’s Double Indemnity
(released
on Blu-ray through Universal, due to the vagaries of film catalogs changing hands), or Metro-Goldwyn-Mayer’s The Postman Always Rings Twice (released on Blu-ray through
Warner Brothers, due to — well, you get the idea), Columbia Pictures managed to churn out a rather significant amount of noir offerings,
albeit often in what would probably be termed the “B-movie” category. Kit Parker Films and Mill Creek Entertainment have now assembled nine of
these rather interesting
Columbia offerings in one three disc package, and for noir fans, there are at least a couple of rather notable films in this first collection (it
looks like Noir Archive Volume 2: 1954-
1956 is due in a few months), as well as some other outings which frankly might be best categorized as oddities.
The Miami Story is presented on Blu-ray courtesy of Mill Creek Entertainment and Kit Parker Films with an AVC encoded 1080p transfer in 1.85:1. Kind of ironically, given the fact that this film is one of the "newer" ones in this set and the only "widescreen" offering, The Miami Story has one of the less pleasing transfers. Damage is pretty evident from the get go, part of which is understandable due to the opening of the film being a kind of quasi-newsreel with a lot of optical effects. But even the PSA by Senator Smathers is littered with scratches and speckling (along with really weirdly low amplitude on the soundtrack). Once the "actual" film starts, things look dark and rather "dupey" a lot of the time, with a pretty coarse looking grain field and recurrent damage in the form of more speckling and scratches. Despite the use of close-ups, fine detail isn't especially impressive, and a lot of this presentation is pretty soft looking. Things are certainly more than watchable, and as with other offerings in this set, my score should probably be viewed within the context of the entire set.
The Miami Story features a DTS-HD Master Audio Mono mix which once again features some narration, along with a first person "confessional" by a Senator, and then some fairly florid dialogue once the actual story begins. There are some amplitude problems in the Senator's speech, as mentioned above, but the rest of the film sounds better in that regard. Some of the sound effects are enjoyable and the ambient environmental effects in some outdoor sequences are realistic.
No supplements are offered on this release.
Whether or not you accept Wikipedia's definition of the length of the "noir era", one way or the other The Miami Story came at the tale end of that time frame, and some may feel it's more of a traditional gangster yarn than a "real" noir. The film is arguably lacking in real star power, and its story is on the rote side. Video has some issues, but audio sounds generally fine after a somewhat bumpy beginning, for those who are considering a purchase.
(Still not reliable for this title)
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