6.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
In the early 15th century, a young village girl receives visions that drive her to rid France of its oppressors.
Starring: Milla Jovovich, John Malkovich, Faye Dunaway, Dustin Hoffman, Pascal Greggory| History | Uncertain |
| War | Uncertain |
| Epic | Uncertain |
| Drama | Uncertain |
| Period | Uncertain |
| Action | Uncertain |
| Biography | Uncertain |
| Adventure | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
French: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English, English SDH, French, Spanish
Blu-ray Disc
Three-disc set (3 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 3.5 | |
| Overall | 4.0 |
Just in time for holiday shopping and potentially ideal for those French alt-genre film-fans in your family or friend group comes the Luc Besson 9-Film Collection from Sony, which offers six of the controversial filmmaker's movies on 4K UltraHD with Dolby Atmos tracks and three additional flicks on standard Blu-ray with DTS-HD Master Audio. Besson has a messy, I'll just call it "icky" personal past (a word that feels generous), but for those who can separate art from an artist's alleged and/or admitted misdeeds, this box set makes for a solid albeit flawed gift. The films included in the collection are black-and-white post-apocalyptic drama Le Dernier Combat (The Last Battle, 1983), stylized crime dramedy Subway (1985), theatrical and director's cuts of off-kilter romance The Big Blue (1998), proto-Wick assassin thriller Le Femme Nikita (1990), underwater documentary Atlantis (1991), theatrical and extended versions of the beloved, fan-favorite Leon: The Professional (1994), zany '90s sci-fi epic The Fifth Element (1997), domestic and international cuts of underrated historical biopic The Messenger: The Story of Joan of Arc (1999), and visually striking supernatural noir Angela-A (2005).


Come with me. Let's go back, you and I. Allll the way back to the year of our lord, 2008, when last Luc Besson's The Messenger: The Story of Joan of Arc graced these, our humble shores. It was a simpler age, but even then, the film's video transfer was a disappointment. It hasn't withstood any test of time either and looks far worse for the wear in 2025 than it did seventeen years ago (if you can imagine that). But my, oh my, what a difference two decades of technological advancements and a masterful restoration can make. With Sony's newly remastered 4K 2160p offering (currently exclusive to the Luc Besson 9-Film Collection box set), The Messenger is now, for lack of a better word, stunning. And the improvements aren't many... they're comprehensive. It's an across-the-board upgrade, from top to bottom. Lush colors, bold primaries, sumptuous skintones and deep, inky blacks bring cinematographer Thierry Arbogast's palette to stormy, at-times fiery life, tapping into every enhancement Dolby Vision provides to craft a breathtaking work of art. Detail is exacting and refined, with crisp, natural edge definition and precision-captured fine textures. Close-ups are especially striking, and contrast leveling lends the image more depth and dimensionality than ever before. The encode doesn't falter either. I didn't catch sight of any major issues (banding, blocking and the like), and only the slightest hint of infrequent ringing caught my eye. I don't know that I've ever been more impressed with a film I enjoy so little. Hats off to Sony.

It doesn't end there. Enter Dolby Atmos. Horses charge. Hooves thunder. Armor rattles and clanks. Swords clash. Spears drive forward into flesh. Armies roar. The dying scream. And we're right there in the center of it. While the battle scenes are far and away the most immersive sequences in the audio mix, Joan's flights of madness are just as encompassing, swirling around the listener with a ferocity and insanity that overwhelms in all the right ways. The surround channels, rear and upper speakers, whatever you have, slice off perfect portions of the soundfield and return them with heft, aggression and just enough rage to make you crack a grin mid-battle. Directionality is terrific; precise and fun. Fidelity is excellent; buoyant and beefy. LFE support is strong; weighty and impactful. Ambient effects are oh so subtle; soft and smooth as they drift from wall to wall. And the film's quietest moments are as stirring as its most dramatic. (Dear God, the flames at the end. Ugh.) Add to that dialogue that's always intelligible, neatly grounded in the soundscape, spatially accurate and carefully prioritized. Who knew The Messenger could impress this much? So long as you aren't distracted by any irritation with the film itself, Besson's wobbly historical epic offers plenty of bark to match its visual bite.


The Messenger: The Story of Joan of Arc has had as rocky a trek as any historical biopic could, and has had more than its fair share of critical drubbing over the years. Whether all the hate has been entirely worth spewing is for you to decide, but it is a flawed, problematic film that bites off far more than it can comfortably chew in any given mouthful. It's strange too. So many pieces that comprise The Messenger are dazzling... the cinematography, the production design, the intensity and commitment of the performances, the score. Taken on their own, any individual element has such merit. But then there are choices. Big choices. Tossing in Dustin Hoffman, springs to mind. Do such wild swings disrupt an otherwise good thing? It's tough to tell. What is clear is that The Messenger will certainly leave an impression, and probably a strong one, no matter what your take. Thankfully, Sony has seen fit to treat Besson's most divisive film with royal treatment. Blessed with a stunning restoration and 4K video transfer that obliterates the previous BD, an absorbing Dolby Atmos audio track (with a rousing Dolby TrueHD 7.1 core), and a solid supplemental package headlined by a feature-length production documentary, this is, hands down, the definitive release of an otherwise troubled film.
(Still not reliable for this title)

1995

Director's Cut
2005

1961

The Final Cut 4K | Collector's Edition
2004

1948

2022

2008

1970

1995

2001

Director's Cut
2004

2003

with Bonus Disc
2010

2006

Extended Director's Cut
2003

2-Disc Special Edition
2006

1969

2005-2006

1962

60th Anniversary Limited Edition
1962